tag:blogger.com,1999:blog-24428484305396733792024-02-06T21:13:34.987-06:00John Gilbert's BlogWelcome and thanks for stopping by. I will attempt to share with visitors photography, trips I have taken, and some current shoots. Sometimes I will share training from others. My objective is to relieve the experience.John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.comBlogger31125tag:blogger.com,1999:blog-2442848430539673379.post-58606693509754375022019-12-30T07:54:00.000-06:002019-12-30T09:16:51.957-06:00DAYS OF THE COYOTE<span style="font-size: large;"><span style="font-family: "times" , "times new roman" , serif;"><span style="font-weight: bold;">DAYS OF
THE COYOTE</span></span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-weight: bold;"><span style="font-size: large;">October 2019, Yellowstone National Park </span></span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-weight: bold;"><span style="font-size: large;"><i><span style="color: red; font-size: small;">(Click on any image to enlarge it)</span></i></span></span></span><br />
<span style="font-family: "times" , "times new roman" , serif;"></span>
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<![endif]--><span style="font-family: "times" , "times new roman" , serif;"><span class="js-about-item-abstr"><span style="font-size: 12pt; line-height: 107%;">Each visit to Yellowstone is always a new photography opportunity.<span style="mso-spacerun: yes;"> </span>The abundance of wildlife can make for some
excellent photography. Although I attempt to capture as diverse a selection of wildlife as possible when visiting Yellowstone, each visit has yielded different results for me. Also, the time of
year that I have visited has provided different opportunities as well.<span style="mso-spacerun: yes;"> </span>For this year it was the year-of-coyote for
me.<span style="mso-spacerun: yes;"> </span>My first encounter was on Firehole
Drive.<span style="mso-spacerun: yes;"> </span>This one was out hunting in the
open fields.<span style="mso-spacerun: yes;"> </span>I don’t know enough about
how to identify them at a distance from their heads.<span style="mso-spacerun: yes;"> </span>In the dog world, the male will have a larger
more masculine head while the female’s head is smaller and more feminine.<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqid9c3JBs18QkY72u-14-zMFC9RdZT_UKOe2Ckmmkd4KnZ6ubB-xMdHzNd-mJ8pPkJboJBeTfGC9rFjW52hteMqMYUcSt50NyikYOri6I6cW20YDF6QtiHAttLeoeTEiyNuxCypEr3Q9k/s1600/_50G0866-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1095" data-original-width="1600" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqid9c3JBs18QkY72u-14-zMFC9RdZT_UKOe2Ckmmkd4KnZ6ubB-xMdHzNd-mJ8pPkJboJBeTfGC9rFjW52hteMqMYUcSt50NyikYOri6I6cW20YDF6QtiHAttLeoeTEiyNuxCypEr3Q9k/s400/_50G0866-P-Gallery.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D500, Nikor 200-500mm Lens, f/13, 1/400 sec, ISO 500, EV -0.33</td></tr>
</tbody></table>
</span></span></span><br />
<span style="font-family: "times" , "times new roman" , serif;">The
coyote is a canine native to North America. It is smaller than its close
relative, the gray wolf, and slightly smaller than the closely related eastern
wolf and red wolf.<span style="mso-spacerun: yes;"> </span>They range in size
from 32 to 37 inches long excluding the tail.<span style="mso-spacerun: yes;">
</span>They can weigh anywhere from 20 to 50 pounds.<span style="mso-spacerun: yes;"> </span>They are omnivores and can run
in packs. The populations in America are increasing.</span></div>
<span style="font-family: "times" , "times new roman" , serif;">
</span><br />
<div style="font-size: 12pt; margin-bottom: 8pt; margin-top: 0pt;">
<span style="font-family: "times" , "times new roman" , serif;">The next sighting was about five miles outside West Yellowstone.<span style="mso-spacerun: yes;"> </span>True to form this one was hunting rodents in
a sage-covered field.<span style="mso-spacerun: yes;"> </span>Note it’s
intensity.<span style="mso-spacerun: yes;"> </span>It can hear them, in this
case probably a mole, burring under the surface. Once it locks on to its prey
it will jump in the air to pounce on it.<span style="mso-spacerun: yes;">
</span>Whatever it heard it was unsuccessful at this time and probably due to
being cognizant of my presence.</span></div>
<span style="font-family: "times" , "times new roman" , serif;">
</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGhakUEVj_Q-3vSqyHEYXcMj86WiFhK4hmOnHzxROFowEVH3gSSVJWNEuZrUS-3BIpf22-x8Rfh_tgj01gesg60JVEqSYX8zBkAz_acjCgGXHcc_kqGSc6gqgRYmmZARiNJg-pa5oML1NJ/s1600/_50G1459-PFB.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="743" data-original-width="1040" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGhakUEVj_Q-3vSqyHEYXcMj86WiFhK4hmOnHzxROFowEVH3gSSVJWNEuZrUS-3BIpf22-x8Rfh_tgj01gesg60JVEqSYX8zBkAz_acjCgGXHcc_kqGSc6gqgRYmmZARiNJg-pa5oML1NJ/s400/_50G1459-PFB.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D500, Sigma 100-400mm Lens, f/6.3, 1/500 sec, ISO 1100,</td></tr>
</tbody></table>
<span style="font-family: "times" , "times new roman" , serif;">
</span><br />
<div style="font-size: 12pt; margin-bottom: 8pt; margin-top: 0pt;">
<span style="font-family: "times" , "times new roman" , serif;">They
will eat almost anything.<span style="mso-spacerun: yes;"> </span>They hunt
rabbits, rodents, fish, frogs, and even deer.<span style="mso-spacerun: yes;">
</span>Because they will prey on livestock and pets, they are considered
destructive pests.<span style="mso-spacerun: yes;"> </span>Coyotes have a keen
vision and a strong sense of smell.<span style="mso-spacerun: yes;">
</span>Reaching speeds of 40 miles per hour is not uncommon.<span style="mso-spacerun: yes;"> </span>They form packs in the fall and winter for
more effective hunting.</span></div>
<span style="font-family: "times" , "times new roman" , serif;">
</span><br />
<div style="font-size: 12pt; margin-bottom: 8pt; margin-top: 0pt;">
<span style="font-family: "times" , "times new roman" , serif;">Two
days later I came across my best opportunity, near Gibbons Falls
along the Gibbons River to photograph yet another coyote this time a pair.<span style="mso-spacerun: yes;"> </span>The coyote had crossed a creek spur and stopped
to check me out.<span style="mso-spacerun: yes;"> </span>Naturally, that gave me
all the time I needed to snap a few images.<span style="mso-spacerun: yes;"> </span>I love the contrast afforded by the snow, trees, and running water.</span></div>
<span style="font-family: "times" , "times new roman" , serif;">
</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxBEEMxSJ0dGhQplzWg_ohZxdo04k4HDtDpS7-LsZBBMvpKZbPb0l3LAsfvYH-y_0my_rbwUvXL70Rk9KRYnprGDAyqhGIpB-jET-U6UH0V2AMk3sDQ7xK4T2pUTRK6CluOfNMHew_MFZ6/s1600/_85G7508-PFB.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="743" data-original-width="1040" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxBEEMxSJ0dGhQplzWg_ohZxdo04k4HDtDpS7-LsZBBMvpKZbPb0l3LAsfvYH-y_0my_rbwUvXL70Rk9KRYnprGDAyqhGIpB-jET-U6UH0V2AMk3sDQ7xK4T2pUTRK6CluOfNMHew_MFZ6/s400/_85G7508-PFB.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850 Nikor 200-500mm Lens, f/16, 1/1000, ISO 500</td></tr>
</tbody></table>
<span style="font-family: "times" , "times new roman" , serif;">
</span><br />
<div style="font-size: 12pt; margin-bottom: 8pt; margin-top: 0pt;">
<span style="font-family: "times" , "times new roman" , serif;">They
have strong family ties with both parents feeding and protecting the
young.<span style="mso-spacerun: yes;"> </span>In the wild watching coyotes
track a rodent by sound and then pouncing by jumping in the air is a treat.<span style="mso-spacerun: yes;"> </span>Until the reintroduction of wolves coyotes
faced few predators in Yellowstone other than cougars, who will kill coyotes
feeding on cougar kills.<span style="mso-spacerun: yes;"> </span>After wolves
were restored, dozens of coyote pups and adults were killed by them, primarily
when feeding on a wolf kill.</span></div>
<span style="font-family: "times" , "times new roman" , serif;">
</span><br />
<div style="font-size: 12pt; margin-bottom: 8pt; margin-top: 0pt;">
<span style="font-family: "times" , "times new roman" , serif;">In
this next shot, something caught his/her attention and again made for an
excellent composition in my opinion.</span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbENOxo5fms-zFaA1Eb4iVXxZ-v57L0vKPHVzdk-pmqDLTlq8_OnZsswnkbrScwH3vASADFDj0bwSgdDBOzTwKsKoFP2As5FKgu-s92BElFiDjaGDBXGDuJz-iiFg0-vLnQYuAWluiPc6U/s1600/_85G7522-PG.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbENOxo5fms-zFaA1Eb4iVXxZ-v57L0vKPHVzdk-pmqDLTlq8_OnZsswnkbrScwH3vASADFDj0bwSgdDBOzTwKsKoFP2As5FKgu-s92BElFiDjaGDBXGDuJz-iiFg0-vLnQYuAWluiPc6U/s400/_85G7522-PG.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Nikor 200-500mm Lens, f/16, 1/800, ISO 500</td></tr>
</tbody></table>
<span style="font-family: "times" , "times new roman" , serif;">
</span><br />
<div style="font-size: 12pt; margin-bottom: 8pt; margin-top: 0pt;">
<span style="font-family: "times" , "times new roman" , serif;">I
track this guy/gal as it headed for deeper cover but still moving in a straight
line when it entered a wooded area.<span style="mso-spacerun: yes;">
</span>Because it was moving parallel to me I was able to anticipate that it
was headed for a clearing in the woods which framed up this shot.<span style="mso-spacerun: yes;"> </span>This is probably my best one of my coyote series.<span style="mso-spacerun: yes;"> </span>The trees framed up the subject and its color
made for some great contrast against the white snow.</span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib4R9FA-yUuFSYqnvkFqMN75QtLUU0vq6DL8JGhvXZctvzF1JNbIU5YJxSumUbZvVq4gafv8aXzupyRmBZIF-ZXVhBUVT5bviB53HvIxdh_nqb7Kh1qt33eB9Gaph8EzIDI4EH9PVh-c7y/s1600/_85G7543-P-FB.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1144" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEib4R9FA-yUuFSYqnvkFqMN75QtLUU0vq6DL8JGhvXZctvzF1JNbIU5YJxSumUbZvVq4gafv8aXzupyRmBZIF-ZXVhBUVT5bviB53HvIxdh_nqb7Kh1qt33eB9Gaph8EzIDI4EH9PVh-c7y/s400/_85G7543-P-FB.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Nikor 200-500mm Lens, f/16, 1/500 sec, ISO 500</td></tr>
</tbody></table>
<div style="font-size: 12pt; margin-bottom: 8pt; margin-top: 0pt;">
<span style="font-family: "times" , "times new roman" , serif;">A
trip to Yellowstone is never without its rewards if you are into
photography.<span style="mso-spacerun: yes;"> </span>I have officially stayed at
all entrances to Yellowstone National Park.<span style="mso-spacerun: yes;">
</span>In addition to these coyotes, I got some great wildlife shots of other
animals and some beautiful landscapes. Although this would be enough to end this adventure I came upon yet another coyote on my way through the Gallatin Forest crossing the Teton Pass. I am going to venture and say this may be a female. Note her size and feminine head.<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxuRWDf3hIr1o4Y1cMnjyTXF6UFfn1KRlS1fKkv7HwbnACoHa5t0MRdvfzcJAEwrMSppXazsqy0El_di5aUx3IyRGDqSpAb27Ae4c08sPYmzV_dv61f8OaAN0sH8Yvojcm5y3RoGvnWaZS/s1600/_85G7630-PFB.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="743" data-original-width="1040" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxuRWDf3hIr1o4Y1cMnjyTXF6UFfn1KRlS1fKkv7HwbnACoHa5t0MRdvfzcJAEwrMSppXazsqy0El_di5aUx3IyRGDqSpAb27Ae4c08sPYmzV_dv61f8OaAN0sH8Yvojcm5y3RoGvnWaZS/s400/_85G7630-PFB.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Nikor 200-500mm Lens, f/13, 1/640 sec, ISO 500</td></tr>
</tbody></table>
Hope
you enjoyed this post.<span style="mso-spacerun: yes;"> </span>Please consider
following me and sharing this link with your friends.</span></div>
John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com1tag:blogger.com,1999:blog-2442848430539673379.post-30184081753941084072019-11-20T07:49:00.001-06:002019-11-20T07:53:54.947-06:00A TRIP TO BOXLEY<div style="text-align: center;">
<span style="color: #cccccc;">A WEEKEND AT BOXLEY ARKANSAS</span><span style="background-color: #666666;"><span style="color: #cccccc;"><span style="color: #cccccc;"><span style="color: white;"><b><span style="background-color: #666666;"></span></b></span></span></span></span><br />
<span style="color: #cccccc;">October 25, through 27, 2019 </span><br />
<span style="color: blue;"><i>(Click On Any Image To Enlarge It)</i></span><span style="color: #cccccc;"> </span></div>
<span style="color: #cccccc;"><span style="color: white;"><span style="background-color: white;"></span><br /></span></span>
<br />
<span style="color: #cccccc;">Boxley, Arkansas is a small village along the Buffalo National River, unit of the National Park Service. Boxley is located along the Ozark Highlands Scenic Byway, which is a 35-mile section of Ark. 21 that passes through the Ozark National Forest beginning near Clarksville and ending at the Buffalo National River. Boxley is best known for its location along the Buffalo, the nation’s first national river. On this trip, I traveled with Bill Palmer and Roy Gold. Bill Palmer had organized this trip through the Friends of Eagle Bluffs Photography Group (FOEB) located in Mid-Missouri to photograph the Elk in rut and the many waterfalls in the area. </span><br />
<br />
<span style="color: #cccccc;">We stayed at Lost Valley Canoe & Lodging. <a href="https://www.lostvalleycanoe.com/">https://www.lostvalleycanoe.com</a>. Our cabin was located on the side of a mountain and it was a good thing Bill Palmer's vehicle had 4-wheel drive. Once we parked the car we ascended a set of steep steps to get to the weekend residence. Our lodgings were more than adequate complete with two full-size beds upstairs, a living room with futon bed downstairs, a bathroom with shower, and a fully furnished kitchen, deck, screened-in porch, and a hot tub. We even had a resident grey cat, Mr. Skittles, waiting for us on the porch. Our host even provided cat food with instructions to feed the cat.</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="color: #cccccc;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl5rhvvNguU9OwF_OYjOtiKeYkmxOGyM7hDirjoCCuUve8kLGIDwgQplT7ml8iGbq06H1sa3a_c3tKWc_3bwTxCqlmzBQD-ejrTND6cP1wc3qyF-z_Mtanc1JC9vVbB4vXtyMD0LQbE1Bb/s1600/85G_7723-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl5rhvvNguU9OwF_OYjOtiKeYkmxOGyM7hDirjoCCuUve8kLGIDwgQplT7ml8iGbq06H1sa3a_c3tKWc_3bwTxCqlmzBQD-ejrTND6cP1wc3qyF-z_Mtanc1JC9vVbB4vXtyMD0LQbE1Bb/s400/85G_7723-P-Gallery.jpg" width="400" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;">Nikon D850, Sigma Art 100-400mm, f/8, 1/320sec.,ISO400</span></td></tr>
</tbody></table>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">Day 1:
After checking in we drove around to check out the Elk herds in the Ponca
Wilderness area and meet up with some other members of the FOEB group, David
Carron, Susan Tonarely, Linda Gardner-Goos, and Sheila Kinney.<span style="mso-spacerun: yes;"> </span>There were several bands of Elk each with a
few bulls.<span style="mso-spacerun: yes;"> </span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="color: #cccccc;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio1_wBYAlFGllfn01YMGYVl_3Lbg8v0Pn4v3CtTbyLalsPTi0K5ssY8AtnutpDO0yviyzvMWL-Vjndo_4CMT5hlmZbV4zfAx7qOiXAECE7-bPaeqYFzOZY3C4PfPqE85_YpAJ49AcZ3IKV/s1600/85G_7743-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio1_wBYAlFGllfn01YMGYVl_3Lbg8v0Pn4v3CtTbyLalsPTi0K5ssY8AtnutpDO0yviyzvMWL-Vjndo_4CMT5hlmZbV4zfAx7qOiXAECE7-bPaeqYFzOZY3C4PfPqE85_YpAJ49AcZ3IKV/s400/85G_7743-P-Gallery.jpg" width="400" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;">Nikon D850, Sigma Art 100-400mm, f/6.3, 1/800sec., ISO 2500</span></td></tr>
</tbody></table>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">After
viewing the Elk we struck out for our first waterfall, Eden Falls.<span style="mso-spacerun: yes;"> </span>The Lost Valley trail is the most popular
hiking trail in the Buffalo River area.<span style="mso-spacerun: yes;">
</span>It’s easy to get to, and easy to hike. It is approximately a 2.3-mile
round-trip hike.<span style="mso-spacerun: yes;"> </span>We were there in the
fall so the foliage added to the ambiance of the area.<span style="mso-spacerun: yes;"> </span>It had rained and was still overcast which
made the wet leaves' colors pop. Being cloudy is like a giant diffuser that
creates very soft light.<span style="mso-spacerun: yes;"> </span> </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="color: #cccccc;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9XQw7pTgCWPvRzwM-k_k6V5JrM7LkmIIr_lcrML95BSzRhIIMtOeulx_wuA04FWhmqB38xhz0xsOrn-efBaRFL-PQ4Pl-YX3YTR3Re3v3mPhIgW7hrqAMmD6U9MhYzJv5-4eMjLZ5Blt-/s1600/85G_7768-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9XQw7pTgCWPvRzwM-k_k6V5JrM7LkmIIr_lcrML95BSzRhIIMtOeulx_wuA04FWhmqB38xhz0xsOrn-efBaRFL-PQ4Pl-YX3YTR3Re3v3mPhIgW7hrqAMmD6U9MhYzJv5-4eMjLZ5Blt-/s400/85G_7768-P-Gallery.jpg" width="400" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;">Nikon D850, Sigma Art 24-105, f/10, 5 sec., ISO 80</span></td></tr>
</tbody></table>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">To get to the
trailhead, take Highway 43 from Ponca to Boxley through the Boxley Valley.
There is a sign that clearly marks the turnoff to the Lost Valley Campground
hiking area.<span style="mso-spacerun: yes;"> </span>About a half-mile down the
road, you’ll get to a large parking lot with porta pots. You better take a
break; restroom facilities are not plentiful.<span style="mso-spacerun: yes;">
</span>One writer said the woods here are almost tropical and that is the
feeling I had.<span style="mso-spacerun: yes;"> </span>Because of all the trees,
moisture, and shade, there are a lot of moss-covered rocks.<span style="mso-spacerun: yes;"> </span>Hiking to the falls will afford numerous
cascades and run-off brooks as well as a creek or two.<span style="mso-spacerun: yes;"> </span> </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="color: #cccccc;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv4BFcjzE_myGuO8B8di16iCqJBNiZQIbeqj8mdHMUdzGh5cqNklyaaejGScAa8yaha9c8WEWbQEV9L7loV5yF1Dj6NAJobX2IxUB2n0ATQfUVcqoGFNomVj8Mf92Lps9kloZIsp6M7CPP/s1600/85G_7781-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjv4BFcjzE_myGuO8B8di16iCqJBNiZQIbeqj8mdHMUdzGh5cqNklyaaejGScAa8yaha9c8WEWbQEV9L7loV5yF1Dj6NAJobX2IxUB2n0ATQfUVcqoGFNomVj8Mf92Lps9kloZIsp6M7CPP/s400/85G_7781-P-Gallery.jpg" width="266" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;">Nikon D850, Sigma Art 24-105mm, f/13, 8 sec., ISO 80</span></td></tr>
</tbody></table>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">There are four sections to this falls, lower,
middle, upper falls and inside a cave.<span style="mso-spacerun: yes;"> </span>I
am including three photos.<span style="mso-spacerun: yes;"> </span>The first
fall I came upon was coming out of the rocks and I assume this is part of the
cave falls while the second image is of the lower falls and finally the upper
falls.<span style="mso-spacerun: yes;"> </span>I was unaware the falls had four
tiers until I read <span style="font-style: italic;">Arkansas Waterfalls</span>
by Tim Ernst.<span style="mso-spacerun: yes;"> </span>This will require a return
trip. <span style="mso-spacerun: yes;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsqRhrOJQDx2PWZvHwngdlT_abHeRLDGbLbczOwSr4aFDGNAOh9dbzX3ySvNNQ4KAE4BlN3PT9EWkD3kbSq5rZwSvTQdmSTOu0UU3VJXlh_I0bcY7dwMaKC29SI0PHhSeWOSqygdhZTjSh/s1600/85G_7787-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsqRhrOJQDx2PWZvHwngdlT_abHeRLDGbLbczOwSr4aFDGNAOh9dbzX3ySvNNQ4KAE4BlN3PT9EWkD3kbSq5rZwSvTQdmSTOu0UU3VJXlh_I0bcY7dwMaKC29SI0PHhSeWOSqygdhZTjSh/s400/85G_7787-P-Gallery.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma Art 100-400mm, f/16, 8 sec., ISO 80</td></tr>
</tbody></table>
</span></span></div>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">Hiking
out a few of us stopped to photograph a brook bordered by moss-covered
rocks.<span style="mso-spacerun: yes;"> </span>These can be very peaceful and
serene and always make for a good composition. <span style="mso-spacerun: yes;"> </span>We ended the day back at the cabin with hot
tea and sandwiches.<span style="mso-spacerun: yes;"> </span>We lounged around
planning out the next day and talking photography.<span style="mso-spacerun: yes;"> </span>Some Rum & Coke for me and Wine for Bill
and Roy rounded out the evening.<span style="mso-spacerun: yes;"> </span>I
almost forgot I had to feed the cat.</span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="color: #cccccc;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiawe07zx9MD30EU4Jh8kqlz_FftvlSTOMP3eTdGNaHcVCIzlbwPd4HxsUPUk0Et7hQhz0cqFHxI3v9ayhFD91UNZ_Gr1yJsk3Lsdu5H2EQoqixg7vGrzc29sbHIypL7y9SC_mnTp1kAt4l/s1600/85G_7796-P2-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiawe07zx9MD30EU4Jh8kqlz_FftvlSTOMP3eTdGNaHcVCIzlbwPd4HxsUPUk0Et7hQhz0cqFHxI3v9ayhFD91UNZ_Gr1yJsk3Lsdu5H2EQoqixg7vGrzc29sbHIypL7y9SC_mnTp1kAt4l/s400/85G_7796-P2-Gallery.jpg" width="266" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;">Nikon D850, Sigma Art 24-105mm, f/16, 1 sec., ISO 200</span></td></tr>
</tbody></table>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">Day 2:
After some coffee and breakfast we loaded up and hit the road. We drove to the
Ponca Wilderness area to check on the Elk again.<span style="mso-spacerun: yes;"> </span>The larger bands and moved back towards the
woods but this large bull gave us an opportunity to get yet another shoot.<span style="mso-spacerun: yes;">
</span> </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="color: #cccccc;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxpYJ492-UbwyznzwkbxAvMoJWmaC9QRS2NSTgSgtNdOjpVYs8qEsD-eOfSWiXsild-DSIZb9gzZhvBadaMfOa_fqbpNGUCX_FZnlMkNP__vGT61k2tOKymTmKduDHr9cBCsUH3xU5WXVC/s1600/85G_7851-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxpYJ492-UbwyznzwkbxAvMoJWmaC9QRS2NSTgSgtNdOjpVYs8qEsD-eOfSWiXsild-DSIZb9gzZhvBadaMfOa_fqbpNGUCX_FZnlMkNP__vGT61k2tOKymTmKduDHr9cBCsUH3xU5WXVC/s400/85G_7851-P-Gallery.jpg" width="400" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;">Nikon D850, Sigma 150-600mm, f/6.3, 1/500 sec., ISO 3200</span></td></tr>
</tbody></table>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">This area is the stomping grounds for Bill and Roy so they knew where to
go.<span style="mso-spacerun: yes;"> </span>We checked out several areas and met
folks from around the state who were out there doing what we were doing,
capturing nature on camera.<span style="mso-spacerun: yes;"> </span> </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="color: #cccccc;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8cV0E9g2jmdCmv8ZM04joE_sIOVlng736J00mcW7GPfzZ8vRPsfDCQsrRMouCFKDLF-ViFP-ZCR3k64YXfJLDRJ2IGhedFxeynu-R1LUKYT9BSP9B6_Q1-d1e59NtcuJhkEwE7HSVCGxW/s1600/85G_7859-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8cV0E9g2jmdCmv8ZM04joE_sIOVlng736J00mcW7GPfzZ8vRPsfDCQsrRMouCFKDLF-ViFP-ZCR3k64YXfJLDRJ2IGhedFxeynu-R1LUKYT9BSP9B6_Q1-d1e59NtcuJhkEwE7HSVCGxW/s400/85G_7859-P-Gallery.jpg" width="400" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;">Nikon D850, Sigma 150-600mm, 1/500 sec., ISO 800</span></td></tr>
</tbody></table>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">After
watching the Elk for several hours we went back to our cabin for lunch.<span style="mso-spacerun: yes;"> </span>Susan Tonarely had homemade chili which she had frozen for the
trip.<span style="mso-spacerun: yes;"> </span>Because we had a full kitchen with
pots and pans she heated and then the ladies made a pan of cornbread which they
popped in the oven.<span style="mso-spacerun: yes;"> </span>The seven of us
enjoyed lunch accompanied with a stimulating group photography discussion on
techniques and gear.</span></div>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;"><br /></span></div>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">After
lunch, we all loaded up with our destination to Triple Falls, aka Twin
Falls.<span style="mso-spacerun: yes;"> </span>We traveled the Camp Orr Road,
also known as 2306.<span style="mso-spacerun: yes;"> </span>The road to get
there is steep and rough in spots.<span style="mso-spacerun: yes;">
</span>Access Hwy 74 west of Mt. Sherman. The road is marked for Kyle’s Landing
and Camp Orr. Travel about a mile until the road forks and stay right. You will
be heading to Camp Orr about 1.8 miles and not Kyle’s landing. At the bottom of
the mountain, you will cross a creek and a parking area that is immediate to
your right.<span style="mso-spacerun: yes;"> </span>Because of the time of year
that we were there the foliage was not at its peak but was nothing to sneeze at
either.<span style="mso-spacerun: yes;"> </span>It was lightly raining so the
wooded area had a rainforest feel to it.<span style="mso-spacerun: yes;">
</span>Along the way were several cascades and we couldn't pass up the
opportunity for a photo op.<span style="mso-spacerun: yes;"> </span>All of my
images are processed using Tony Kuyper's TK7 Action Panel and Sean Bagshaw's
training videos of Tony's action panel.<span style="mso-spacerun: yes;">
</span>Search these guys on the internet or YouTube and take your
post-processing to a whole new level.<span style="mso-spacerun: yes;"> </span>I
shot this next image with a Nikon D750 and a Sigma 24-105 Art Lens. Aperture=
f/18, Shutter=0.8. and ISO=80.<span style="mso-spacerun: yes;"> </span>Due to
the overcast skies, and soft rain, the light was diffused enough to allow me to
get a slower shutter speed without the use of an ND Filter plus the increased
depth-of-field also helped.<span style="mso-spacerun: yes;"> </span>Normally I
don't shoot anything above f/16 because of diffraction but I experimented on
this trip. <span style="mso-spacerun: yes;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPkYkt6EfGkRLdpzMtT8muliMsWiADcVu3QuTnR8wG86DUw_hGEFubjO6wfnjR1uYW1YRHovGFLq4b0OYyI5W4ZqkK5sLEORorzVt1SgDQHtSKt16ixPEMxGeq-IVu2zanEvifiGZUTz-m/s1600/DSC_1256-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPkYkt6EfGkRLdpzMtT8muliMsWiADcVu3QuTnR8wG86DUw_hGEFubjO6wfnjR1uYW1YRHovGFLq4b0OYyI5W4ZqkK5sLEORorzVt1SgDQHtSKt16ixPEMxGeq-IVu2zanEvifiGZUTz-m/s400/DSC_1256-P-Gallery.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D750, Sigma Art 24-150mm, f/18, .8 sec., ISO 80</td></tr>
</tbody></table>
</span></span></div>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">By the
time we made it to the parking lot, it was raining hard enough that it was time
to put on the rain gear.<span style="mso-spacerun: yes;"> </span>I like to use
plastic poncho because I can keep my camera covered with it as well.<span style="mso-spacerun: yes;"> </span>Triple Falls is a 50-foot waterfall located
near Jasper, Arkansas.<span style="mso-spacerun: yes;"> </span>It is a simple
hike along the trail on the north side of the creek and is probably one of the
most scenic in Arkansas.<span style="mso-spacerun: yes;"> </span>It has that WOW
factor after a good rain when it becomes three falls instead of two.<span style="mso-spacerun: yes;"> </span>Due to the rain we had to hike through water
and mud to get to the falls but it was not bad.<span style="mso-spacerun: yes;">
</span>It is a nice path covered on both sides with tall trees. </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="color: #cccccc;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwprl-MaI6orgiDXzagnW6qfUJ2BS-4sIdzq4f2KiCqG-74SJMReS00saqa4lq7gz0ty889pC9HlMurxmp66ooGNyKZIDXIswRxFn71J6Va3A8A2F41m7_M8jjJg86jkJjmnC2DeO7az11/s1600/DSC_1270-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwprl-MaI6orgiDXzagnW6qfUJ2BS-4sIdzq4f2KiCqG-74SJMReS00saqa4lq7gz0ty889pC9HlMurxmp66ooGNyKZIDXIswRxFn71J6Va3A8A2F41m7_M8jjJg86jkJjmnC2DeO7az11/s400/DSC_1270-P-Gallery.jpg" width="266" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;">Nikon D750, Sigma Art 24-105mm, f/22, .8 sec., ISO 80</span></td></tr>
</tbody></table>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">The rain
blanketed all the trees surrounding us in a stream of dripping water which made
it a challenge to photograph.<span style="mso-spacerun: yes;"> </span>To get the
best composition climbing down into the water somewhat downstream would have
given the best overall perspective but it was muddy enough that I opted not to
try it. In addition, the wind was blowing and there were some trees that
blocked most of the views accept one and we had to take turns and share this
spot. <span style="mso-spacerun: yes;"> <br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhenALKtgYEjvUPjIjVUJv3nM7KNDtjH7sAOUMuHDaQ1PRlSO8Jvt-HDUe0VS-HPyRBfiKGMFykiUr57xsErHkn76WozGktiDgNDBZxWwqcFJP0uDNjk_yyqAK3XGwhxFENXkwjQ0SFsWQH/s1600/DSC_1272-P-GAllery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhenALKtgYEjvUPjIjVUJv3nM7KNDtjH7sAOUMuHDaQ1PRlSO8Jvt-HDUe0VS-HPyRBfiKGMFykiUr57xsErHkn76WozGktiDgNDBZxWwqcFJP0uDNjk_yyqAK3XGwhxFENXkwjQ0SFsWQH/s400/DSC_1272-P-GAllery.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D750, Sigma Art 24-150mm, f/22, .8 sec., ISO 80</td></tr>
</tbody></table>
</span></span></div>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">Since I
prefer to shoot waterfalls using a slower shutter speed the rain compounded my
opportunity to get a really clean shot.<span style="mso-spacerun: yes;">
</span>I shot the above images using a Nikon D750 and Sigma 24-105 Art Lens.<span style="mso-spacerun: yes;"> </span>My settings were f/22, 8 seconds, and ISO of
80. I used a tripod. Generally speaking, large f/stops (small openings) can
introduce diffraction (blurring) into your image because such small openings
bend the light more as it passes into the lens opening.<span style="mso-spacerun: yes;"> </span>Some say this is not a problem with the D850,
however, it appears all of my images shot at f/20 or greater yielded softer
photos.<span style="mso-spacerun: yes;"> </span>However, I can't say this is an
exclusive fact until I have tested this theory more because on this day it
could have been me and not the settings.<span style="mso-spacerun: yes;">
</span>With another waterfall under our belt, we voted to go out to dinner for
a nice hot meal at The Low Gap Café located in Low Gap, AR.<span style="mso-spacerun: yes;"> </span>Don't let the outside look of this place fool
you.<span style="mso-spacerun: yes;"> </span>This is an excellent dining
experience by owner Nick Bottini who studied at the Culinary Institute of
America in New York and catered to the stars in California.</span></div>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;"><br /></span></div>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">Day
3:<span style="mso-spacerun: yes;"> </span>We all gathered for breakfast in
Jasper at the Ozark Café.<span style="mso-spacerun: yes;"> </span>The café is
more than 100 years old and is noted for its deep-fried burgers, steaks, and
omelets.<span style="mso-spacerun: yes;"> </span>I can attest it was an awesome
omelet.<span style="mso-spacerun: yes;"> </span>After breakfast, Bill took us
for a drive on Scenic Hwy 7, south of Jasper to see the Buffalo River valley
from on high.<span style="mso-spacerun: yes;"> </span>This was a fantastic view
as there was a thick fog covering the valley.<span style="mso-spacerun: yes;">
</span>We were about 1,500 feet above the Buffalo River.<span style="mso-spacerun: yes;"> </span>We were blessed with a bright blue sky, some
fall colors, and Boston Mountains in the background.<span style="mso-spacerun: yes;"> </span>We got there around 8 AM and the sun was at
a 30 to 45-degree angle highlighting the trees and fog. <span style="mso-spacerun: yes;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw-IGV8bumNwnVUVGNLjFn_Kn0zrbC7Vpi4WlDlPkcwgAxTZ2L48J71-qN2V9yaPIcmX4qFrblC4wnEek7enwb7PfjjfxqjhR47Hv44UemUXFZxcSo0k-tWHiMS_wSqGiY2ZhS0pah8anp/s1600/85G_7904-P-Sun+Burst-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw-IGV8bumNwnVUVGNLjFn_Kn0zrbC7Vpi4WlDlPkcwgAxTZ2L48J71-qN2V9yaPIcmX4qFrblC4wnEek7enwb7PfjjfxqjhR47Hv44UemUXFZxcSo0k-tWHiMS_wSqGiY2ZhS0pah8anp/s400/85G_7904-P-Sun+Burst-Gallery.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma Art 24-105mm, f/16, 1/40 sec., ISO 160</td></tr>
</tbody></table>
</span></span></div>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">I took
all my images from just beyond the parking lot on the edge of the mountain but
there is an observation platform that is three stories high and it provides a
breathtaking command of the area.<span style="mso-spacerun: yes;"> </span>In
hindsight, I should have set up to do a panoramic of this vista because no one
lens is wide enough to take it all in.<span style="mso-spacerun: yes;">
</span>(Insert 85G_7940 & 85G_7957).<span style="mso-spacerun: yes;">
</span> </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="color: #cccccc;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKlrrV0jLOm7bHRahGE3FAfUmQ3PdrRC0wC72EPgTXl-BuVfKvIaniszvCzZ3JQ8raDzZSbObrdN_MRF6Wwzx9wAN3pwDalynFX2oTUzfd0ybDWHRdY10cmL2LIOa19tyMlD7HaNPakWly/s1600/85G_7940-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKlrrV0jLOm7bHRahGE3FAfUmQ3PdrRC0wC72EPgTXl-BuVfKvIaniszvCzZ3JQ8raDzZSbObrdN_MRF6Wwzx9wAN3pwDalynFX2oTUzfd0ybDWHRdY10cmL2LIOa19tyMlD7HaNPakWly/s400/85G_7940-P-Gallery.jpg" width="400" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;">Nikon D850, Sigma Art 24-105mm, f/22, 1/200 sec., ISO 320</span></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><br /></span></td><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><br /></span></td></tr>
</tbody></table>
<div style="font-family: Calibri; font-size: 11.0pt; margin: 0in;">
<span style="color: #cccccc;">On this trip, I
experimented with different apertures playing around with depth-of-field.
This setting gave me about 8 feet in front of me to infinity. It should
be noted that larger f-stop numbers (smaller lens openings) can create some
softness in images. By shotting this at f/11 I could have gained two
stops of light thereby reducing my two stops or ISO 160. Lower ISO reduce
noise. Why was my shutter at 1/200 sec.? There was a light breeze and I
opted for faster shutter speed to freeze movement. Another option would be to decrease f-stop by 2-stops, increase shutter speed by 1-stop, and ISO by 1-stop.</span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="color: #cccccc;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgizYdLjIZQyxLsKKw3_hIx5o9gBHDG7F1njUrV9vnUeQimRP5cZ5AwW4957XK1xrhBRcqjJRV57pMGGER07foU4EH6bOnRNx5KgSiVrSKw_4z1jFDAtdDdRkSlxevTprqKVL5TZx827Wip/s1600/85G_7957-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgizYdLjIZQyxLsKKw3_hIx5o9gBHDG7F1njUrV9vnUeQimRP5cZ5AwW4957XK1xrhBRcqjJRV57pMGGER07foU4EH6bOnRNx5KgSiVrSKw_4z1jFDAtdDdRkSlxevTprqKVL5TZx827Wip/s400/85G_7957-P-Gallery.jpg" width="400" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;">Nikon D850, Sigma Art 24-105mm, f/16, 1/200 sec., ISO 125</span></td></tr>
</tbody></table>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">These images do not do justice to this early morning landscape.<span style="mso-spacerun: yes;"> </span>Well worth getting up early for.<span style="mso-spacerun: yes;"> </span>Our last visit was to Falling Water
Waterfalls, a scenic waterfall right next to the road.<span style="mso-spacerun: yes;"> </span>The flow of the water was subdued on our
visit but I have seen pictures of this spot during high water when it is a
roaring flow of water extending the full width of the creek bed.<span style="mso-spacerun: yes;"> </span>My exposures were underexposed and the surrounding trees were blurry due
to the wind and my slow shutter speed. I hiked to the base of the falls but none of
the images I took were sharp enough to post except maybe this one.</span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="color: #cccccc;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYODJm1IYwKxIpwXNsfmO82ZpXaqP-cWLpktWs9eDWJ59u6JhvADrLNCZK515DD1PT6YShSC1Ims74F9JbINr4WsCISNbr6921xIQA-aXCFWxvSzZB3wIQl3SO3PB4ImMgP5TcWdfYQbdQ/s1600/DSC_1304-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYODJm1IYwKxIpwXNsfmO82ZpXaqP-cWLpktWs9eDWJ59u6JhvADrLNCZK515DD1PT6YShSC1Ims74F9JbINr4WsCISNbr6921xIQA-aXCFWxvSzZB3wIQl3SO3PB4ImMgP5TcWdfYQbdQ/s400/DSC_1304-P-Gallery.jpg" width="266" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;">Nikon D750, Sigma Art 24-105mm, f/16, 1/80 sec., ISO 400</span></td></tr>
</tbody></table>
<div style="font-family: "calibri"; font-size: 11pt; margin: 0in;">
<span style="color: #cccccc;">Well
that concludes this adventure to Boxley, Arkansas.<span style="mso-spacerun: yes;"> </span>It was only a five-hour drive for us from
Jefferson City, MO.<span style="mso-spacerun: yes;"> </span>Due to its proximity to me I will be going back to photograph more waterfalls in the
future.<span style="mso-spacerun: yes;"> </span>To see more images of waterfalls
in this area as well as a guide, get yourself a copy of <span style="font-style: italic;">"Arkansas Waterfalls"</span> by Tim Ernst.<span style="mso-spacerun: yes;"> </span>If you enjoyed reading this blog please leave
me a message and share it on your page.<span style="mso-spacerun: yes;"> </span></span></div>
John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com0tag:blogger.com,1999:blog-2442848430539673379.post-69383420355362947232019-07-15T15:22:00.000-05:002019-07-15T15:22:02.839-05:00On The Road July 13, 2019<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;"><span style="font-family: Arial, Helvetica, sans-serif;">PHOTOGRAPHING KELPZIG MILL</span></span><br /><span style="font-family: Arial, Helvetica, sans-serif;"></span><span style="color: red;"><i><span style="font-size: x-small;"><span style="font-family: Arial, Helvetica, sans-serif;">(Click on Any Image To Enlarge It)</span></span></i></span></div>
<span style="color: red;"><i><span style="font-size: x-small;"><span style="font-family: Arial, Helvetica, sans-serif;"></span></span></i></span></div>
<span style="font-family: Arial, Helvetica, sans-serif;">Another road trip with Bob Colvin this time to Klepzig Mill. It was a beautiful day, blue skies with white puffy clouds and a temperature of 86°. We left Jefferson City, MO at 5 AM, stopped in Rolla to have breakfast at Waffle House and refuel on coffee. We traveled highway 63 to 19 then got on 106 to H and finally highway NN. Driving straight through will take approximately 2 hours 52 minutes but like I said we stopped for breakfast.<br /><br />We stopped at Rocky Falls because I wanted to get a reading for a Milky Way shot later this month. There was only one family there but this is a local favorite and can fill up by noon. From Rocky Falls Shut-ins you have a 4 min, 2.1-mile drive to your turn off to Klepzig Mill. </span><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-family: Arial, Helvetica, sans-serif;">Turn left on
County Road #522. This dirt road can be very muddy and is narrow, not
recommended for large motor homes or trailers. Klepzig Mill is less than
a mile on the right. There is no sign or defined parking area, and it's
easy to miss in summer vegetation, so watch carefully.</span> This is a rough road, not the worst I have been on but just a heads up. </span><span style="font-family: Arial, Helvetica, sans-serif;">However, if you take the road, there is a two car parking area right next to the Mill.</span><br />
<br />
<span style="font-family: Arial, Helvetica, sans-serif;">The first time I visited this Mill I hiked to it from Rocky Falls. Great hike for the adventurer. Hike f</span><span style="font-family: Arial, Helvetica, sans-serif;"><span style="font-family: Arial, Helvetica, sans-serif;">rom Rocky
Falls along the Ozark Trail, or park at the end of the pavement on NN
and walk up the dirt road. It is in a spectacular setting, surrounded by
the Rhyolite rock of the "shut-in" canyon made by Rocky Creek.</span>While we were there three 4-wheel gators pulled up loaded with sightseers. It appears a local company offers guided tours to this area now. <br /><br />This first image was taken looking southeast at the mill. It was 9:30 AM or 8:30 AM by sun time. The morning sun had not cleared the tops of the trees yet. My last visit was in October of 2011 and the area was rich in fall colors. The shut-ins surrounding this area is (for me) the highlight of this location. The Rhyolite rock has a red/mauve color to it. Rhyolite is an igneous, volcanic rock, of felsic composition. It can be white, light-grey, or pink. It may have any texture from glassy to aphanitic to porphyritic. The mineral assemblage is usually quartz, sanidine, and plagioclase. Biotite and hornblende are common accessory minerals. It is the extrusive equivalent to granite. </span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ2iZfnQQS6ae9GKIcFXHRmXiwmD3tHCCcp8Mw7P8bp47-MtzacvgYXNHOqlH0e-YHHThf1Elf_NUs-IWkKiTbRyId2NVg-UKeawaIOAa_aEzx-MDwjsRoFHRDSQGEDvCPoUhoh4yTfGs_/s1600/_85G6041-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZ2iZfnQQS6ae9GKIcFXHRmXiwmD3tHCCcp8Mw7P8bp47-MtzacvgYXNHOqlH0e-YHHThf1Elf_NUs-IWkKiTbRyId2NVg-UKeawaIOAa_aEzx-MDwjsRoFHRDSQGEDvCPoUhoh4yTfGs_/s400/_85G6041-P-Gallery.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma Art 24-105mm-f/4, f/7.1, 1/200sec, ISO 160, EV -0.67</td></tr>
</tbody></table>
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<span style="font-family: Arial, Helvetica, sans-serif;">Built by Walter Kelpzig in 1928. He was the first in the area to introduce barbed and woven wire for his refined breed of dairy cows. He sawed logs into boards for his house and an outbuilding and saved good boards for neighbor’s coffins. Klepzig Mill was a grist and sawmill, not much to look at and but was a building type that replaced log cabins of the times. This was a building that could be erected by one or two people on the ground and then raised into place. He ground corn and was noted for grinding corn fee for the poor. In this side view of the mill, looking west, I used a higher ISO because the area was heavily shaded and I was hand holding the camera. My focal length was at 35mm and I had image stabilization turned on which allowed me to get by with 1/30 sec. </span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGu5DztsMonyQhdoUo-tBu5aJWozbFSzSQQzcu_anv8V-tHK1ghinT7EJ6i4Rh5lqx9b2LxpC04Jz16hyQ-BlexqsmghSM41QVR80SjH2cwMOHTklj0AX9eN9f4a7b5iZOC-dg5bdsRu96/s1600/_85G6060-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGu5DztsMonyQhdoUo-tBu5aJWozbFSzSQQzcu_anv8V-tHK1ghinT7EJ6i4Rh5lqx9b2LxpC04Jz16hyQ-BlexqsmghSM41QVR80SjH2cwMOHTklj0AX9eN9f4a7b5iZOC-dg5bdsRu96/s400/_85G6060-P-Gallery.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma Art 24-105mm-f/4, f/11, 1/30sec, ISO 400, EV +0.67</td></tr>
</tbody></table>
<span style="font-family: Arial, Helvetica, sans-serif;"></span><span style="font-family: Arial, Helvetica, sans-serif;">This area is fed by Rocky Creek Stream, which consists of run-off water, underground water and I think a spring or two. It flows into the Current River. Most of the exposed igneous rocks of the St. Francois Mountains region are Rhyolite rather than granite. Igneous rocks are formed from volcanic activity. Granite is a coarse-grained igneous rock formed from magma that cooled underground and was later exposed. By contrast, Rhyolite is formed when magma is cooled above ground. Shut-ins occur where a broader stream is “shut in” to a narrow canyon-like valley. Shut-ins typically occur in Missouri where streams flow through softer sedimentary bedrock materials such as dolomite or sandstone and then encounter the more resistant igneous rock. Setting up for this composition took some maneuvering through the creek and across some very slick rock. </span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFsjF6MoHIzyfTJ0mCRWVM0Eke6NRA1pSKh3HdydB8u-cI98pmVkm4sFI2b3Hvq49GbfddGn3FVNd2sTirwUss-cTyqP17wvy2puYcIlEUQe1P3QwzlG4_ULajsPfXBjlZnMRwAptCkIZy/s1600/_85G6047-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFsjF6MoHIzyfTJ0mCRWVM0Eke6NRA1pSKh3HdydB8u-cI98pmVkm4sFI2b3Hvq49GbfddGn3FVNd2sTirwUss-cTyqP17wvy2puYcIlEUQe1P3QwzlG4_ULajsPfXBjlZnMRwAptCkIZy/s400/_85G6047-P-Gallery.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma Art 24-105mm-f/4, f/16, 2.5sec, ISO 100, EV, 6-Stop ND Filter</td></tr>
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<span style="font-family: Arial, Helvetica, sans-serif;"></span><span style="font-family: Arial, Helvetica, sans-serif;">Klepzig Mill is part of the Ozark National Scenic Riverways which was established in 1964, making it America's first national park area to protect a wild river system. The Ozark National Scenic Riverways is known for its caves, springs, sinkholes and losing streams. My last image of this Mill for this blog is a wide angle view highlighting the pink rock shut-ins, and cascades. </span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiofG3gWEl3CRv7eRQ1h1MbJedrXsl2FhLqzUHGIT5WieiKQzg2xxazE_YC0YTobdwSOslS-Z-CNShtrIm4MRPxnpWV0WbOKyawVAe3Y-gQrXJPno_hV-nzQqU3zsawV9xil8t67bppqtX_/s1600/_85G6067-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiofG3gWEl3CRv7eRQ1h1MbJedrXsl2FhLqzUHGIT5WieiKQzg2xxazE_YC0YTobdwSOslS-Z-CNShtrIm4MRPxnpWV0WbOKyawVAe3Y-gQrXJPno_hV-nzQqU3zsawV9xil8t67bppqtX_/s400/_85G6067-P-Gallery.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container"><tbody>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma Art 24-105mm-f/4, f/16, 1/15sec, ISO 100, CP & Split ND Filter</td></tr>
</tbody></table>
</td></tr>
</tbody></table>
<span style="font-family: Arial, Helvetica, sans-serif;">FYI, the Caster Shut-ins is the only pink granite in Missouri and it along with Missouri Red Granite can be found just two hours away in the Fredericktown, MO area. Another Blog and another 1-day outing with Bob Colvin. We left early but we were back by mid-afternoon. Visit Bob's Facebook page to see his infra-red version of this area and thanks for stopping by. As always comments and inquiries welcome.</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"></span><br />
<br />
<span style="font-family: Arial, Helvetica, sans-serif;">John Gilbert</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">gilbej49@gmail.com </span><br />
<span style="font-family: Arial, Helvetica, sans-serif;">www.jmgilbertphotography.com</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /><br /><br /><br /><br /><br /><br /> <br /></span>John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com1tag:blogger.com,1999:blog-2442848430539673379.post-17689516168134901222019-07-01T06:56:00.001-05:002019-07-02T06:19:25.805-05:00Burgess Falls<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;"><b style="mso-bidi-font-weight: normal;">HIKE TO BURGESS FALLS</b></span><br />
<b style="mso-bidi-font-weight: normal;"><span style="color: red; font-size: small;"><i>(Click on any image to enlarge it)</i></span> </b></div>
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Recently I have been going back through images that I took from previous outings’ to re-process those using techniques I have learned and to re-live the experience.<span style="mso-spacerun: yes;"> </span>This Blog deals with a trip I took back in February of 2013 with Doug Adams and Niala Branson.<span style="mso-spacerun: yes;"> </span>For this trip, our objective was to photograph three falls, Cummins Falls, Burgess Falls, and Fall Creek Falls.<span style="mso-spacerun: yes;"> </span>This consisted of a two-night-three-day outing. This story will focus on day two of our trip to Burgess Falls.<span id="goog_1798054523"></span><span id="goog_1798054524"></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL481nAtDAmeTJbwzG3vEBJ9gdFsat7RZkKNO9IqU_OHzQ6H2FGZvWnSBq4cp7IlwYFLsSaJVg6aOFSs_xNYStbDS094HoToF3R1Eo7Go0FA99YeB6yUdp_ZUDYiBMUffi8XYlrZoLk4co/s1600/_IGP0073-P3-Blog.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1222" data-original-width="1582" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiL481nAtDAmeTJbwzG3vEBJ9gdFsat7RZkKNO9IqU_OHzQ6H2FGZvWnSBq4cp7IlwYFLsSaJVg6aOFSs_xNYStbDS094HoToF3R1Eo7Go0FA99YeB6yUdp_ZUDYiBMUffi8XYlrZoLk4co/s400/_IGP0073-P3-Blog.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pentax K5, 18-135mm Lens, f/8.0, 1/190sec, ISO 400</td></tr>
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<span style="line-height: 107%; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">On this trip, I shot with both Nikon and Pentax. Although at one time I shot Canon, Nikon, and Pentax.<span style="mso-spacerun: yes;"> </span>I gave up and settled on Nikon.<span style="mso-spacerun: yes;"> </span>I just couldn’t keep all the menus straight.</span></div>
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Burgess Falls State Park and Natural Area, located on the Falling Water River, is a day-use park, noted for its natural beauty and four waterfalls that cascade down from over 250 feet in elevation. The last of these falls is the most spectacular, plunging more than 136 feet into the gorge.<br />
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The area was originally populated by Native Americans of the Cherokee Creek and Chickasaw tribes. These tribes used the land as a hunting ground until the late 19th century when a gristmill and sawmill began operating on the river. My dad’s mother was 50% Cherokee who married Judge Gilbert and migrated from the Kentucky/Tennessee area.<span style="mso-spacerun: yes;"> </span>I have learned over the years that there are a lot of Gilbert’s in these areas.<span style="mso-spacerun: yes;"> </span>The Falling Water River was used to generate hydroelectric power for the city of Cookeville from 1928-1944. In 1973, the territory became a designated Tennessee State Natural Area, protecting the diverse forest and aquatic habitats.<br />
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<span style="line-height: 107%; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">A steep trail ends near the top of the main waterfall. This is not an easy hike; the trail from the main overlook to the top of the main falls can be strenuous. Most people prefer to hike back to the parking lot along the service road. The one-half mile Ridge Top Trail is very scenic with views down the main canyon of Falling Water River. All trails are foot trails.</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="color: red; font-size: 10.0pt; line-height: 107%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDBJrD5W5FSM8Ld6B-Ma2JOeOETiUGF1LXwOpCe6bIVfjMaQpV7-1i63cZQHjJ_syAjiGEv7T6VWJ1EWGGzkPD2xokX3ezy4FRXDSBdeu0VYlg9F-5Bq6TVZjFqkBZu5UUftC_vLlalWrw/s1600/Map.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="686" data-original-width="1053" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDBJrD5W5FSM8Ld6B-Ma2JOeOETiUGF1LXwOpCe6bIVfjMaQpV7-1i63cZQHjJ_syAjiGEv7T6VWJ1EWGGzkPD2xokX3ezy4FRXDSBdeu0VYlg9F-5Bq6TVZjFqkBZu5UUftC_vLlalWrw/s400/Map.jpg" width="400" /></a></span></i></div>
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<span style="line-height: 107%; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">We took the River Trail which follows the Falling Water River.<span style="mso-spacerun: yes;"> </span>This 1.5-mile round-trip River Trail/Service Road Loop is a moderately strenuous hike, taking visitors past the waterfalls and ending at the main overlook. There are sections that include handrails whenever the trail takes a steep descent as well as steps and bridges.<span style="mso-spacerun: yes;"> </span>It has been 6 years since I was last there so there may be new additions to the trail.<span style="mso-spacerun: yes;"> </span>This is on my bucket list to re-visit soon. </span></div>
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<tr><td class="tr-caption" style="text-align: center;">Pentax K5, 18-135mm lens, f/8, 1/30sec, ISO400</td></tr>
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<span style="line-height: 107%; mso-bidi-font-family: Arial; mso-bidi-font-size: 12.0pt;">The waterfalls consist of a 20’ cascade, 30’ upper falls, 80’ middle falls, and 136’ lower falls in height. Back then each of these areas was easily visible as we traveled the trail. Also, we went in February so the trees were without leaves which made visibility much better. It was also very cold.<span style="mso-spacerun: yes;"> </span>The below image is of the first major cascade.<span style="mso-spacerun: yes;"> </span>From my first trip out west, I became infatuated with smooth flowing water.<span style="mso-spacerun: yes;"> </span>Some call it creamy as well as the cotton-candy effect. Different shutter speeds and the force of the water flow can create different texture in the water. So it should come as no surprise that I shot and still shoot a lot of long exposures.<span style="mso-spacerun: yes;"> </span>I loved these cascades with their numerous tiers and strong flowing water.<span style="mso-spacerun: yes;"> </span>The water was really clear and it was a sunny day with lots of clouds.<span style="mso-spacerun: yes;"> </span>As the clouds moved they would shield the sun creating some great defused lighting for shooting water and waterfalls. When setting up for this shot I visualized the textures of the trees and wanted a creamy look to the water. Smooth and rough.</span></div>
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<tr><td class="tr-caption" style="text-align: center;">Nikon D600, Nikor 24-70mm lens, f/10, .3sec, ISO 100, EV+2</td></tr>
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<span style="line-height: 107%; mso-bidi-font-size: 12.0pt;">I think this next image is of the upper part of the 30’ upper falls. I really liked the way the light was hitting this as well as the coarseness of the rocks and colors in the background left over from fall’s foliage.<span style="mso-spacerun: yes;"> </span>There was a lot of contrasts here as well as vertical and horizontal lines.<span style="mso-spacerun: yes;"> </span>I used matrix metering or average metering. Because the sun was hitting the water between the clouds I composed my scene, then exposed for the brightest areas.<span style="mso-spacerun: yes;"> </span>Shooting in RAW with a full frame sensor made it possible for me to recover the shadows and dark areas in post-processing. The same holds true for cropped sensor cameras, compose for the highlights, and recover the shadows.<span style="mso-spacerun: yes;"> </span>If the contrast is too great I would bracket the shots and blend in processing.</span></div>
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<tr><td class="tr-caption" style="text-align: center;">Nikon D600, 24-70mm lens, f/8,1.3sec, ISO 100, EV+2</td></tr>
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<span style="line-height: 107%; mso-bidi-font-size: 12.0pt;">At the halfway mark, we came across the Middle Falls.<span style="mso-spacerun: yes;"> </span>There is an observation platform here and I don’t recall if there was a trail to take us down to get a closer view of this falls but I don’t think so.<span style="mso-spacerun: yes;"> </span>For me, this was a hard shot as it was noon, by the sun’s time, and the sun was shining right down on the water which can really blow out the highlights.<span style="mso-spacerun: yes;"> </span>Again I exposed for the highlights and recovered the shadows and darks in post-processing.<span style="mso-spacerun: yes;"> </span>This would have been a good candidate for multiple exposures and then blending them together later in post.</span></div>
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<tr><td class="tr-caption" style="text-align: center;">Pentax K5, Pentax 12.24mm lens, f/8, 0.8sec, ISO 100, EV+2</td></tr>
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<span style="line-height: 107%; mso-bidi-font-size: 12.0pt;">As you get closer to Burgess Falls there are several small little creek type falls or runoffs.<span style="mso-spacerun: yes;"> </span>These can make for some great photo-shoots.<span style="mso-spacerun: yes;"> </span>Some of these areas are shaded and wet and provide a perfect habitat for moss to grow.<span style="mso-spacerun: yes;"> </span>This adds a lot of green and yellow color to the subject.<span style="mso-spacerun: yes;"> </span>As we got closer to the falls we found areas were the dripping water had frozen to form some nice ice-cycles. </span></div>
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<tr><td class="tr-caption" style="text-align: center;">Pentax K5, Pentax 18-135mm lens, f/10, 0.5sec, ISO 100</td></tr>
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Originally I was not going to include any images of the metal stairs to the base but after doing some research to see if it was still there, I learned that its supports eroded away due to heavy rains so getting to the base is no longer an option.<span style="mso-spacerun: yes;"> </span>As I write this I realize what a great opportunity we had and how fragile our ecology is.<span style="mso-spacerun: yes;"> </span>There are two images here, the first one is the metal stairs we went through starting at the crown of Burgess Falls.<span style="mso-spacerun: yes;"> </span>The second image shows the stairs and how much further we had to descend just to get to the base. <span style="mso-spacerun: yes;"> </span>From the stairs, we were able to get to a leveled earth area immediately next to the falls, about halfway from its top.<span style="mso-spacerun: yes;"> </span>This area was very wet and slippery due to the water spray coming off the falls. Doug and I continued to the base.<span style="mso-spacerun: yes;"> </span>Usually, I carry a 50-foot rope with me.<span style="mso-spacerun: yes;"> </span>It comes in handy when you need to climb out of a steep hill or ravine. The first image shows the inside of the stairs cage.</div>
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This next image is from the base of the falls looking back to the metal stairs. From here to the base was a challenge.<br />
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After the metal stairway, we stopped to photograph Burgess.<span style="mso-spacerun: yes;"> </span>Our point of view was a side look at the center of the falls.<span style="mso-spacerun: yes;"> </span>Even today I can recall the sound of the water it was so loud we had trouble talking to one another. I will link to a video clip I took.<span style="mso-spacerun: yes;"> </span>Not too far from this point, yet still not at the base, I set up for one of many compositions.<span style="mso-spacerun: yes;"> </span>The next image is probably one of my favorites.<span style="mso-spacerun: yes;"> </span>It reminds me of a veil.</div>
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<tr><td class="tr-caption" style="text-align: center;">Nikon D600, 24-70mm lens, f/11,0.6sec, ISO 200, EV+0.33</td></tr>
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Finally at the foot of the falls. The power of this waterfall accompanied by its sound is scary and daunting while it is mesmerizing and tranquil at the same time.<span style="mso-spacerun: yes;"> </span>I could only imagine what this would be like during the spring rains. Doug and I stay here for an hour or two trying to get the right composition.<span style="mso-spacerun: yes;"> </span>I took hundreds of pictures looking upstream to the falls and downstream to the canyon and from numerous angles but this composition made me feel like I was spying on greatness yet hidden from the falls should it strikeout. <span style="mso-spacerun: yes;"> </span>The beauty of photographing with others is that each person gives their own view of what they saw.<span style="mso-spacerun: yes;"> </span>It always amazes me that three people in the same location photographing the same subject will produce three different versions.</div>
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<tr><td class="tr-caption" style="text-align: center;">Nikon D600, 24-70mm lens, f/10, 1/16sec, ISO 200, EV+2</td></tr>
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<a href="https://www.youtube.com/watch?v=qfvvSk0kxio&feature=youtu.be">Burgess Falls </a></div>
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Video Clip</div>
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Well, this concludes another blog of an experience with nature and friends.<span style="mso-spacerun: yes;"> </span>In all these shots I used a tripod, polarizers, neutral density filters, remote controls or timers to capture the scene.<span style="mso-spacerun: yes;"> </span>I can only hope I did justice to this beautiful area to encourage you to visit it some day.<span style="mso-spacerun: yes;"> </span>Feel free to leave comments or contact me for additional information.</div>
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John Gilbert</div>
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Gilbej49@gmail.com</div>
John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com0tag:blogger.com,1999:blog-2442848430539673379.post-17510313948822706842019-06-12T08:49:00.000-05:002019-06-28T21:05:13.323-05:00On The Road June 2, 2019<div style="text-align: center;">
<span style="font-size: large;"><b>PHOTOGRAPHYING ALLEY SPRING</b></span></div>
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<span style="font-size: large;"><span style="font-size: small;"><i><span style="color: red;">(Click on Any Image To Enlarge It)</span></i></span><b> </b></span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
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<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
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<span style="mso-bidi-font-family: Arial;">Our trip included three stops, Alley Spring Mill, Falling Spring Mill, and Hodgson Mill. This blog post will concentrate on our first stop at Alley SpringMill. We left Jefferson City at 5 AM to allow us to get to Alley Spring in the morning light plus stop in Rolla at the Waffle House for breakfast.<span style="mso-spacerun: yes;"> </span>This is approximately a two and a half hour trip not including our stopover in Rolla.<span style="mso-spacerun: yes;"> </span>We took Hwy 50 east to Hwy 63.<span style="mso-spacerun: yes;"> </span>Outside Licking, MO we got on Hwy 137 and at Yukon, MO got on Hwy 17 until we reached Summerville then took Hwy 106 to the Mill.<span style="mso-spacerun: yes;"> </span>We got there around 8:30 AM.<span style="mso-spacerun: yes;"> </span>However, since we are on daylight savings time it was 7:30 AM by the sunlight.<span style="mso-spacerun: yes;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE3AGOB9Silyzq_1cC0z_GcKH7-1-R-drbRZuo64EG1Jv1JsvYEe0K4H-toa6-BAEpx2C-cuC8h_njxIpNvNPnCtfLac5lIygVXR0vfrDGQvFfSPRlvZNTS97HnFTHbdXkutCSHiu9EjgE/s1600/_85G5814-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiE3AGOB9Silyzq_1cC0z_GcKH7-1-R-drbRZuo64EG1Jv1JsvYEe0K4H-toa6-BAEpx2C-cuC8h_njxIpNvNPnCtfLac5lIygVXR0vfrDGQvFfSPRlvZNTS97HnFTHbdXkutCSHiu9EjgE/s400/_85G5814-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, 20mm Lens, f/16, Sutter at 0.6sec, ISO 100, EV -0.67, 6-stop ND Filter, and Polarizer</td></tr>
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<span style="mso-bidi-font-family: Arial;">Alley Spring is a designated area since 04/20/2007.<span style="mso-spacerun: yes;"> </span>It consists of 795 acres and is located in Shannon County.<span style="mso-spacerun: yes;"> </span>It is owned by the National Park Service and the Missouri Department of Conservation.<span style="mso-spacerun: yes;"> </span>It is the 7<sup>th</sup> largest spring in Missouri with a discharge of 81 million gallons per day.</span></div>
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<span style="mso-bidi-font-family: Arial;">The first thing I noticed was how green and lush everything was.<span style="mso-spacerun: yes;"> </span>It was a sunny day with some clouds.<span style="mso-spacerun: yes;"> </span>Cool with little to no humidity.<span style="mso-spacerun: yes;"> </span>No mosquitoes but there are nats so pack some spray. We were able to set up and get in a few shots before a lot of visitors showed up.<span style="mso-spacerun: yes;"> </span>This is a very popular place and always attracts families with children.<span style="mso-spacerun: yes;"> </span>There is a lot to see, old school house, a museum in the mill, a store, and several really nice hiking trails.<span style="mso-spacerun: yes;"> </span>I was shooting with Nikon and Bob Canon.<span style="mso-spacerun: yes;"> </span>I have been to this spot several times over the past ten years and never get tired of photographing it.<span style="mso-spacerun: yes;"> </span>It is really photogenic with its flowing water and red mill.<span style="mso-spacerun: yes;"> </span>Add the green surroundings and a blue sky and you have a beautiful color pallet. I love to photograph moving water and prefer to capture it in varies textures rather than freezing it in action.<span style="mso-spacerun: yes;"> </span></span></div>
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<span style="mso-bidi-font-family: Arial;">For this outing, I opted to shoot with the D850 and a 20mm prime lens.<span style="mso-spacerun: yes;"> </span>Because I wanted to slow the flow of the water to give it a creamy look I used a 6-stop ND Filter (Neutral Density) plus I added a polarize filter in order to remove any glare on the surface water. In hindsight, I wish I had a 3-stop ND Filter which would have allowed me to still obtain the smooth flow I was after but with more texture in the water. Also, it is important to consider the force of the water movement.<span style="mso-spacerun: yes;"> </span>The more powerful the water flow the faster a shutter speed you can use to obtain various water textures.<span style="mso-spacerun: yes;"> </span>Okay so want am I talking about.<span style="mso-spacerun: yes;"> </span>The faster the water is flowing the more it will add a natural blur unless you shoot at really fast shutter speed.<span style="mso-spacerun: yes;"> </span> </span></div>
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<span style="mso-bidi-font-family: Arial;">To better demonstrate this I am including three images from different locations on different trips taken at different shutter speeds. During this trip to Alley Spring I used a shutter speed of about 1 second but when I shot the Upper Falls in Yellowstone National Park I was able to accomplish my objective with a Shutter Speed of 1/200 of a second.<span style="mso-spacerun: yes;"> </span>The power and speed at which the water flows over the Upper Falls is pretty intense.<span style="mso-spacerun: yes;"> </span>Consider the next three images. The first one of Soco Falls was shot at 1.3 seconds.<span style="mso-spacerun: yes;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn40U1kBd9bnp73XJrOe51XIo6T_9p5vIwB5a5VzaKZcHo-JVWwQ3sI_lCl1eTIrNzJ_xGtUURM2BJccgrUTJ5M1eDwhDvOzyZBPnEOu89MmO1Ujd8fEbFDBlqsntl3VHE7y0fh4w7laj1/s1600/_JMG0061-P3-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1143" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn40U1kBd9bnp73XJrOe51XIo6T_9p5vIwB5a5VzaKZcHo-JVWwQ3sI_lCl1eTIrNzJ_xGtUURM2BJccgrUTJ5M1eDwhDvOzyZBPnEOu89MmO1Ujd8fEbFDBlqsntl3VHE7y0fh4w7laj1/s400/_JMG0061-P3-Flickr.jpg" width="285" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Soco Falls: Nikon D600, 24-70mm Lens, f/10, 1.3 Seconds, ISO 200</td></tr>
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<span style="mso-bidi-font-family: Arial;">Note the creaminess of the water or as some call this the cotton candy effect.<span style="mso-spacerun: yes;"> </span>The second image was captured at 1/8 of a second.<span style="mso-spacerun: yes;"> </span>Here there is more texture present as you can see more contrast in the water.<span style="mso-spacerun: yes;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUkC2NbHcF6rm-h9LYJddStODH4rQRyrkRkfGg6hhwXSCpC2_HWZYHTT9b1QuUjvmqRTCC6YwcLNUBxB7VFnI_uuEf5mYo3nhs-BImEbxfn5QeLLTkGIJEylbcvr1pDNcvUgGAzGzrnQCC/s1600/_IMG1017-P2-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1064" data-original-width="1600" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUkC2NbHcF6rm-h9LYJddStODH4rQRyrkRkfGg6hhwXSCpC2_HWZYHTT9b1QuUjvmqRTCC6YwcLNUBxB7VFnI_uuEf5mYo3nhs-BImEbxfn5QeLLTkGIJEylbcvr1pDNcvUgGAzGzrnQCC/s400/_IMG1017-P2-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alley Spring Cascade: Pentax K-3, 70-200mm Lens @ 77.5mm, f/8, 1/8 Second, ISO 100</td></tr>
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<span style="mso-bidi-font-family: Arial;">Now, look at the third image of the Lower Falls of Yellowstone, which was taken at 1/200 of a second.<span style="mso-spacerun: yes;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY5r5h4L3umhfqriyiNw3pIpbYDHQAW91KKFwOPZdG7AxghVLHQ_HlCsh7cWG0ZuHjwE1DBUNC6hq5TZjyrfR0e4fwApYzJ2dAwnRUNGGvJftngZpUzsTCDuRlE1QK9B1HniFDbRX-eeV2/s1600/_JMG0854-P.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1143" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY5r5h4L3umhfqriyiNw3pIpbYDHQAW91KKFwOPZdG7AxghVLHQ_HlCsh7cWG0ZuHjwE1DBUNC6hq5TZjyrfR0e4fwApYzJ2dAwnRUNGGvJftngZpUzsTCDuRlE1QK9B1HniFDbRX-eeV2/s400/_JMG0854-P.jpg" width="285" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Yellowstone Lower Falls: Nikon D700, 24-70mm Lens, f/10, 1/200 Second, ISO 200, EV -1.33</td></tr>
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</span><i style="mso-bidi-font-style: normal;"><span style="color: red;"></span></i>There is nice texture but there is still blurriness of the water showing movement.<span style="mso-spacerun: yes;"> </span>The speed at which the water is flowing over the falls is to fast to be frozen in time with a shutter speed of 1/200.</span></div>
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<span style="mso-bidi-font-family: Arial;">FYI: I use a filter holder for filters that are 100mm X 100mm and adapter rings for my various lens sizes.<span style="mso-spacerun: yes;"> </span>For me, this system works much better than the screw on filters, especially if you use a telephoto lens. <span class="MsoHyperlink"><a href="https://www.bhphotovideo.com/c/product/1216053-REG/sensei_100mm_aluminum_universal_filter.html">Sensei Filter Holder</a></span></span></div>
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<span style="font-family: "arial" , sans-serif;">For my first set up, on this trip, I opted for a wide angle view to incorporate the colors of reds, blues, greens, and yellows.<span style="mso-spacerun: yes;"> </span>The light was awesomely soft and draped the landscape to highlight my subject and helped create more depth-of-field.<span style="mso-spacerun: yes;"> </span>This was a single exposure, shot in RAW.<span style="mso-spacerun: yes;"> </span>I have come to rely on my histogram on the camera’s LCD screen instead of the image.<span style="mso-spacerun: yes;"> </span>Why?<span style="mso-spacerun: yes;"> </span>Because all cameras process an image to display in preview mode and too many times I have gotten back home and my images were too dark.<span style="mso-spacerun: yes;"> </span>Using the histogram as your guide will improve your landscape keepers a lot. <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMYXYLME1UAp-QG-6CkCeBe9dKQJeU-EeDdwwreLbC0J8paehHrKWvMq0yYAkZXhRKM3zTJooYcBdUMY-8qvLDn0M2sWWh95eV6g4O3y2lY_bAMbCszb_i9LXxz5wPzZZhF1nDHRc1ZOeX/s1600/_85G5806-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="846" data-original-width="1600" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMYXYLME1UAp-QG-6CkCeBe9dKQJeU-EeDdwwreLbC0J8paehHrKWvMq0yYAkZXhRKM3zTJooYcBdUMY-8qvLDn0M2sWWh95eV6g4O3y2lY_bAMbCszb_i9LXxz5wPzZZhF1nDHRc1ZOeX/s400/_85G5806-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alley Spring: Nikon D850, 20mm Lens, f/16, 1/5 Second, ISO 100, EV -0.67</td></tr>
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Alley Spring, the natural area’s namesake, is the seventh largest spring in Missouri. The spring conduit is known to extend at least 3000 feet underground and reaches at least 155 feet below the surface. Rainfall and runoff entering sinkholes around the town of Summersville, 15 miles to the northwest, has been determined to enter the labyrinth of cave passageways formed in dissolved dolomite ( a type of limestone) under the Missouri Ozarks and exit at Alley Spring. </span><br />
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<span style="mso-bidi-font-family: Arial;">There are two trails to enjoy while you are there, the shorter one is (0.3 mile) and follows the spring branch as it travels to join the Jack Fork River.<span style="mso-spacerun: yes;"> </span>This is an easy hike which will take you behind the mill. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijLFmCwSrMf26j9_tz7X8QOAXkOZ4lUz0ZX7ZsvGlcN8hc9-GcCWh4Gep8y2BNmF3evAxJjIoLY2JZi5IiVczEMW-xXI8iL_IHlQ3psBTTjxHYeDRh-aXZF_VjjbD9XccnOBzXgy8Iehq0/s1600/_85G5830-P-Flickr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijLFmCwSrMf26j9_tz7X8QOAXkOZ4lUz0ZX7ZsvGlcN8hc9-GcCWh4Gep8y2BNmF3evAxJjIoLY2JZi5IiVczEMW-xXI8iL_IHlQ3psBTTjxHYeDRh-aXZF_VjjbD9XccnOBzXgy8Iehq0/s400/_85G5830-P-Flickr.jpg" width="400" /></a><span style="mso-bidi-font-family: Arial;"> <i style="mso-bidi-font-style: normal;"><span style="color: red;"><span style="mso-spacerun: yes;"></span></span></i><span style="mso-spacerun: yes;"></span> </span></div>
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<span style="mso-bidi-font-family: Arial;">The trail along this stretch can be a little wet as water runs down the sides of the rock cliffs. Continue on and you will come upon a nice cascade.<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzDQpde0SPF6mXOy7a51mkIgrwy2Z9yg2beCZz5Ym63vVQfrJDvsRhagubBmJCCvcmeHQqEhEr3Lhn_EU6wI6O7L0j0YTk3CWZZ7zYARFh_BO2QZ_RjxIm4yZu-esUIOTWd50zcSc_kHM6/s1600/_85G5837-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzDQpde0SPF6mXOy7a51mkIgrwy2Z9yg2beCZz5Ym63vVQfrJDvsRhagubBmJCCvcmeHQqEhEr3Lhn_EU6wI6O7L0j0YTk3CWZZ7zYARFh_BO2QZ_RjxIm4yZu-esUIOTWd50zcSc_kHM6/s400/_85G5837-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Alley Spring Cascade: Nikon D850, 20mm Lens, f/16, 1.0 Seconds, ISO 64, EV -0.67</td></tr>
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<span style="mso-bidi-font-family: Arial;">The short trail is clean with a nice small rock base that makes for easy hiking.<span style="mso-spacerun: yes;"> </span>Over the years I have photographed just about every section of this trail and it never gets old to revisit it.<span style="mso-spacerun: yes;"> </span>You will also discover some nice rock bluffs, cavities, and rock formations.<span style="mso-spacerun: yes;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">Alley Spring Rock-2009: Pentax K-7, 12-24mm Lens, f/4, 1/13 Seconds, ISO 400</td></tr>
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<span style="mso-bidi-font-family: Arial;">This area is shaded and there is a nice bridge to take you back to the parking lot.<span style="mso-spacerun: yes;"> </span>There are numerous areas to relax for a nice picnic.<span style="mso-spacerun: yes;"> </span>But remember if you pack it in. Pack it out. </span></div>
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<span style="font-family: "arial" , sans-serif;">Alley Spring gristmill that was built in 1894. Despite the historic use of the spring to power a mill, Alley Spring has retained its biological integrity. The cool waters issuing forth from Alley Spring flow through a spring branch for a half-mile before entering the Jacks Fork River. Here in the spring branch cool water (58 degrees Fahrenheit) provides habitat for colorful Ozark fishes including the southern redbelly dace, the Ozark sculpin, and the bleeding shiner.</span><br />
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Alley Spring is part of the Ozark National Scenic Riverways, the first national park area to protect a river system. The Current and Jacks Fork Rivers are two of the finest floating rivers you'll find anywhere. Spring-fed, cold and clear they are a delight to canoe, swim, boat or fish. Besides these two famous rivers, the park is home to hundreds of freshwater springs, caves, trails and historic sites such as Alley Mill.<span style="mso-spacerun: yes;"> </span>There is a lot to see it this area, Round Spring, Blue Spring, Rocky Falls, Klepzig Mill, just to mention a few.<span style="mso-spacerun: yes;"> </span>This is a great place to spend a weekend with friends or family.<span style="mso-spacerun: yes;"> </span>Close and very affordable.<span style="mso-spacerun: yes;"> </span>Thanks for visiting this blog.<span style="mso-spacerun: yes;"> </span>Comments and inquires welcome.<span style="mso-bidi-font-family: Arial;"></span></div>
John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com0tag:blogger.com,1999:blog-2442848430539673379.post-48099283893102426032019-05-07T15:38:00.000-05:002019-05-07T18:55:39.657-05:00Milky Way<div style="text-align: center;">
<span style="font-size: large;">EAGLE BLUFFS MILKY WAY</span></div>
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Photographing the night sky can be a challenge not to mention frustrating at times. This is a good example of where persistence pays off.<span style="mso-spacerun: yes;"> </span>You will constantly battle the limitation of your equipment, light pollution, people, and the weather.</div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #ffd966;">Milky Way #1-2019 Nikon D750, 20mm f/1.8-Lens, f/2.8, 25 Seconds, ISO 2500</span></td></tr>
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So what part does equipment play in this?<span style="mso-spacerun: yes;"> </span>You are going to need a camera that is capable of taking a long exposure.<span style="mso-spacerun: yes;"> </span>You will need to be able to set a time that could range from 15-30 seconds. An alternative is to shoot in bulb mode, if your camera has that, and physically count out the time. You will need a wide angle lens, anything from 12mm to 24mm will work great.<span style="mso-spacerun: yes;"> </span>I prefer the primes which I will discuss later.<span style="mso-spacerun: yes;"> </span>It is important to note that digital sensors generate noise during long exposures.</div>
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Next, you will need to find an area with little or no light pollution and that can be challenging.<span style="mso-spacerun: yes;"> </span>I use a website for this at <span class="MsoHyperlink"><a href="https://www.lightpollutionmap.info/%23zoom=5&lat=4598916&lon=-9618605&layers=B0FFFFTFFFFF">Light Pollution Map</a></span>.<span style="mso-spacerun: yes;"> </span>This map allows you to move around the world and zoom in for finer detail.<span style="mso-spacerun: yes;"> </span>You might wonder why does this matter.<span style="mso-spacerun: yes;"> </span>After all, you go outside, look up and see stars.<span style="mso-spacerun: yes;"> </span>Well, the problem is you are going to have to set your sensor to be extremely sensitive to light and although the light pollution may be 30 miles away your sensor is going to record it.<span style="mso-spacerun: yes;"> </span>Now you can work this into your composition but keep in mind you are going to have a bright spot in your final image.</div>
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I will discuss later the best time to photograph the Milky Way and the best hours to capture your subject. Now you hope not to encounter any problems with other folks interfering with your shot but don’t count on it.<span style="mso-spacerun: yes;"> </span>On my most recent outing, I was in a conservation area with lots of wetlands and pools, and I had to share the area with a lot of local bow-hunters who were using flashlights to locate fish plus they drive around from one location to another. Trust me, car lights and flashlights will ruin your picture. On a side note, the Missouri River and Perche Creek run parallel to this area and both were flooding.<span style="mso-spacerun: yes;"> </span>This creates a problem for all the pools in this wetland area and brings in a lot of rough fish which can include carp, eels, suckers, perch, catfish, and gars. These are considered invasive and detrimental to local fishing.<span style="mso-spacerun: yes;"> </span>This is where the bow-hunters play a vital role in helping to control the rough fish populations.<span style="mso-spacerun: yes;"> </span>An added advantage since this type of fish may not good to eat, they are left for the local wildlife.</div>
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Now the biggest factor for a successful outing to photograph the Milky Way is the moon phase and the weather.<span style="mso-spacerun: yes;"> </span>The darker the skies the better, therefore, selecting to shoot during a New Moon can be critical because you will not have to address light pollution coming from the moon. Most calendars and online services can provide the moon cycles.<span style="mso-spacerun: yes;"> </span>Right now new moons are falling on the first of the month.<span style="mso-spacerun: yes;"> </span>In my case around the 4<sup>th</sup> day of each month.<span style="mso-spacerun: yes;"> </span>It can vary from month to month but currently, it occurs within the first week.<span style="mso-spacerun: yes;"> </span>The second very important factor is the weather. You are going to want clear skies plus the darkness afforded by a new moon to be able to see the Milky Way so you can photograph it. I used a couple of online services to aid me in my quest to determine the best time to go,<span style="color: blue;"> <span class="MsoHyperlink"><a href="https://forecast.weather.gov/MapClick.php?w0=t&w1=td&w2=hi&w3=sfcwind&w3u=1&w4=sky&w5=pop&w6=rh&w7=rain&w8=thunder&w10u=0&w13u=1&pqpfhr=6&psnwhr=6&AheadHour=61&Submit=Submit&FcstType=graphical&textField1=38.9541&textField2=-92.3267&site=all&unit=0&dd=&bw=">National Weather Service-St. Louis</a></span>, and <span class="MsoHyperlink"><a href="https://clearoutside.com/forecast/38.95/-92.33?view=midday">Clear Outside.com</a></span>.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHf4x-l3yJrOPeyGP8CSFCi3fz6SMMr-uvxPEqU3ZdrFJXOG-anuWRqgib0roDebJ14qc33rgNAL4pYwSURKUtS7T_JmXF4B1PjEw7mWALWfvNIOJLSfl4s5pBf-EYzJGH_SMEKrIvS_tQ/s1600/DSC_1231-P2-Gallery+%25281%2529.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHf4x-l3yJrOPeyGP8CSFCi3fz6SMMr-uvxPEqU3ZdrFJXOG-anuWRqgib0roDebJ14qc33rgNAL4pYwSURKUtS7T_JmXF4B1PjEw7mWALWfvNIOJLSfl4s5pBf-EYzJGH_SMEKrIvS_tQ/s400/DSC_1231-P2-Gallery+%25281%2529.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #ffd966;">Milky Way #2-2019, Nikon D750, 20mm f/1.8-Lens, f/2.8, 25 Seconds, ISO 2500</span></td></tr>
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My quest to shoot the Milky Way at Eagle Bluffs started in April of 2019.<span style="mso-spacerun: yes;"> </span>I had obtained a permit to be in the area after hours.<span style="mso-spacerun: yes;"> </span>I got rained out on the first attempt and clouds moved in on me on my second attempt.<span style="mso-spacerun: yes;"> </span>Okay, I must confess that I did not check to see sky and cloud conditions.<span style="mso-spacerun: yes;"> </span>It was a new moon so my mind said go for it. Sorry but it takes a little more planning which I quickly learned. With that out of the way another new moon was approaching, May 4, 2019.<span style="mso-spacerun: yes;"> </span>The day before and after can work too but it was not looking good.<span style="mso-spacerun: yes;"> </span>In our area, it has rained off and on continually for several weeks and this week was not looking promising.<span style="mso-spacerun: yes;"> </span>But I monitored the two websites above and originally thought I was going to have a break on Sunday night the 5<sup>th</sup> but there was a change in the weather forecast and my chance came Saturday night.<span style="mso-spacerun: yes;"> </span>That morning I loaded up all my gear, a cooler of beverages, and snacks.<span style="mso-spacerun: yes;"> </span>I had gotten my permit from the local conservation office and even though I really needed to mow; however, that chore got put on hold because there were more important tasks on the agenda.<span style="mso-spacerun: yes;"> </span>Before I talk about my equipment and setup I have to tell you that I drove to Eagle Bluffs Conservation Area which is 30 miles north of where I live, got there early but realized I had left my permit on the table.<span style="mso-spacerun: yes;"> </span>Augh!<span style="mso-spacerun: yes;"> </span>I drove back home to get it because it needs to be displayed in your car window in case the conservation agent comes by and wants to know what you are doing in his area after hours.<span style="mso-spacerun: yes;"> </span>Did I mention that in Eagle Bluffs you need a permit if you plan to be in the park from 10 PM to 4 AM?</div>
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On with the story.<span style="mso-spacerun: yes;"> </span>I go to Eagle Bluffs on a regular basis and using an app on my phone, <span class="MsoHyperlink"><a href="https://www.photopills.com/">PhotoPills</a></span> I had been planning in advance where within the area I was going to set up to shoot the Milky Way.<span style="mso-spacerun: yes;"> </span>This app, which is available for iPhone and Android allows you to see where the Milky Way will be at any given hour on any given day.<span style="mso-spacerun: yes;"> </span>You can plan your event and save it for later.<span style="mso-spacerun: yes;"> </span>I knew the Milky Way would appear in the heavens out of the south.<span style="mso-spacerun: yes;"> </span>I also knew that I would have to deal with the fact that Jefferson City was south of the area, hence potential for light pollution. Each trip to the area I would stop at various locations and use my phone to take a reading for my next outing. <span style="mso-spacerun: yes;"> </span>Bottom line I knew in advance where I was going to set up. </div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #ffd966;">Milky Way #3-2019 Nikon D750, 20mm f/1.8-Lens, 25 Seconds, ISO 2500</span></td></tr>
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Getting there early afforded me the opportunity to photograph some wildlife in the early evening hours when they are the most active to feed.<span style="mso-spacerun: yes;"> </span>Knowing there was a break in all the rain/storms meant I had a good chance to capture a beautiful sunset.</div>
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That morning I took my time and selected my camera.<span style="mso-spacerun: yes;"> </span>I was going to shoot with a Nikon D750 full frame and I wanted a wide angle lens so went with a Nikkor 20 mm f/1.8 prime.<span style="mso-spacerun: yes;"> </span>This camera allows me to go into the settings and set the shutter to raise the mirror 1, 2, or 3 seconds after activating the shutter release. I was also able to set the camera on a 2-second delay.<span style="mso-spacerun: yes;"> </span>What this means is once I click the shutter button the camera will wait 2 seconds before raising the mirror and the camera will then wait 2 or 3 seconds before taking the picture.<span style="mso-spacerun: yes;"> </span>Even though I was using a tripod which is an absolute must these steps limit any possible camera movement from the shutter, mirror, or my hand on the shutter button.<span style="mso-spacerun: yes;"> </span>By the way, I also used a cable release so that I kept my hands off the camera.<span style="mso-spacerun: yes;"> </span>Another reason for my camera selection is it has an articulating LCD screen.</div>
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You can use a wide-angle fixed focal length lens known as a prime or a wide angle zoom lens. Anything from 14 mm to 24 mm seems to work for me.<span style="mso-spacerun: yes;"> </span>Zooms in the range of 12-24 mm, 18-55 mm or just a couple of examples.<span style="mso-spacerun: yes;"> </span>There is an issue that you must compensate for when using a zoom lens and that is when shooting the Milky Way you will need to focus using manual focus and once determined not adjust the range. Example; lets say you are using a 12-24 mm zoom and you compose your image using a focal range of 20mm.<span style="mso-spacerun: yes;"> </span>What do you do to make sure that you don’t accidentally move the zoom range once you are focused on the stars?<span style="mso-spacerun: yes;"> </span>A lot of people use painters tape to make sure the lens does not move and I am sure there are other methods but this is the one I am familiar with.</div>
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I had my spot picked out and I set up my camera as night was coming on so that I could get ready to focus for my shot.<span style="mso-spacerun: yes;"> </span>I wanted to focus on infinity and even though the lens has an affinity mark on it, it doesn’t mean you can just set it to infinity and you are good to go.<span style="mso-spacerun: yes;"> </span>I have found that my lens focuses just slightly before the infinity mark.<span style="mso-spacerun: yes;"> </span>With that said my method was to angle the camera to the brightest star and using live view to focus.<span style="mso-spacerun: yes;"> </span>In the live view mode, I increased the magnification to its max and then adjusted the focus ring until my star or white dot was perfectly round and not blurry. With the focus set, I aimed my camera toward where my PhotoPills app indicated it would be.<span style="mso-spacerun: yes;"> </span>However, at this early point in the evening, the Milky Way was not visible.<span style="mso-spacerun: yes;"> </span>My Photopills app indicated that the brightest part of the Milky Way, it's Galactic Center would start showing up around 2 AM in the morning.<span style="mso-spacerun: yes;"> </span>So it was time to set back and read my Kindle until the appointed hour.<span style="mso-spacerun: yes;"> </span>I think this is a good time to point out that dew can set in on your gear and especially the lens glass.<span style="mso-spacerun: yes;"> </span>I carry a soft black, light-weight throw with me so I gently covered my camera and lens. The following image was my test shot.</div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #ffd966;">Milky Way #4-2019,Nikon D750, 20mm f/1./-Lens, f/5.6, 15 Seconds, ISO 3200</span> <span style="color: red;">RAW File Un-Processed</span></td></tr>
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Once the stars came out I took a couple of test shots to make sure my stars were in focus.<span style="mso-spacerun: yes;"> </span>My test shots consisted of a couple of attempts at different time settings.<span style="mso-spacerun: yes;"> </span>One at 15 seconds and another at 20 seconds.<span style="mso-spacerun: yes;"> </span>I also wanted to see how much ambient light pollution I would need to deal with.<span style="mso-spacerun: yes;"> </span>Light pollution normally adds a yellow glow to your image and obscures the night sky.<span style="mso-spacerun: yes;"> </span>For this occasion, I opted to try out a new light pollution lens filter I bought. <span style="mso-spacerun: yes;"> </span>This filter is designed to reduce the appearance of light pollution in images that include the night sky and illumination from artificial light sources.<span style="mso-spacerun: yes;"> </span>However, the filter is magenta in color and can add a little pink cast to your image but I liked it.<span style="mso-spacerun: yes;"> </span>Back to my novel while I waited. The next image is a section of the image above which I used to check the focusing on the stars.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhikRr8ey5f4FsxXKcwVgpM55Py1egCFNj2Au5hJ2Bf3UsqoiK7NcPoRslHgWMBafH6YiHA5byMP6ByTkD9sgcRF6MaelRu3t7GsUtIkf_a6CORTBCPSHyhl5o1dszNmXbxnBt1WLIvKv_q/s1600/DSC_1205-Cropped.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="946" data-original-width="1182" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhikRr8ey5f4FsxXKcwVgpM55Py1egCFNj2Au5hJ2Bf3UsqoiK7NcPoRslHgWMBafH6YiHA5byMP6ByTkD9sgcRF6MaelRu3t7GsUtIkf_a6CORTBCPSHyhl5o1dszNmXbxnBt1WLIvKv_q/s400/DSC_1205-Cropped.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #ffd966;">Milky Way #5-2019 Nikon D750, 20mm f/1./-Lens, f/5.6, 15 Seconds, ISO 3200</span> <span style="color: red;">RAW File Un-Processed</span></td></tr>
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Around 2:30 AM I started seeing my subject.<span style="mso-spacerun: yes;"> </span>It does not jump out at you like all the images you see posted.<span style="mso-spacerun: yes;"> </span>That is part of the art form in post-processing.<span style="mso-spacerun: yes;"> </span>But if you don’t see it you can’t capture it.<span style="mso-spacerun: yes;"> </span>I experimented with different setting combinations.<span style="mso-spacerun: yes;"> </span>I varied my ISO from 2500 to 6400, my shutter speed from f/2.0 to f/8, and from 15 seconds to 25 seconds.<span style="mso-spacerun: yes;"> </span>I did not go above 25 seconds for this lens.<span style="mso-spacerun: yes;"> </span>Anything longer could produce star trails.<span style="mso-spacerun: yes;"> </span>If that is what you are going far then great, otherwise your stars will be blurry. Remember the higher the ISO the more noise you will introduce into the image.<span style="mso-spacerun: yes;"> </span>I have been experimenting with some success on different techniques to reduce noise in post. Image #6 is a RAW File captured at 3 AM. This is what I saw before adding any post-processing to accentuate the Milky Way. At this time I was able to see the Milky Way with the naked eye.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm7aDbHqApHGGSgwXRM0ivHGb0WFRkk9QAYq1dKgjeoMI7K23iGwwgVD1bTH6YOl8Io0uU8K_Mw_ZiijoogT_rp4TDlqA2al6NjQw4l7_04ujMcrDZwc3qLAwdZUC-wNkSAmmDEUnMPsQ4/s1600/DSC_1229-Blog.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm7aDbHqApHGGSgwXRM0ivHGb0WFRkk9QAYq1dKgjeoMI7K23iGwwgVD1bTH6YOl8Io0uU8K_Mw_ZiijoogT_rp4TDlqA2al6NjQw4l7_04ujMcrDZwc3qLAwdZUC-wNkSAmmDEUnMPsQ4/s400/DSC_1229-Blog.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #ffd966;">Milky Way #6-2019 Nikon D750, 20mm f/1./-Lens, f/5.6, 15 Seconds, ISO 3200</span> <span style="color: red;">RAW File</span></td></tr>
</tbody></table>
<div class="MsoNormal">
You can calculate the maximum shutter length by dividing the number 500 by the focal length of your lens. (500/20=25) this is the 500 rule.<span style="mso-spacerun: yes;"> </span>Some people use the 600 Rule or (600/20=30).<span style="mso-spacerun: yes;"> </span>I stick with the 500 rule.<span style="mso-spacerun: yes;"> </span>Starting at 3:00 AM I ended up with 35 exposures.<span style="mso-spacerun: yes;"> </span>Processing these images is an art form in itself in my opinion.<span style="mso-spacerun: yes;"> </span>Each image I processed generated a different look.<span style="mso-spacerun: yes;"> </span>Which one is best?<span style="mso-spacerun: yes;"> </span>I guess the one that moves your soul.<span style="mso-spacerun: yes;"> </span>Search YouTube to learn how to process these images.<span style="mso-spacerun: yes;"> </span>There is a lot of good training out there. Image #7 was shot with a greater depth-of-field (f/5.6) which help bring out the star effect in this picture.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieaQaJg_cj8LSauTsIgif9Hnu9fSYJJ_Jy5OWKuyoK8GMHQ3EOK2bo9iOoeCAiB_xqqVG6urICAMNsh_6CCgWA3YMTR8i1Lv4uP_km0jTtnAj2upkTTZ5jvjQFPJisvZ4VxeAzF9gy94Nh/s1600/DSC_1232-1-P-Gallery.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieaQaJg_cj8LSauTsIgif9Hnu9fSYJJ_Jy5OWKuyoK8GMHQ3EOK2bo9iOoeCAiB_xqqVG6urICAMNsh_6CCgWA3YMTR8i1Lv4uP_km0jTtnAj2upkTTZ5jvjQFPJisvZ4VxeAzF9gy94Nh/s400/DSC_1232-1-P-Gallery.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #ffd966;">Milky Way #7-2019 Nikon D750, 20mm f/1./-Lens, f/5.6, 15 Seconds, ISO 3200</span> </td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"><span style="color: red;"></span></td></tr>
</tbody></table>
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</div>
<div class="MsoNormal">
I am going to add two more images below, taken last year without the light pollution filter.</div>
<div class="MsoNormal">
</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPGA1ojLDno7ASL69d809MI5m9XLTBPdvyB8EZsE4Ir09prILx64mhsnpJVuGrAsDRSeMdXInLZBKTcmgTZH-DT0CuJQ3wwTeX_g-s0vaqkOKXmq_lrTrmSykZ4BCn5fyJ33iWTVQXqipL/s1600/DSC_0258-P-Web.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1069" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPGA1ojLDno7ASL69d809MI5m9XLTBPdvyB8EZsE4Ir09prILx64mhsnpJVuGrAsDRSeMdXInLZBKTcmgTZH-DT0CuJQ3wwTeX_g-s0vaqkOKXmq_lrTrmSykZ4BCn5fyJ33iWTVQXqipL/s400/DSC_0258-P-Web.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #ffd966;">Milky Way #8-2018 Nikon D750, 20mm f/1.8 Lens, f/2.8, 20 Seconds, ISO 2500</span></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td><td class="tr-caption" style="text-align: center;"></td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="MsoNormal">
Images #8 was taken last August 2018 at 10:30 PM. At that time of year, the Milky Way was more visible and I am not sure why.</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLvEoX5E48r-DmSt1MCfVgPI199WFKoYr_SMgE6ct8uVF57P79b2ufPIsff8h-F8t1CigXUYhRljDORWCMVBmf-XcbyErdJoKEMa_HxsFk7fBXKU-cdUmGD-updjd5hfA6X0XrwNxzK2V3/s1600/DSC_0236-P-Web.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1069" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLvEoX5E48r-DmSt1MCfVgPI199WFKoYr_SMgE6ct8uVF57P79b2ufPIsff8h-F8t1CigXUYhRljDORWCMVBmf-XcbyErdJoKEMa_HxsFk7fBXKU-cdUmGD-updjd5hfA6X0XrwNxzK2V3/s400/DSC_0236-P-Web.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #ffd966;">Milky Way #9 2018 Nikon D750, 20mm f/1.8 Lens, f/2.8, 25 Seconds, ISO 1600</span></td></tr>
</tbody></table>
Image #9-2018 was also taken last August 2018 and was taken at 5 PM. I used the same lens and camera as this year but by August the Milky Way was being its descent back south so appears further away from where I was standing.<br />
<br />
I hope you enjoyed this blog.<span style="mso-spacerun: yes;"> </span>Special thanks to MDC for the permit to allow me to capture this moment while enjoying the solitude of the night at Eagle Bluffs Conservation Area.John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com1tag:blogger.com,1999:blog-2442848430539673379.post-27292744863448774962019-04-28T07:44:00.000-05:002019-04-29T12:46:43.606-05:00Cinnamon Teal<!--[if gte mso 9]><xml>
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<b><span style="font-size: large;">In Search of The Cinnamon Teal</span></b></div>
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<b><span style="font-size: large;"><span style="color: red; font-size: small;"><i>(Click on Any Image to Enlarge it)</i></span> </span></b></div>
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<span style="mso-bidi-font-family: Arial;">On April 23, 2019, Brady Lichtenberg, Biologist and manager of Eagle Bluffs Conservation Area (EBCA) posted a picture of a Cinnamon Teal (CT) he spotted in pool #1.<span style="mso-spacerun: yes;"> </span>This was an uncommon bird at EBCA.<span style="mso-spacerun: yes;"> </span>Compared to a lot of the other ducks that visit this area it is distinctive in its colors.<span style="mso-spacerun: yes;"> </span>More about its identification later but for now the quest in search of the Cinnamon Teal begins.<span style="mso-spacerun: yes;"> </span></span><br />
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<span style="mso-bidi-font-family: Arial;"><span style="mso-spacerun: yes;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTWmimg_yB5-Qxct6TLvyBK7Fcn_Sy7z5gCswUFQZHbZNoTYHEx_fM29FbBwPuZs6XgYeq_kUOsH9DQuH4pFx-NeuJqAcjov8KUhxmLWqJ62hXSJeh2HDIh_hzoiSzXIZYTXX-AZ7VWkZ0/s1600/_50G9573-P-Gallery.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTWmimg_yB5-Qxct6TLvyBK7Fcn_Sy7z5gCswUFQZHbZNoTYHEx_fM29FbBwPuZs6XgYeq_kUOsH9DQuH4pFx-NeuJqAcjov8KUhxmLWqJ62hXSJeh2HDIh_hzoiSzXIZYTXX-AZ7VWkZ0/s400/_50G9573-P-Gallery.jpg" width="400" /></a></span></span></div>
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<span style="mso-bidi-font-family: Arial;">My first attempt was on the 25<sup>th</sup>.<span style="mso-spacerun: yes;"> </span>I drove to EBCA in the afternoon because pool #10 and #11 or on the east side of the main drive so that would put the sun at my back while highlighting by subject should I be able to locate him.<span style="mso-spacerun: yes;"> </span>The drive to EBCA from where I live is about 35 to 45 minutes depending on traffic.<span style="mso-spacerun: yes;"> </span>I live in Holts Summit, MO and EBCA is north of me but slightly southwest of Columbia, MO.<span style="mso-spacerun: yes;"> </span>It’s a pretty easy drive being four-lane highway 90% of the way.</span></div>
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<span style="mso-bidi-font-family: Arial;">We have had a lot of rain lately which can make the gravel road through EBCA muddy or soupy but on this day it was in good condition.<span style="mso-spacerun: yes;"> </span>After the winter deluge, the Missouri Department of Conservation laid new gravel on the road which was really nice.<span style="mso-spacerun: yes;"> Thank you MDC. </span>The only problem with this area is the speed that some seem to have to travel at.<span style="mso-spacerun: yes;"> </span>This is a beautiful conservation wildlife area and driving at 10 miles per an hour lets you enjoy the scenery, 20 miles per hour is too fast but there are those who consistently drive through this area at speeds of 35 to 45 miles per hour.<span style="mso-spacerun: yes;"> </span>Needless to say you better brace yourself for a lot of gravel dust which can be very damaging to a camera body and its lens glass.<span style="mso-spacerun: yes;"> </span>I have taken to carrying a towel with me to cover my equipment when this happens.<span style="mso-spacerun: yes;"> </span>Back to my story.<span style="mso-spacerun: yes;"> </span>I was prompted to head out in search of the CT on this day because we got a break in the weather and the sun was out in all its glory.</span></div>
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<span style="mso-bidi-font-family: Arial;">Upon arrival, I stopped to check on Bandy and MOE, our resident Eagles who happen to be on yet another successful year of hatching three eaglet chicks.<span style="mso-spacerun: yes;"> </span>This marks the fifth year of producing offspring that I have observed. EBCA consists of 4,431-acres of wetlands so allow yourself some time to make frequent stops.<span style="mso-spacerun: yes;"> </span>There are 17 shallow pools and 30 miles of levees.<span style="mso-spacerun: yes;"> </span>The Missouri River and Perche Creek provide over 10miles of stream frontage. Depending on the time of year there can be a lot of waterfowl and songbirds to see.<span style="mso-spacerun: yes;"> </span>I then headed straight for pools 10 and 11 to locate my subject.<span style="mso-spacerun: yes;"> </span>There were a lot of Blue-winged Teal in these pools but no CT.<span style="mso-spacerun: yes;"> </span>Then again I forgot my binoculars so I could have missed it.<span style="mso-spacerun: yes;"> </span>I got some great pictures of a Little Blue Heron and a juvenile cormorant but I struck out on finding the CT.<span style="mso-spacerun: yes;"> </span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRMGhiXW46qQnxOFDgtJGKI3TcoxXZlyE95cWRSahb4mqZCah4l2GFc-MFobA1ZfpdmLdEOrt78akAXk-SKGd2mwZslDC_ztcoQmlJfpT7h6L7C5ig4BNpwajju0KgVgVXNLr5b8h4Pqbp/s1600/_85G5065-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1280" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRMGhiXW46qQnxOFDgtJGKI3TcoxXZlyE95cWRSahb4mqZCah4l2GFc-MFobA1ZfpdmLdEOrt78akAXk-SKGd2mwZslDC_ztcoQmlJfpT7h6L7C5ig4BNpwajju0KgVgVXNLr5b8h4Pqbp/s400/_85G5065-P-Gallery.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 150-600, f/8, 1/1250sec, ISO 1000</td></tr>
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<i><span style="font-size: x-small;"><span style="color: #b6d7a8;">Why I chose these settings? This is a f/5.6 lens and in most cases its sweet spot is f/8 hence my selection of f/8. I always strive for shutter speeds greater than the focal length of my lens. In this case I had the lens extended to 600mm so I wanted to make sure the shutter speed was greater than 600mm. I selected 1/1250 sec to give me some play because I sometimes have trouble holding my rig steady due to shoulder surgery.</span></span></i><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVwi2ogNk57CfcCFjreD2fjbxT7LOW4kMnJFVzgCEuh7Tg08x3AMBOJnM-Xm9lCmpoiVLcuXiiYBfH9L3wvfCodiaSGMUhVs_UerFveXlilrohvPNxhY3Ufb0yC0AS8JyVgCpSPudLJ5tA/s1600/_85G5099-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1281" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVwi2ogNk57CfcCFjreD2fjbxT7LOW4kMnJFVzgCEuh7Tg08x3AMBOJnM-Xm9lCmpoiVLcuXiiYBfH9L3wvfCodiaSGMUhVs_UerFveXlilrohvPNxhY3Ufb0yC0AS8JyVgCpSPudLJ5tA/s400/_85G5099-P-Gallery.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 150-600, f/8, 1/1250sec, ISO 160</td></tr>
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<span style="mso-bidi-font-family: Arial;"><span style="font-size: x-small;"><span style="color: #b6d7a8;"><i>Note here the settings are the same; however, since I am shooting into the sky, which even though it was overcast was still very bright and this allowed me to lower my sensitivity or ISO to 100 </i></span></span></span></div>
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<span style="mso-bidi-font-family: Arial;">The next day was another beautiful sunny day so once again I took to the road in search of the CT.<span style="mso-spacerun: yes;"> </span>Again I chose the late afternoon and made sure to pack my binoculars.<span style="mso-spacerun: yes;"> </span>I didn’t waste any time and headed straight for pool #10.<span style="mso-spacerun: yes;"> </span>I made frequent stops scanning the pool banks.<span style="mso-spacerun: yes;"> </span>There were a lot of Blue Teal and shorebirds resting and sleeping in the afternoon sun.<span style="mso-spacerun: yes;"> </span>It was easy to spot CT because he was active in the water not to mention his beautiful rich tones of reddish-brown plumage stood out. <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitXCxgk4WeNYoeboCmdoUWMaxc4RZrGWJgivehZpS8GhVCwYaArOrije_JZyEFgQTRDPjDPHLMrKh5i5h-wWMuy8NGKuKuyNSuOvKkbfXLHbe4wfbLVemGnkCh1qUEX0BnP4gPYAQPFZdx/s1600/_50G9446-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1144" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitXCxgk4WeNYoeboCmdoUWMaxc4RZrGWJgivehZpS8GhVCwYaArOrije_JZyEFgQTRDPjDPHLMrKh5i5h-wWMuy8NGKuKuyNSuOvKkbfXLHbe4wfbLVemGnkCh1qUEX0BnP4gPYAQPFZdx/s400/_50G9446-P-Gallery.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D500, Sigma 150-600, f/8, 1/1250, ISO400</td></tr>
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<span style="mso-bidi-font-family: Arial;"><span style="font-size: x-small;"><span style="color: #b6d7a8;"><i>The only thing I change here was my ISO. Another day and it was sunny so I did not need as much sensitivity but as I have already mention about the lens length to focal length settings, I wanted to make sure my shutter speed was fast enough to freeze the action. Remember this correlation. With a fixed aperture, the higher the ISO the faster will be your shutter speed but the faster the shutter speed the less light you let in. Its always a balancing act.</i></span></span> </span></div>
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<span style="mso-bidi-font-family: Arial;">I observed him swimming, diving for food, then preening himself and then repeating these actions repeatedly.<span style="mso-spacerun: yes;"> </span>Since he was staying in a somewhat restricted area I turned off the car motor got out my camera with a telephoto lens and began taking pictures <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDR1iEO7sUa2jTNPTDvCEoHF144XWnEFR65xurTS84w6w8bb6pVHDt1ttCaJYmyUDiDP9ZxjkQVuDionkAVq05bdw0jVYKzPsaMhg_ShBtaffwTssB4yYSKzEOM9soiUiKLHTzhNiXVo0k/s1600/_50G9483-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1144" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDR1iEO7sUa2jTNPTDvCEoHF144XWnEFR65xurTS84w6w8bb6pVHDt1ttCaJYmyUDiDP9ZxjkQVuDionkAVq05bdw0jVYKzPsaMhg_ShBtaffwTssB4yYSKzEOM9soiUiKLHTzhNiXVo0k/s400/_50G9483-P-Gallery.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D500, Sigma 150-600, f/8, 1/1250, ISO 400, EV +0.33</td></tr>
</tbody></table>
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<span style="mso-bidi-font-family: Arial;"><span style="font-size: x-small;"><span style="color: #b6d7a8;"><i>Here I opted to add some exposure compensation (EV). This helped me move my histogram more to the right side wall to better increase for a correct exposure. I shoot in RAW and my camera has a tendency to underexpose a little so I am always aware of this. Now I usually shoot at a little underexposed because I can recover the shadows in post processing better than trying to bring back overexposures.</i></span></span> </span></div>
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<span style="mso-bidi-font-family: Arial;">According to the Audubon Web Site, it is uncommon for him to be in our area although they are common and widespread. While many of our marsh ducks are found from coast to coast, the Cinnamon Teal is strictly western. <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxmy2A-hvANLAwAOVVt50dKMMQzq18-32w_RT3MD2ciNDfOnTteHJPO_o4QzFR-Ag6rxEja5bJpjRwgq6GmGT0sQW3TYok_iEjXfJG4l17cvjIcIuDJxq1Jw_HOAaVKLwqlElx3wCuFmkE/s1600/_50G9573-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxmy2A-hvANLAwAOVVt50dKMMQzq18-32w_RT3MD2ciNDfOnTteHJPO_o4QzFR-Ag6rxEja5bJpjRwgq6GmGT0sQW3TYok_iEjXfJG4l17cvjIcIuDJxq1Jw_HOAaVKLwqlElx3wCuFmkE/s400/_50G9573-P-Gallery.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D500, Sigma 150-600,1/640sec, ISO 400, EV +0.67</td></tr>
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<span style="mso-bidi-font-family: Arial;"><span style="font-size: x-small;"><span style="color: #b6d7a8;"><i>I was able to lower my shutter speed in this image because the duck was standing still BUT to insure sharpness I kept the shutter speed greater than the focal <span style="background-color: white;">length</span> of 600mm</i></span></span> </span></div>
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<span style="mso-bidi-font-family: Arial;">Unique among our northern dabbling ducks, this teal also has nesting populations in South America. A close relative of Blue-winged Teal (and sometimes hybridizing with it), the Cinnamon Teal has a slightly larger bill, better developed for straining food items out of the water. In some ways, this species seems intermediate between Blue-winged Teal and Northern Shoveler. <sup>(Audubon.Org) <span style="mso-spacerun: yes;"> </span></sup><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSB9tzUrHP6D7-NPmVJ9SFWHX7YQ61IYZboHokdmp6E_5znKAI7iatO-EMGKikseQmm-kvgg1nezFkzbJlV1NyEZ-dW-nIBmmdCMMNpVqdqpZ2595MNa32gVXEoe-BqPt6pnZ0URJMqo-S/s1600/_50G9487-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1144" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSB9tzUrHP6D7-NPmVJ9SFWHX7YQ61IYZboHokdmp6E_5znKAI7iatO-EMGKikseQmm-kvgg1nezFkzbJlV1NyEZ-dW-nIBmmdCMMNpVqdqpZ2595MNa32gVXEoe-BqPt6pnZ0URJMqo-S/s400/_50G9487-P-Gallery.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D500, Sigma 150-600, f/8, 1/1250sec, ISO 400, EV +0.67</td></tr>
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</span></div>
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<span style="mso-bidi-font-family: Arial;"><span style="font-size: x-small;"><span style="color: #b6d7a8;"><i>Switching back to a faster shutter speed enabled me to freeze the water when this CT decided to shake his booty. </i></span></span> </span></div>
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<span style="mso-bidi-font-family: Arial;">Usually forages in shallow water, swimming forward with head partly submerged, and straining food from the water. One feeding bird may follow another, taking advantage of food stirred up by paddling actions of the first bird. Occasionally feeds on land near water.<span style="mso-spacerun: yes;"> </span>Their diet consists of seeds, plant material, and insects. <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcxLCyzy-0IG9oxkJQd5UBTw8Zdr9HhzxKwDXdLfFxWrOdv-G5LlsNXBYiZ0R19D7lZ6RJgwaRwbeAug5oSqmH6_AvEhht5_ZUTcDPo9nV6P6ORS8pG96OSuR5uKKp0dLM2BPFPxHEJX9Y/s1600/_85G5229-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1280" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcxLCyzy-0IG9oxkJQd5UBTw8Zdr9HhzxKwDXdLfFxWrOdv-G5LlsNXBYiZ0R19D7lZ6RJgwaRwbeAug5oSqmH6_AvEhht5_ZUTcDPo9nV6P6ORS8pG96OSuR5uKKp0dLM2BPFPxHEJX9Y/s400/_85G5229-P-Gallery.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 100-400, f/6.3, 1/2500sec, ISO 400</td></tr>
</tbody></table>
</span></div>
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<span style="mso-bidi-font-family: Arial;"><span style="font-size: x-small;"><span style="color: #b6d7a8;"><i>Because I wanted a faster shutter speed, 1/2500sec, I lowered my aperture by 1-stop to f/6.3 this still gave me enough depth-of-field to capture this action.</i></span></span> </span></div>
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<span style="mso-bidi-font-family: Arial;">They can lay anywhere from 9-12 eggs with a 21-25 day incubation period by the female. Once the young are introduced to water they can find their own food and they are capable of flight 7 weeks after hatching.</span></div>
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<span style="mso-bidi-font-family: Arial;">Breeding Males have a deep brownish-red body with a long black bill, red eye, and black back and rear.<span style="mso-spacerun: yes;"> </span>The Blue Teal and Cinnamon Teal females look a lot alike <span style="mso-spacerun: yes;"> </span>My research shows that the Cinnamon Teal, Blue-winged Teal, and Northern-Shoveler all have the same blue/white/green feathers on the wings when extended. Climate change could affect these birds migration patterns in the future. <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLxx1RC-pPAp6B_zGavyoHPon0enRFoy16N7FClNIb3kbw6dlZI-3ZnN8DO-LxXkzDP1hbTDaqs-fYVR9ZeBCVDLcUh-LpeuWzjZKORSgi5mJcWsZr4wSFymBppEktZbXctWHgCH-xrVvL/s1600/_85G5250-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1280" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLxx1RC-pPAp6B_zGavyoHPon0enRFoy16N7FClNIb3kbw6dlZI-3ZnN8DO-LxXkzDP1hbTDaqs-fYVR9ZeBCVDLcUh-LpeuWzjZKORSgi5mJcWsZr4wSFymBppEktZbXctWHgCH-xrVvL/s400/_85G5250-P-Gallery.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 100-400, f/6.3, 1/4000sec, ISO 640</td></tr>
</tbody></table>
</span></div>
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<span style="mso-bidi-font-family: Arial;"></span></div>
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<span style="mso-bidi-font-family: Arial;"><span style="font-size: x-small;"><span style="color: #b6d7a8;"><i>I saw him do this previously and to make sure I captured it I upped my ISO to 640 which gave me 2/3 stop of light and combined with the 1-stop increase by lowering my f-stop to f/6.3 was enough to increase my shutter speed to 1/4000 sec. which froze his wing movement.</i></span></span> </span></div>
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<span style="mso-bidi-font-family: Arial;">So concludes another successful day photographing wildlife at Eagle Bluffs Conservation Area. There is a lot of diversity here and as the days of summer come on a lot of the waterfowl will continue on their journey north but our eagles and hawks and herons and egrets will be with us all summer providing ample opportunities to capture some wildlife in nature. I will leave you with this image of a Wood Duck who flew across my path on my drive out. </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizqG8r_5L_buVewUn3-LtJQzHQsh0ikVPwM1Q8-vEokwt-Efe-3x9O9HD5lECz9R8pEYb3_XXSQUoTi1hwSnLf6Yhyti0hY_2-QVm-h02zPyBNXK-UEXEP2oLasbOtbKp6B6GNnRxBz5s7/s1600/_85G5323-P-Gallery.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1280" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizqG8r_5L_buVewUn3-LtJQzHQsh0ikVPwM1Q8-vEokwt-Efe-3x9O9HD5lECz9R8pEYb3_XXSQUoTi1hwSnLf6Yhyti0hY_2-QVm-h02zPyBNXK-UEXEP2oLasbOtbKp6B6GNnRxBz5s7/s400/_85G5323-P-Gallery.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 100-400, f/6.3, 1/1250, ISO 640</td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td><td class="tr-caption" style="text-align: center;"><br /></td></tr>
</tbody></table>
<div class="MsoNormal">
<span style="mso-bidi-font-family: Arial;"><span style="font-size: x-small;"><span style="color: #b6d7a8;"><i>Probably should have shot this faster but it happened so quick I did not have time to make any adjustments but panning helped. Not tack sharp but it works. This is were panning pays off.</i></span></span> </span></div>
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<div class="MsoNormal">
<span style="mso-bidi-font-family: Arial;">Thanks for stopping by. If you enjoyed this story please leave a comment.</span></div>
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<span style="mso-bidi-font-family: Arial;">John Gilbert </span><br />
<span style="mso-bidi-font-family: Arial;"></span></div>
John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com2tag:blogger.com,1999:blog-2442848430539673379.post-69828093748299603852019-04-22T08:59:00.001-05:002019-04-22T09:13:26.574-05:00Yellow-Headed Blackbirds<br />
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<b><span style="font-size: large; mso-bidi-font-family: Arial;">YELLOW-HEADED BLACKBIRDS</span></b></div>
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<span style="mso-bidi-font-family: Arial;"><i><span style="color: red;">(Click On Any Image To Enlarge It) </span></i></span></div>
<span style="mso-bidi-font-family: Arial;">The Yellow-Headed Blackbird is undoubtedly has declined in some areas with draining of marshes; however, still widespread and very common but only on the western half of Missouri. It is a member of the Blackbirds and Orioles family. Its habitat is fresh marshes. Forages in fields, open country. Breeds in freshwater sloughs, marshy lake borders, tall cattails growing in water up to 3-4' deep. Forages around marshes and also common in open pastures, plowed fields, cattle pens, feedlots.</span></div>
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<span style="mso-bidi-font-family: Arial;">The male Yellow-headed Blackbird is impressive to see, but not to hear: it may have the worst song of any North American bird, a hoarse, harsh scraping. Yellow-heads nest in noisy colonies in big cattail marshes of the west and midwest; when not nesting, they gather in flocks in open fields, often with other blackbirds. At some favored points in the southwest in winter, they may be seen in flocks of thousands. </span></div>
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<span style="font-family: "arial" , sans-serif;">Forages mostly by walking on the ground in open fields or near the water's edge; also forages low in marsh vegetation. Sometimes catches insects in flight. May follow farm machinery in fields to feed on insects and grubs turned up by the plow. Except in nesting season, usually forages in flocks, often associated with other blackbirds</span><br />
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<span style="font-family: "arial" , sans-serif;">.</span><br />
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<span style="mso-bidi-font-family: Arial;">Mostly insects and seeds. Feeds heavily on insects in summer, especially beetles, caterpillars, and grasshoppers, also ants, wasps, and others, plus a few spiders and snails. Young are fed mostly insects. Probably two-thirds of the diet consists of seeds, including grass and weed seeds plus waste grain.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSxjkjDQNeTGSRBj1dLDZUQkX0mm50RgYTd6JAr6IIF2pxxOR3WNF5_ZiG-R9XJ9rBOZ9-U3fNbgPwGj2P_EsAEMrRthdGN9nZ0sTL5H1sVshAzGXE8wgsFhHwqPxKVzbP0eBKLNdUOEdb/s1600/_JMG3480_P-Gallery.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1237" data-original-width="1600" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSxjkjDQNeTGSRBj1dLDZUQkX0mm50RgYTd6JAr6IIF2pxxOR3WNF5_ZiG-R9XJ9rBOZ9-U3fNbgPwGj2P_EsAEMrRthdGN9nZ0sTL5H1sVshAzGXE8wgsFhHwqPxKVzbP0eBKLNdUOEdb/s400/_JMG3480_P-Gallery.jpg" width="400" /></a></div>
<br />
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<span style="mso-bidi-font-family: Arial;">Typically nests in colonies in marshes, each male selecting territory within the colony and defending it against rivals by singing. One male may have as many as 5 mates. Nest placed in the marsh, firmly lashed to standing vegetation (cattails, bulrushes, reeds) growing in water, usually no more than 3' above water's surface. Nest (built by female) is a bulky, deep cup woven of aquatic plants, lined with dry grass or with fine, dry marsh plants.<span style="mso-spacerun: yes;"> </span> </span></div>
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<br /></div>
<div class="MsoNormal">
<span style="mso-bidi-font-family: Arial;">It lays between 3-5 eggs.<span style="mso-spacerun: yes;"> </span>Both parents feed nestlings which leave the nest after 9-12 days and are ready to fly in about 3 weeks in the meantime the nestlings remain among dense marsh plants.<sup> (Audubon Field Guide)</sup></span></div>
John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com0tag:blogger.com,1999:blog-2442848430539673379.post-72138811753182459532019-04-04T08:34:00.001-05:002019-04-04T08:34:52.585-05:00Eagle Bluffs Conservation Area #4<div style="text-align: center;">
<b><span style="font-size: large;">HIKE TO THE OVERLOOK</span></b></div>
<div style="text-align: center;">
<b><span style="font-size: large;">by john gilbert </span></b></div>
<div style="text-align: center;">
<b><span style="font-size: large;">April 3, 2019 </span></b></div>
<div style="text-align: center;">
<span style="font-size: large;"><span style="color: red;"><i>(Click on any Image to enlarge it)</i></span></span><b><span style="font-size: large;"></span></b></div>
<span style="font-size: large;"><br /></span>
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<span style="font-size: large;">Before we can hike to the Eagle Bluffs Overlook, we first have to get to the beginning of the trail.<span> </span>There are mutiple ways to get to the trailhead, from the south or from the north.<span> </span>The south meaning you are coming from the Jefferson City, MO area or the north coming from the Columbia, MO Area.<span> </span>On this trip, I came in from Jefferson City, MO. From the south.<span> </span>I traveled Hwy 63N to Ashland, MO. Took the Missouri Y exit at Ashland.<span> </span>At the top, you will enter a roundabout and you will want to take the 3<sup>rd</sup> exit onto E Broadway. <span> </span>Immediately after crossing the overpass you will enter another roundabout and you will now take the 1<sup>st</sup> exit so that you stay on E Broadway. Continue on E Broadway for about 1.5 miles and take a right onto Hwy Mm. After traveling about 2.8 miles you will take another right onto S Andrew Sapp Rd.<span> </span>Stay on S Andrew Sapp Rd for 2.5 miles which turns into W Nashville Church Rd for about 0.5 miles.<span> </span>This will come to an end at Missouri N; however, there is no sign indicating Missouri N.<span> </span>At this T you are going to go right for about 0.2 miles then turn left onto Woodie Proctor Rd.<span> </span>Continue on Woodie Proctor Rd for another 2.7 miles then take another left on to S Smith Hatchery Rd for 1.4 miles.<span> </span>Turn left onto Old Plank Rd S for 0.9 miles and then continue straight onto S Warren School Rd. for just 0.2 miles.<span> </span>The trailhead parking lot will be on your left. </span></div>
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<span style="font-size: large;">Now, folks, this is the scenic route and I must admit it was some beautiful rural landscape.<span> </span>It is rolling hills and winding roads.<span> </span>It was a pleasant drive.<span> </span>But there are quicker and easier ways to get there from Jefferson City, MO.<span> </span>Consider Hwy 163 to Route K, then go left on K until you reach S Mt Celestial Rd.<span> </span>After approximately 0.3 miles turn right onto S. Warren School Rd for 1.4 miles and the trailhead parking lot will be on your right.</span></div>
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Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
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<span style="font-size: large;">Coming from Columbia, MO south on Hwy 63 take the AC exit. Go right onto Grindstone Pkway which becomes E Nifong Blvd.<span style="mso-spacerun: yes;"> </span>At the E Nifong Blvd and S, Providence Rd intersection go let.<span style="mso-spacerun: yes;"> </span>Stay on this road until you come to Route K and Hwy 163.<span style="mso-spacerun: yes;"> </span>Vear right onto Route K.<span style="mso-spacerun: yes;"> </span>Travel K until you come to S Mt Celestial Rd and go left. After approximately 0.3 miles turn right onto S. Warren School Rd for 1.4 miles and the trailhead parking lot will be on your right. There may be other ways to get there from Columbia, MO but these are the routes I checked out.<span style="mso-spacerun: yes;"> </span> </span></div>
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<span style="font-size: large;">When all else fails plug-in these <b><span style="color: yellow;">GPS coordinates. GPS: 38.850425 (38°51’153”N) -92.437020 (92°26’1327”W).</span></b><span style="mso-spacerun: yes;"><b> </b> </span>This will get you to the parking lot. <span style="mso-spacerun: yes;"> </span>It is not a very big lot and will hold maybe 4 cars.<span style="mso-spacerun: yes;"> </span>There is also a message board in the corner next to the trailhead. </span></div>
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBwaOM6BXTYS_8cYJv99US96ftOnB-muSVDnNsruTBdlsRdWwfcWJkZBCEHhmR7PN9UizNRnc56sJn9uInv4FbcZGI1y4WinMCUyKv__HQBat_ipRb_EDXrMfSWMHncd04r5mPrH2nZH5S/s1600/041-P-Blog.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBwaOM6BXTYS_8cYJv99US96ftOnB-muSVDnNsruTBdlsRdWwfcWJkZBCEHhmR7PN9UizNRnc56sJn9uInv4FbcZGI1y4WinMCUyKv__HQBat_ipRb_EDXrMfSWMHncd04r5mPrH2nZH5S/s400/041-P-Blog.jpg" width="400" /></a></span></div>
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<span style="font-size: large;"><span style="font-size: large;">This is a decent trail and appears to be a grass road which is apparently used by a local farmer. The trail is marked with four-foot orange t-posts. </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSLe2_vOFEJBE9ixIaSfKx9EZzsk5pOiJvkWjjrSKC7CWxfNnC1mj1CSG5SLSeos5QtId9jtBcyux-jRFOzrwnnWUWF8j5iokvle0_ez5e3byehJyoZzI0EgTUWBucB2yhgE8UZp153_wb/s1600/_DSF7692-P-Blog.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSLe2_vOFEJBE9ixIaSfKx9EZzsk5pOiJvkWjjrSKC7CWxfNnC1mj1CSG5SLSeos5QtId9jtBcyux-jRFOzrwnnWUWF8j5iokvle0_ez5e3byehJyoZzI0EgTUWBucB2yhgE8UZp153_wb/s400/_DSF7692-P-Blog.jpg" width="400" /></a></div>
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<span style="font-size: large;">There are a couple of triangle markers mounted on t-posts along the trail to indicate a direction change.<span> </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLMZ-PYKUA7BTTufJPLVS6wGn_NL-r118Vj_466FpmTt6sHNfRUxQmxOYFlyKKBIJtwibkjwt7xDmucpNP5iCX-AT-UWJih8gaCiB_WiWYuWNqti-l2cCoIiK1e1zkB_pLsTXp05Tk0V1M/s1600/_DSF7691-P-Blog.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLMZ-PYKUA7BTTufJPLVS6wGn_NL-r118Vj_466FpmTt6sHNfRUxQmxOYFlyKKBIJtwibkjwt7xDmucpNP5iCX-AT-UWJih8gaCiB_WiWYuWNqti-l2cCoIiK1e1zkB_pLsTXp05Tk0V1M/s400/_DSF7691-P-Blog.jpg" width="400" /></a></div>
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<span style="font-size: large;">This land road will pass by a silver metal farm equipment building at which point the trail narrows into a well-used trail.<span> </span>It is a one-mile trip one way to the observation deck.<span> </span>I would rate this an easy trail with slight elevation changes as you get closer to the deck.<span> </span>Lots of songbirds serenade you on your way. Right now there are no leaves on the trees and it was easy to see I was approaching the overview as I was able to see bodies of water through the trees.<span> </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvzwP52Cx07uZF4TGG2Tm28gbbBnEeGHsfOwrf_LNqGk3tGzDT8P5QiE9YoA7vd7U4Xm94I6Ln3bhWdA7QEFT0jUK65Nxl4iDAQc12PmmOGfGaiNLM7-hmxIxXfduDnrG-5l0v3_BKBehK/s1600/_DSF7687-P-Blog.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvzwP52Cx07uZF4TGG2Tm28gbbBnEeGHsfOwrf_LNqGk3tGzDT8P5QiE9YoA7vd7U4Xm94I6Ln3bhWdA7QEFT0jUK65Nxl4iDAQc12PmmOGfGaiNLM7-hmxIxXfduDnrG-5l0v3_BKBehK/s400/_DSF7687-P-Blog.jpg" width="266" /></a></div>
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<span style="font-size: large;">The conservation department has built a sloping bridge to aid in your decent to the overlook. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_7wPyVsU-mc_LZY-IMcChs2WZNdB4SWZ8PTSvcMc3UDxZVq03FE5VJ6LwEkrx7WCbH2oqT5o2adUgQZl0BuS9720k4C-J1Q2t_312U5_-T7hKY33Rik2pYlX0n1qX0xNVSkrkPlqhoPal/s1600/_DSF7686-P-Blog.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_7wPyVsU-mc_LZY-IMcChs2WZNdB4SWZ8PTSvcMc3UDxZVq03FE5VJ6LwEkrx7WCbH2oqT5o2adUgQZl0BuS9720k4C-J1Q2t_312U5_-T7hKY33Rik2pYlX0n1qX0xNVSkrkPlqhoPal/s400/_DSF7686-P-Blog.jpg" width="266" /></a></div>
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<span style="font-size: large;">Prior to reaching this point the trail forks and you can approach the overlook from another bridge to the north.</span></div>
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<span style="font-size: large;">Back to my orginaly trail and after crossing this first bridge you will come to a series of steps to your final destination the Overlook. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRETOQr2A_4gLYa1G596NP7V5geyA0GCrCJ2eNr8SnzCWlM_2unm5hOqfQ2R9Kdo7KG0ce7bxSBMk-L3ssJd1_bFbd_r-llQuQxvGetsRkYS2led43ngQxdW-QgWY7LR4RSLlltXEBNwUq/s1600/_DSF7684-P-Blog.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRETOQr2A_4gLYa1G596NP7V5geyA0GCrCJ2eNr8SnzCWlM_2unm5hOqfQ2R9Kdo7KG0ce7bxSBMk-L3ssJd1_bFbd_r-llQuQxvGetsRkYS2led43ngQxdW-QgWY7LR4RSLlltXEBNwUq/s400/_DSF7684-P-Blog.jpg" width="266" /></a></div>
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<span style="font-size: large;"><span style="font-family: "Arial", sans-serif; line-height: 107%;">Now just enjoy a panoramic view of the Eagle Bluffs Conservation Area. </span></span></div>
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<span style="font-size: large;"><span style="font-family: "Arial", sans-serif; line-height: 107%;"><span style="font-family: "Arial", sans-serif; line-height: 107%;">Well, this concludes another blog and I will leave you with one more set of GPS coordinates from the overlook itself, <b><span style="color: yellow;">38.849987 (38°50’.9992N), and -92.419425 (92°25’.1655W).</span></b></span></span></span><br />
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John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com0tag:blogger.com,1999:blog-2442848430539673379.post-33218525766938665032019-03-18T19:27:00.000-05:002019-03-18T19:27:19.125-05:00Eagle Bluffs Conservation Area-Article #3<!--[if gte mso 9]><xml>
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Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
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<span style="font-size: large;"><b>Another Day At Eagle Bluffs Conservation Area</b></span></div>
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<i><span style="font-size: small;"><b><span style="color: red;">(Click on any Image to inlarge it)</span> </b></span></i> </div>
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Another trip to Eagle Bluffs Conservation Area, this one on March 17, 2019.<span style="mso-spacerun: yes;"> </span>I took two cameras, my Nikon D500 mounted with a Sigma 150-600mm lens on it and a Nikon D750 with a 50mm prime on it. I wanted to capture the sunrise on this trip as well as look for wildlife feeding in the early morning.<span style="mso-spacerun: yes;"> </span>I got there around 6 AM.<span style="mso-spacerun: yes;"> </span>It was still dark due to our being on day-light savings time.<span style="mso-spacerun: yes;"> </span>Since I live about 45 minutes away I had to leave my house around 5:15 AM.<span style="mso-spacerun: yes;"> </span>The nice thing about this hour is little or no traffic.<span style="mso-spacerun: yes;"> </span>There is something so mesmerizing about being in a wildlife area just prior to dawn.<span style="mso-spacerun: yes;"> </span>The sounds and smells are calming to the soul.</div>
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Once in the park, not really a park but rather a conservation area but hence-forth I will refer to it as a park, I got my gear ready with cameras next to me in the front seat and a must is to unhook the seat-belt and connect it behind you.<span style="mso-spacerun: yes;"> </span>You need to be able to turn in any direction in your car seat as well as being able to jump out quick for that unexpected shot.<span style="mso-spacerun: yes;"> </span>I headed east or towards pool#15 knowing the sun would rise in that direction.<span style="mso-spacerun: yes;"> </span>The skies were clear as can be seen in this first image.<span style="mso-spacerun: yes;"> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmUvDdRxfs1D9IGowFDb4MTMdI-HwdRMwQYczIpV90ASqJh-v9qRj387vV8h8li680-ipA2RUthvzyGI7iDQLuehe4dVzwLgCuMw6qL9YcSgOAjThQ9vYtE2zDngh7sFJlr-xolMOcSEsl/s1600/DSC_0927-P-Flickr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1069" data-original-width="1600" height="212" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmUvDdRxfs1D9IGowFDb4MTMdI-HwdRMwQYczIpV90ASqJh-v9qRj387vV8h8li680-ipA2RUthvzyGI7iDQLuehe4dVzwLgCuMw6qL9YcSgOAjThQ9vYtE2zDngh7sFJlr-xolMOcSEsl/s320/DSC_0927-P-Flickr.jpg" width="320" /></a></div>
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I was immediately struck with the rich reds and yellows of the sky.<span style="mso-spacerun: yes;"> </span>This image was captured with a Nikon D750 and 50mm lens at or around pool #8.<span style="mso-spacerun: yes;"> </span>I used a circular polarizer to enhance the reflections in the water.<span style="mso-spacerun: yes;"> </span>Taken at 6:59 AM at f/16, ISO 100, and a shutter speed of 8seconds.<span style="mso-spacerun: yes;"> </span>Why such a long shutter speed?<span style="mso-spacerun: yes;"> </span>Well at that hour it was pretty dark and I need to be able to recover some of the darks of the foreground as well as get all the colors of the sky.<span style="mso-spacerun: yes;"> </span>Overall I am pretty happy with this image.<span style="mso-spacerun: yes;"> </span>I used the leafless shrubs to frame up my water pool and let the water lead the viewer into the break of dawn.</div>
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Just to show how fast the light can change this second image was taken at 7:41 not quite an hour later and a series of clouds started to move in and the sun which had not broken the surface yet was bouncing colors in and around the clouds. My intent here was to capture the reflection of the clouds and light in the foreground water.<span style="mso-spacerun: yes;"> </span>I got as close to the water’s bank as I could and included just a small sampling of the brush in hopes of adding to my depth-of-field.<span style="mso-spacerun: yes;"> </span>This was taken on the road next to the channel leading towards pool #15. I shoot in RAW format and as a result, was able to recover all the dynamic range and color in post-processing.<span style="mso-spacerun: yes;"> </span>All landscape shots taken on this trip were taken with my Nikon D750 and Nikkor 50mm lens.<span style="mso-spacerun: yes;"> </span>This capture was taken at f/16, ISO of 100, and a shutter speed of 1/6 second.<span style="mso-spacerun: yes;"> </span>Again I use a circular polarizer to bring out the reflections on the water. There was a little wind but not much.<span style="mso-spacerun: yes;"> </span>It was colder than I expected around 37° and all I had on was a sweatshirt and insulated vest.<span style="mso-spacerun: yes;"> </span>Overall I am well pleased with how this composition turned out.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPjr3OnSAX51vUvf0tWLHbojGtQpWmwC2GEwU_dSjLmjmtfCMQdbZJ1oDYswc5T_3e0btrhbF4BeW35yMBVujfy2zsLqUjNU0jhTRBu35i670cSBfzqgrsMJ5jst8615LKw0DtTm8hfsis/s1600/DSC_0943-P-Flickr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1069" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPjr3OnSAX51vUvf0tWLHbojGtQpWmwC2GEwU_dSjLmjmtfCMQdbZJ1oDYswc5T_3e0btrhbF4BeW35yMBVujfy2zsLqUjNU0jhTRBu35i670cSBfzqgrsMJ5jst8615LKw0DtTm8hfsis/s320/DSC_0943-P-Flickr.jpg" width="212" /></a></div>
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My first sighting was of an Eagle in a large dead tree on the corner of pool #10 just before you head back to pool #15.<span style="mso-spacerun: yes;"> </span>Not sure if this was MOE but it finally took flight and headed toward the Bandy/MOE nest. A light grey cloud blanket moved in and at 6:30 AM I needed an ISO of 2200 to generate a focus speed of 1/500 with an aperture of f/8.<span style="mso-spacerun: yes;"> </span>Normally with a sky like this, I would have chosen to shoot this lens wide open or f/6.3 but I wanted to make sure I included the tree reasonably sharp as well.<span style="mso-spacerun: yes;"> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHu2-I3UhQfv_whrTDmCmV2xufP62QoV5zvwWvuU9_tM1bG7NJfAiafy8EgpHdSvMfYmCXUAVcHIqHyZQo5xjSMC0Aj-D-tfZYgEb4pF3ykBWq54VfIOgUqPXmDenTckRbmwy8Dn30JgWM/s1600/_50G8347-P-Flickr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1281" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHu2-I3UhQfv_whrTDmCmV2xufP62QoV5zvwWvuU9_tM1bG7NJfAiafy8EgpHdSvMfYmCXUAVcHIqHyZQo5xjSMC0Aj-D-tfZYgEb4pF3ykBWq54VfIOgUqPXmDenTckRbmwy8Dn30JgWM/s400/_50G8347-P-Flickr.jpg" width="400" /></a></div>
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I decided to check out some other pools and found these Lesser Scaups in pool #11<span style="mso-spacerun: yes;"> </span><span class="js-about-item-abstr">The lesser scaup is a small North American diving duck that migrates south as far as Central America in winter. It is colloquially known as the little bluebill or broadbill because of its distinctive blue bill. This image consists of both a male and female Lesser Scaup.<span style="mso-spacerun: yes;"> </span>My camera settings for this picture were f/6.3 at 1/640 of a second, ISO at 1000 and an EV of+0.67.<span style="mso-spacerun: yes;"> </span>I was still dealing with low light when this was taken at 6:54 AM.<span style="mso-spacerun: yes;"> </span>As I mentioned earlier shooting in RAW format makes some dark and shadow recovery possible in post-processing. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZKcKv73f9wFDUfGgSE_Ia3MZPuZve-EVo3y6tU5gjMFxfLhOaac1a3itgCwdqHzqAhyb7QZwitAmZfhnNDbx3AY_s65wYwIVXhXsRKj2QV4NJUo1-5pwB0yyrF-2LtCMLMn3iNg52KYz5/s1600/_50G8383-P-Flickr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1211" data-original-width="1600" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZKcKv73f9wFDUfGgSE_Ia3MZPuZve-EVo3y6tU5gjMFxfLhOaac1a3itgCwdqHzqAhyb7QZwitAmZfhnNDbx3AY_s65wYwIVXhXsRKj2QV4NJUo1-5pwB0yyrF-2LtCMLMn3iNg52KYz5/s320/_50G8383-P-Flickr.jpg" width="320" /></a></div>
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On the west of pool #, 9 were a flock of Pelicans the majority of which were apparently sleeping.<span style="mso-spacerun: yes;"> </span>They were really too far away to capture with a telephoto zoom lens but this image is acceptable for storytelling.<span style="mso-spacerun: yes;"> </span>Pelicans include Eagle Bluffs Conservation Area in their migratory routes both in the fall and spring. <span class="js-about-item-abstr">Pelicans are a genus of large water birds that make up the family Pelecanidae. They are characterized by a long beak and a large throat pouch used for catching prey and draining water from the scooped up contents before swallowing. They have predominantly pale plumage, the exceptions being the brown and Peruvian pelicans. It was still not seven o'clock yet when I attempted this shot.<span style="mso-spacerun: yes;"> </span>Normally with birds this far away it is hopeless on getting clear sharp images, especially with an f/6.3 lens because this is not a fast lens. I opted to shoot wide open or in the case of this lens at f/6.3.<span style="mso-spacerun: yes;"> </span>This does not give a lot of depth-of-field but in this case, I didn’t care if the foreground and background were out of focus. I used 1/640 of a second in order to keep the shutter speed greater than my focal length.<span style="mso-spacerun: yes;"> </span>This helps with sharpness. One thing in my favor was that the Pelicans were all lined up in a row so appeared to be on the same focal plane. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr5XjGMDHT7o8wj-0nQqfShke47ti2XPPuV_ligQtlcJj3xQLLqu4IheOpEXoapFekGVhoqbVM6JRVFl1UC_sI_TvaB72TFxz6YNLVJEdeidp9nTLasYmXJ5WdiQxXtcnWdRagWBdidsXW/s1600/_50G8393-P-Flickr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1030" data-original-width="1600" height="205" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr5XjGMDHT7o8wj-0nQqfShke47ti2XPPuV_ligQtlcJj3xQLLqu4IheOpEXoapFekGVhoqbVM6JRVFl1UC_sI_TvaB72TFxz6YNLVJEdeidp9nTLasYmXJ5WdiQxXtcnWdRagWBdidsXW/s320/_50G8393-P-Flickr.jpg" width="320" /></a></div>
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<span class="js-about-item-abstr">I spotted this Pied-billed Grebe along the distribution channel road across from pool #10. The pied-billed grebe is primarily found in ponds throughout the Americas.<span style="mso-spacerun: yes;"> </span>This is a breeding adult. It is a small, chunky waterbird with a blocky head, short thick bill, and almost no tail.<span style="mso-spacerun: yes;"> </span>Breeding birds have a vertical black strip on the bill. </span>Pied-billed Grebes can adjust their buoyancy and often use this ability to float with just the upper half of the head above the water. They catch small fish and invertebrates by diving or simply slowly submerging. They build floating nests of cattails, grasses, and other vegetation. Look for Pied-billed Grebes on small, quiet ponds and marshes where thick vegetation grows out of the water. In winter they occur on larger water bodies, occasionally in large groups. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSUkWm6_uiSNmKWSnAnrXGcLlA5D5vYJl62RoqHFKMTVOJyi6o_iKjw4NKjBAmNgMm0bbJH-xPPKr1LO2KkS2GsBQZ7PV35vRVjsEeA1bS_JlngKCH_ncViKDm6p5PGyws6JZPCcxHYK7x/s1600/_50G8411-P-Flickr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1143" data-original-width="1600" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSUkWm6_uiSNmKWSnAnrXGcLlA5D5vYJl62RoqHFKMTVOJyi6o_iKjw4NKjBAmNgMm0bbJH-xPPKr1LO2KkS2GsBQZ7PV35vRVjsEeA1bS_JlngKCH_ncViKDm6p5PGyws6JZPCcxHYK7x/s320/_50G8411-P-Flickr.jpg" width="320" /></a></div>
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Continuing on Channel Drive on the west side parallel to pools #7 and #6 is where I capture this Red-wing Blackbird.<span style="mso-spacerun: yes;"> </span>These are pretty common and during migrations, you can see thousands of them.<span style="mso-spacerun: yes;"> </span>However, they are pretty skittish and prone to taking flight the minute you stop your car or slow down.<span style="mso-spacerun: yes;"> </span>However, once in a while you get lucky as I did with this guy who remained perched, singing his mating song. Red-winged Blackbirds display marked sexual dimorphism. Males in breeding plumage are very familiar birds to many people. They are solid black, with red wing-patches. Each patch has a light yellow stripe below and can be displayed in varying amounts. I captured this image with an aperture of f/6.3 because I didn’t need any depth-of-field here plus I want as much light as possible to hit the sensor.<span style="mso-spacerun: yes;"> </span>I chose a shutter speed of 1/400 of a second and an ISO of 1000. Got lucky on this one and should have used a faster shutter speed.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY3S7qXX6glN9fYLdTCNXXM1lE4MAhBo1pomqvaqizNaNcG43ssEtPICKUTocGMZqqI1zUwcOj1OGEXwXb9pFRnbvxY29RFfrv5saC-USwOWBiCuxYgZlRx4tULlZ7j74RvoQGQjpNWsv_/s1600/_50G8418-P-Flickr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1144" data-original-width="1600" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY3S7qXX6glN9fYLdTCNXXM1lE4MAhBo1pomqvaqizNaNcG43ssEtPICKUTocGMZqqI1zUwcOj1OGEXwXb9pFRnbvxY29RFfrv5saC-USwOWBiCuxYgZlRx4tULlZ7j74RvoQGQjpNWsv_/s320/_50G8418-P-Flickr.jpg" width="320" /></a></div>
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In and around pool #5 which is on the east side of Channel Drive I came across this male and female Northern Shoveler. The very large, spatulate bill is the most distinguishing feature of the aptly named Northern Shoveler. The male in breeding plumage has bright wings, a bright iridescent-green head with a yellow eye, bold white breast, and chestnut sides. Females, juveniles, and males in eclipse plumage (from May through August) are mottled brown with orange legs and a green-black iridescent speculum with a blue patch on the forewing. Again I shot this picture with my aperture wide open at f/6.3,<span style="mso-spacerun: yes;"> </span>The subjects were relatively close and I had turned on my vibration reduction control.<span style="mso-spacerun: yes;"> </span>My shutter speed was 1/200 of a second with an ISO of 1000. I am amazed this picture was salvageable for this post with that low a shutter speed. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSahCbrUoQVwW0GIQOc2Jr6DAXOFqXg9L1wKrJEpoD4kj5AxG1UfXRV42rPbq8hHQo6cuvzo_SngH1nYVhOLRwok3yXU9YhHS7YMyYuF0GJDl84GuUEVqPCOnmYFrMlZ4-yR_GgyTNFMSg/s1600/_50G8428-P-Flickr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1143" data-original-width="1600" height="228" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSahCbrUoQVwW0GIQOc2Jr6DAXOFqXg9L1wKrJEpoD4kj5AxG1UfXRV42rPbq8hHQo6cuvzo_SngH1nYVhOLRwok3yXU9YhHS7YMyYuF0GJDl84GuUEVqPCOnmYFrMlZ4-yR_GgyTNFMSg/s320/_50G8428-P-Flickr.jpg" width="320" /></a></div>
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This next shot won’t win any contests for sure but Hawks allude me so I am obsessed with capturing them.<span style="mso-spacerun: yes;"> </span>He was quite far away and looked like a speck in this tree. Yes, I have cropped in a lot just to show this bird.<span style="mso-spacerun: yes;"> </span>This appears to be a Broad-wing Hawk. A small hawk, common in eastern woodlands in summer. Staying around the edges of the forest, Broad-wings are often not very noticeable during the breeding season, but they form spectacular concentrations when they migrate. Almost all individuals leave North America in fall, in a mass exodus to Central and South America, and sometimes thousands can be seen along ridges, coastlines, or lake shores when the wind conditions are right. Broad-winged Hawks are small, compact raptors with chunky bodies and large heads. In flight, their broad wings come to a distinct point. The tail is short and square. Adult Broad-winged Hawks have reddish-brown heads, barred underparts, and broad black and white bands on the tail. The pale undersides of the wings are bordered in dark brown. Juveniles are lighter brown with coarse streaking on the underparts, particularly on the sides of the breast; the tail is narrowly banded. In the West, rare dark-morph adults are completely dark sooty brown with a banded tail.<span style="mso-spacerun: yes;"> </span>My camera settings for this image was f/6.3, shutter speed of 1/400 of a second, and ISO of 1000.<span style="mso-spacerun: yes;"> </span>In my excitement to see this hawk, I did not check my shutter speed.<span style="mso-spacerun: yes;"> </span>Even though this bird was perched I should have shot it at a minimum of 1/500 of a second.<span style="mso-spacerun: yes;"> </span>I just read an article by Steve Perry who stated that you can get by with slower shutter speed when your subject is farther away.<span style="mso-spacerun: yes;"> </span>I got lucky but don’t enlarge this picture too much or it will show.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVm2wUtaQTn4ox5GAlALc3YoLWA9Am-gQjzhzCF_DkcZ21hNjOUluN0TAY9LwxyvS0fiaCIwjxud29DO3jjri4-3JaBzBEG3vF1m1dxl-wHZ7lgZL8WCDQyLDXQh4XQKnvIvKJC9IljWJE/s1600/_50G8460-P-Flickr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1143" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVm2wUtaQTn4ox5GAlALc3YoLWA9Am-gQjzhzCF_DkcZ21hNjOUluN0TAY9LwxyvS0fiaCIwjxud29DO3jjri4-3JaBzBEG3vF1m1dxl-wHZ7lgZL8WCDQyLDXQh4XQKnvIvKJC9IljWJE/s320/_50G8460-P-Flickr.jpg" width="228" /></a></div>
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In the same area as my Broad-wing Hawk, I saw these Green-winged Teal.<span style="mso-spacerun: yes;"> </span>This image is a little soft due to the distance they were from me. The smallest dabbling duck, the Green-winged Teal is smaller and more compact than other teals and has a round head and narrow bill. All sexes and ages have dark gray wings with green-black speculums and a brown bar above each speculum. Females and juveniles are mottled brown overall with gray legs. Males in breeding plumage have gray bodies with orange-buff, dark-spotted breasts and yellow patches on their flanks. Their rumps are black and buff and their rufous heads have an iridescent green band swooping back in a curve on each side. They also have a vertical white shoulder-bar on each side, which can be a helpful field mark when trying to distinguish the Green-winged Teal from the Eurasian race. This is where I got in trouble with my shutter speed is to slow at 1/400 of a second. The rule of thumb is to try and keep your shutter speed equal to or greater than your focal length.<span style="mso-spacerun: yes;"> </span>In this case, my focal length was 600mm but because I shot it with a cropped sensor the 35mm equivalent was 900mm (600mm X 1.5) so I should have had my shutter speed around 1/1000 of a second.<span style="mso-spacerun: yes;"> </span>I know this but didn’t pay attention to my settings but this makes for a good example of the softness I mention because my speed wasn’t fast enough to freeze the duck's movement. My aperture was f/6.3 with an ISO of 1000. </div>
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Staying in my same location there were a variety of ducks in pools #5 and #8.<span style="mso-spacerun: yes;"> </span>The water in these pools is dropping making feeding more plentiful. Their diet consists of grass and aquatic plant seeds, as well as insects and other invertebrates.Blue-winged Teal, <span style="mso-spacerun: yes;"> </span>are small dabblers with long bodies and bills. Males in breeding plumage have russet-colored bodies with small, dark spots, black under tail coverts, and white patches on their flanks. Their heads are dark blue-gray with a distinctive white crescent in front of each eye. Males are in non-breeding or eclipse plumage from July to October, during which time they look like females and can easily be confused with Cinnamon Teal in the same plumage. Juveniles and females are mottled brown with a dark bill and yellowish legs. Both males and females have green-black speculums, with pale blue patches on the forewing. </div>
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Circling back on South Channel Drive I had previously seen small groups of Greater Yellowlegs but was unable to photograph them.<span style="mso-spacerun: yes;"> </span>Persistence pays off. This one was feeding in the lower waters of pool #8.<span style="mso-spacerun: yes;"> </span>The Greater Yellowlegs is a mottled gray wading bird with long, bright yellow legs. It is similar in appearance to its smaller relative, the Lesser Yellowlegs. The bill of the Greater Yellowlegs is slender and longer than the diameter of its head, in contrast to the bill of the Lesser Yellowlegs, which is not significantly longer than its head. In breeding plumage, the bill is solid black, whereas in non-breeding plumage it may be lighter gray at the base. The bill may appear slightly upturned. The Greater Yellowlegs' cryptic plumage is mottled brownish-gray and white, with the breeding plumage brighter and more heavily barred. An important field mark of the bird in flight is its white tail, which is barred at the end. Relative to its size, the legs of the Greater Yellowlegs are shorter than those of the Lesser, with the result that the toes do not project as far behind the tail in flight. During the breeding season, insects and insect larvae are the primary sources of food. During winter and migration, small fish, crustaceans, snails, and other aquatic animals round out the diet.</div>
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Okay, so I finally woke up and adjusted my shutter speed to 1/1000 of a second but still using an aperture of f/6.3 and to maintain this I needed an ISO of 1600. These birds are so small and blend in with the dead grasses. </div>
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<span style="font-family: "arial" , sans-serif;">No trip to Eagle Bluffs would be complete without at least one shot of a Mallard and his misses.<span style="mso-spacerun: yes;"> </span>These two were hanging out with a Blue-winged Teal. Perhaps the most familiar duck in the Northwest, the Mallard is a large and heavy bird. Males have gray bodies with chestnut-brown breasts, white collars, iridescent-green heads, and yellow bills. Females are mottled brown-and-black with lighter brown heads and necks and yellow bills mottled with black. They have a black stripe running horizontally through the eye. Both sexes have orange feet and a blue speculum, or wing-patch, bordered in white on two sides, best seen in flight. From June to September, immatures and males, which are then in non-breeding (eclipse) plumage, look much like females. Here is some trivia. The generic term for ducks of all species (male or female) is a <i>duck</i>. All male ducks (no matter what the species) are called <i>drakes</i>. All female ducks (no matter what the species) are called <i>ducks.</i> All baby ducks (no matter what the species) are called <i>ducklings.</i> <span style="mso-spacerun: yes;"><br /></span></span></div>
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I wasn’t the only one out watching and enjoying wildlife.<span style="mso-spacerun: yes;"> </span>This gentleman had his camera fixed on an Eagle that was perched on a dead tree trunk that was extending out of the water and he was watching a group of ducks nearby.<span style="mso-spacerun: yes;"> </span> </div>
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Although I am going to include the shot as my final post so so you can see what the gentlemen in the truck were shooting at, it was just too far away to really lock in on a focus. An Eagle roasting on a tree stump is pretty hard to miss. Aperture f/6.3, 1/1000 of second shutter speed and ISO of 1600.<span style="mso-spacerun: yes;"> </span>Like the guy in the truck, I should have gotten my tripod out, used the LCD screen, enlarged the image and then attempted to manually focus for this shot. </div>
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Well, this concludes another blog post and another day at Eagle Bluffs Conservation Area. Thanks for taking this adventure with me.</div>
John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com1tag:blogger.com,1999:blog-2442848430539673379.post-13955731235831499562019-01-24T12:58:00.000-06:002019-01-24T13:46:20.812-06:00LOESS BLUFFS NATIONAL WILDLIFE REFUDGE<div class="separator" style="clear: both; text-align: center;">
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<span style="font-size: large;"><b> A DAY AT LOESS BLUFFS </b></span><br />
<span style="font-size: large;"><b><i><span style="color: red;"><span style="font-size: small;">(Click on any image to enlarge it) </span></span></i></b></span></div>
<span style="font-size: large;"><br /><br /> <br /><br />Loess Bluffs (formerly Squaw Creek) is a 7,350-acre refuge, established in 1935 by President Franklin D. Roosevelt as a resting, feeding, and breeding ground for migratory birds and other wildlife. It is home to 301 bird species (including nesting bald eagles), 33 mammal species, and 35 reptile and amphibian species. During spring and fall migrations, Loess Bluffs' wetlands attract as many as 400,000 snow geese and 100,000 ducks. During the fall and winter, as many as 400 bald eagles have been spotted. Loess Bluffs National Wildlife Refuge includes forest, grassland, cropland and wetland. It is an Internationally Important Bird Area (IBA.) A 10-mile, self-guided driving tour is available.<br /><br /><br /> This was another outing with Bob Colvin. Lots of planning involved. I texted him and said you want to go to Loess Bluffs for the day? He replied, when we leaving? Bob's pretty easy when it comes to outdoor photography. Bob lives in Jefferson City, MO and I live three miles away in Holts Summit, MO. This was a 4 hour, one day trip for us. We left at 5am on a Saturday morning on November 24, 2018 and arrive around 9am. For the most part it is interstate all the way so it was a nice drive. </span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzk63Q7_u_P7iDHh602myWDjHi1WFlftw6F2izCBWCOqktPK0twEYi-i59st5RCpqtbUBYXB-4NFqd6SpkLjsc8Ni_mF10EyCAQ5fCdu4MFChscOKx115E0Eng-zds50CQsnr72xFB2OMG/s1600/_50G6716-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1032" data-original-width="1600" height="257" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzk63Q7_u_P7iDHh602myWDjHi1WFlftw6F2izCBWCOqktPK0twEYi-i59st5RCpqtbUBYXB-4NFqd6SpkLjsc8Ni_mF10EyCAQ5fCdu4MFChscOKx115E0Eng-zds50CQsnr72xFB2OMG/s400/_50G6716-P-Flickr.jpg" width="400" /></a></td></tr>
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Nikon D500, Sigma 150-600mm lens, f/13, 1/1600 sec., ISO 500<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span></span></span></div>
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<span style="font-size: large;"><span style="font-family: "arial" , "helvetica" , sans-serif;">When we first arrived Bob called my attention to the entrance to the area. My first reaction was O-shit. The snow geese looked like a plague had descended on the water. The day we were there the number of snow geese was estimated at 100,000. Based on what I saw I would not have doubted it. How they count such a flock is a mystery to me. You could hear their honking a block away. There are always hundreds maybe even thousands constantly hoovering above the group. I honestly don't know how they land without getting injured. </span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: large;"><span style="font-family: inherit;">Nikon D500, Sigma 150-600mm Lens, f/8, 1/2500 sec., ISO 640</span></span></td></tr>
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<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Most wildlife photographer photograph anything that flies, moves on land, or swims in water. While watching the snow geese I observed something moving in the reeds near where I was standing. Sure enough it was a Muskrat. Never got a really clean shot of him and was amazed that I was able to focus on this guy.</span></span></span><br />
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<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">The common muskrat is a medium-sized mammal that has short front legs
with small feet, stronger hind legs with large feet, and a vertically
flattened, scaly tail that is slightly shorter than the combined length
of head and body. The hind feet are partially webbed. The back is
blackish brown, and the sides are lighter brown with a reddish tinge;
the underparts are still lighter, shading to white on the throat. Their
musk glands produce a mild and offensive odor. The principal concern with the muskrat is damage to earthen dams caused by their burrowing. Tunneling into dams can result in leaks or even complete dam failure.</span></span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Nikon D850, Sigma 150-600mm Lens, f/8, 1/5000 sec., ISO 500</span></span></td></tr>
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</span></span><span style="font-size: large;"><span style="font-family: inherit;">We continued our drive around
the marsh pools. The marsh pools are about three feet deep, replenished by
Squaw and Davis Creeks, a well on Mallard Marsh and natural
precipitation. The road around the various pools is 10 mile in
length and well maintained. One of our reasons for this trip was to capture
images of Trumpeter Swans. Reports had indicated there were a large number of them here and we weren't disappointed. There were quite a few the day we were
there and they were easy to photograph and not intimidated by the cars and
photographers. I was using a Nikon D500 with a Sigma 150-600mm
Contemporary Lens and Bob was using a Canon 7D Mark II with a Tamron 150-600mm
Lens. Neither of us had any trouble getting some decent shots.</span></span><br />
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</span></span><span style="font-size: large;"><span style="font-family: inherit;">Trumpeter Swans once nested
over most of North America, but disappeared rapidly as civilization advanced
westward. By the 1930s, fewer than 100 remained south of Canada. With
protection from hunting and the general public, populations have rebounded in parts of
the northwest.</span></span><br />
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UnhideWhenUsed="true" QFormat="true" Name="heading 6"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 7"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 8"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 9"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 9"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 2"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 3"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 4"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 5"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 6"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 7"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 8"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 9"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/>
<w:LsdException Locked="false" Priority="35" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="caption"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
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<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihHBM4n0RP2Ww_hvR2Hnj-hk-w43G0ESwnoH6ogdHone0rkGvpNx5TeCFdXz32gHcWvHgz4WX9O6k8tPAQ2wBo6OmCIr-ye_IfP2_kfBA5qD-SVWeJ-0B_9ytOWp8E5Ml44Y1LZ6WS9K7O/s1600/_85G0683-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihHBM4n0RP2Ww_hvR2Hnj-hk-w43G0ESwnoH6ogdHone0rkGvpNx5TeCFdXz32gHcWvHgz4WX9O6k8tPAQ2wBo6OmCIr-ye_IfP2_kfBA5qD-SVWeJ-0B_9ytOWp8E5Ml44Y1LZ6WS9K7O/s400/_85G0683-P-Flickr.jpg" width="400" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Nikon D850, Sigma 150-600mm Lens, f/8, 1/5000 sec., ISO 500 EV +0.67</span></span></td></tr>
</tbody></table>
<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Largest of the native waterfowl in North America, and one of our
heaviest flying birds, the Trumpeter Swan was almost driven to
extinction early in the 20th century. Its healthy comeback is considered
a success story for conservationists. </span></span></span></span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Ordinarily the Trumpeter is quite
sensitive to human disturbance; in protected areas, such as some parks
and refuges, it may become accustomed to humans and allow close
approach as I mentioned above.</span></span></span></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsKhF7tNyLsgoK55ogSpUd5RLf4uYgL8lM-4fJAxhjX54qdr5RX6Euc-zmC0fIRup5l4rH37UFocNIfRf3B0yDyVyr3y_X_ovv8vMf-2VMeRmqMlDn7pm9X92Rd-5qt0V_iCVrbrNw-LyH/s1600/_85G0799-P-Flicker.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1237" data-original-width="1600" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsKhF7tNyLsgoK55ogSpUd5RLf4uYgL8lM-4fJAxhjX54qdr5RX6Euc-zmC0fIRup5l4rH37UFocNIfRf3B0yDyVyr3y_X_ovv8vMf-2VMeRmqMlDn7pm9X92Rd-5qt0V_iCVrbrNw-LyH/s400/_85G0799-P-Flicker.jpg" width="400" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Nikon D850, Sigma 150-600mm Lens, f/10, 1/800 sec., ISO 400 EV +0.67</span></span></td></tr>
</tbody></table>
<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">These birds favor large but shallow freshwater ponds, or wide, slow-flowing rivers, with lots of vegetation. They obtain food from underwater, and/or above water's surface; sometimes on
land, especially in winter. To forage in deeper water, swans upend with
tail up and neck extending straight down, finding food by touch with
bill. To me this is one of the most regal birds on water. There is an elegance and grace to them. Did you know that prior to taking flight they will bob their heads up and down, honk, and start swimming in a line positioning themselves to lift off into the wind. This helps give them elevation when taking to the air.</span></span></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigayqd-PWbXap10FnzTL1xa_Gk9JeLsfQUy1p8Q2EbNvoz2qgBt06-3IGt3BGhQN8E0lP_zH50B_1mz4CtVE5wmiG-Zs2ybOy6iErXhUcAnce7J6RJ3rM3twbO85QtnuYIkMNkNGsDrlfD/s1600/_85G0868-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigayqd-PWbXap10FnzTL1xa_Gk9JeLsfQUy1p8Q2EbNvoz2qgBt06-3IGt3BGhQN8E0lP_zH50B_1mz4CtVE5wmiG-Zs2ybOy6iErXhUcAnce7J6RJ3rM3twbO85QtnuYIkMNkNGsDrlfD/s400/_85G0868-P-Flickr.jpg" width="400" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Nikon D850, Sigma 150-600mm Lens, f/8, 1/2000 sec., ISO 400 EV +0.67</span></span></td></tr>
</tbody></table>
<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="js-about-item-abstr">As we continued around the refuge we spotted Canadian Geese as well. What interested me was they appeared to be resting or even nesting on top of Muskrat dins. I noticed some of the swans doing the same thing. </span></span></span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span class="js-about-item-abstr">The Canada goose, also called the
Canadian goose, is a large wild goose species with a black head and
neck, white cheeks, white under its chin, and a brown body. Native to
arctic and temperate regions of North America. The farther north you go the darker and smaller the Canada Goose is. The Cackling Goose is a smaller version of the Canada goose with shorter necks and bills.</span></span></span></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKVhRvuex0MFhfdp6URKjeyKiBEsSTu3veUIr0Lo15QEN7jlKUSL-Fh__Wb6H9RMZkCuKa55NHrKrSrvKCdSdGdI-4q_NnRtlrFYtz2Ifiqy-OTFX6yTX0OoafM8x_0-svrrnFf2mX962v/s1600/_85G0925-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1237" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKVhRvuex0MFhfdp6URKjeyKiBEsSTu3veUIr0Lo15QEN7jlKUSL-Fh__Wb6H9RMZkCuKa55NHrKrSrvKCdSdGdI-4q_NnRtlrFYtz2Ifiqy-OTFX6yTX0OoafM8x_0-svrrnFf2mX962v/s400/_85G0925-P-Flickr.jpg" width="308" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Nikon D850, Sigma 150-600mm Lens, f/10, 1/1250 sec., ISO 400 EV +0.67</span></span></td></tr>
</tbody></table>
<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Driving along the tour route you will have no shortage of spotting Bald Eagles. We noticed what appeared to be several nesting pairs. Visiting areas like this during the winter, when there are no leaves on the trees, affords you the opportunity to easily locate nests. There are several along this route. </span></span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Eagles can be opportunistic feeders and a lot of the water fowl will die as a result of exhaustion. Eagles have been know to prey upon them if hungry enough. </span></span></span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: large;">They will go from a dark headed, dark-bellied bird in year one to a
white-headed, dark-bellied bird in year four. In year two, the belly is
mostly whitish flecked with brown, but the entire head and breast are
still dark, giving the bird a hooded look. In year three, the head
whitens and the belly darkens. Early on in this year, bald eagle bellies
will be predominantly white with brown flecks, but the brown will win
out, replacing most or all of the white. The face, crown, nape, and
throat will go from mostly brown to mostly white. The image above appears to be an eagle over one year of age. It's iris is beginning its transformation to yellow and white plumage is beginning to show.</span></span></span></span><br />
<span style="font-size: small;"><span style="font-family: inherit;"><br /></span></span>
<br />
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<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDdg3ASIwXBAltFuWOW1kOM_nAGtLfc7PfolkquVmc73A35M9-ZkixnG9IIwBz-edErwH5gcBS726OVhXrLENcvYv5RKTrMdgW8wMwdDXG9VUam5H26R004ms-ff7AyXQghiHjmC_Iuo6w/s1600/_85G1114-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1280" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDdg3ASIwXBAltFuWOW1kOM_nAGtLfc7PfolkquVmc73A35M9-ZkixnG9IIwBz-edErwH5gcBS726OVhXrLENcvYv5RKTrMdgW8wMwdDXG9VUam5H26R004ms-ff7AyXQghiHjmC_Iuo6w/s400/_85G1114-P-Flickr.jpg" width="400" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Nikon D850, Sigma 150-600mm Lens, f/8, 1/640 sec., ISO 400 EV +0.67</span></span></td></tr>
</tbody></table>
<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">I am not an expert on frogs but I think this is an American Bullfrog. If so, it is Missouri's largest frog. It ranges from green to olive to brown. The back may have small brown
spots or dark, indistinct, irregular blotches. The hind legs are marked
with distinct dark brown bars. The belly is white, and the throat may
have some gray mottling. The external eardrum is large and round. On
adult males this tympanum is much larger than the eye; on females, it’s
about the same size as the eye. This species has been known to reach 8
inches from snout to vent. Call is a deep, sonorous “jug-a-rum,
jug-a-rum” that can be heard from half a mile away or more.</span></span></span><br />
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<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLPAtL7nZmXF7G0lo8lcETmwAm1xNCgBSMMgKcotYVXVxfTsllbm30YAX0jCjKn9dTIfBl_P9tTgLIVwFxi19kmvV-TSoQfw_DBov8eCwZqTgxPBEkLQ3L-CNfZwcNCwbNWgs36AcZTBXF/s1600/_85G1240-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1280" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLPAtL7nZmXF7G0lo8lcETmwAm1xNCgBSMMgKcotYVXVxfTsllbm30YAX0jCjKn9dTIfBl_P9tTgLIVwFxi19kmvV-TSoQfw_DBov8eCwZqTgxPBEkLQ3L-CNfZwcNCwbNWgs36AcZTBXF/s400/_85G1240-P-Flickr.jpg" width="320" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Nikon D850, Sigma 150-600mm Lens, f/8, 1/800 sec., ISO 400 EV +0.67</span></span></td></tr>
</tbody></table>
<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Most birds will take flight as your car approaches and will definitely take flight if you stops. However, Bob stopped the car and to my surprise this Grackle made no attempt to leave. He was in a bush right outside my car window. The sun was shining through some clouds and it hit him just right. At first they appear to just be a black bird but they have a lot of iridescent colors in their feathers. </span></span></span><br />
<span style="font-size: large;"><span style="font-family: inherit;"><br /></span></span>
<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">A Common Grackle's black plumage is glossy and can show bright purple,
bronze, or green highlights, especially on the head. Adult common
grackles show a pale yellow eye, contrasting sharply with the dark head. They eat mostly insects but they are opportunists and will eat nesting bird's eggs, small fish,
mice, and frogs. In winter their diet shifts to seeds and grain. The
impact of foraging winter flocks on crops has earned the common grackle a
reputation as an agricultural pest. Most of the grackle’s foraging is
done on the ground, where the birds toss aside leaves and rubbish to
uncover their food. Did you know that Common Grackles will capture bats in the air and eat them? They also
ambush House Sparrows in parks and near bird feeders, knock them on the
head, and eat them as well. Now that is according to Bird Watchers Digest.</span></span></span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVJzo6KdUzfdkvENNq2yNAce6g9QWSdvBd6jwTMXgKS9NRDzvTHAP8gEU_xgEW0pZWbuXgEDBvCmE4Snk4gbM2YLhy8Y1Z2ubcTxnjAofo5ejExoAoN9LoFTAroeGxwZ4vdYsMZ6Wcd_-i/s1600/_85G1311-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1237" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVJzo6KdUzfdkvENNq2yNAce6g9QWSdvBd6jwTMXgKS9NRDzvTHAP8gEU_xgEW0pZWbuXgEDBvCmE4Snk4gbM2YLhy8Y1Z2ubcTxnjAofo5ejExoAoN9LoFTAroeGxwZ4vdYsMZ6Wcd_-i/s400/_85G1311-P-Flickr.jpg" width="308" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Nikon D850, Sigma 150-600mm Lens, f/6.3, 1/800 sec., ISO 400 EV +0.67</span></span></td></tr>
</tbody></table>
<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">One of my all time favorite challenges is to photograph hawks. Why? Because unlike eagles they are skittish and prone to taking flight. See one on a fence row? Stop your car 100 yards away and watch how fast they take to the air. It was a treat when we spotted this guy and he was so intent on something that he did not see me get out of the car and start taking his picture. Thank you, Thank you, Thank you Mr. Hawk. </span></span></span><br />
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<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">This appears to be a juvenile Red-tailed Hawk. They are pale below with broad and brown belly band. Head is brown mixed with white feathering. Tail barred brown and whitish. They inhabit open terrain such as farming or forest clearing. Look for red-tailed hawks along
highway edges, over farm fields and forest clearings, and in almost any
other open habitat with at least some telephone poles or trees on which
they can perch and scan for prey. </span></span></span><br />
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<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidHolqEUHuqKWf_-kElbq9mVcmE47-TA75JwdJAw7jEjVvfOuv8YR21JWNc4V7jaMPgiQmfexofFfFE_5rAP2UfbJtzxOO55A7n88d59e_9thMONb8CAbPr29aCGYWU8JHBH8okXyNwVT1/s1600/_85G1457-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1237" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidHolqEUHuqKWf_-kElbq9mVcmE47-TA75JwdJAw7jEjVvfOuv8YR21JWNc4V7jaMPgiQmfexofFfFE_5rAP2UfbJtzxOO55A7n88d59e_9thMONb8CAbPr29aCGYWU8JHBH8okXyNwVT1/s400/_85G1457-P-Flickr.jpg" width="308" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Nikon D850, Sigma 150-600mm Lens, f/8, 1/1000 sec., ISO 400 EV +0.67</span></span></td></tr>
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<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Continuing our drive we come across another pair of eagles. Bald eagles migrate to the refuge by late fall and early winter. As many
as 300 immature and adult bald eagles and an occasional golden eagle
may be seen during the migration peak, usually by the first of December. This may have been a nesting pair as they were close to a nest and stayed together in the area. Most birds will defecate prior to taking flight so have your cameras ready to get that lift off image. These two were quite comfortable and we left before they did. They could have been protecting their nest from squatters. </span></span></span><br />
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<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUxnlJEaHm07qGRtAJo5hWDQhxfuLcznmlH0d727vPDV1QC6OmwXaZdavHBJumv_sk99ubgs8V38QeauqzOwuAFvkEeBhd3O3qG1GKT_H5U-7tERG-t9Lbl7aexEgGcl-1OuTXQi6pWxaB/s1600/_85G1506-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1237" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUxnlJEaHm07qGRtAJo5hWDQhxfuLcznmlH0d727vPDV1QC6OmwXaZdavHBJumv_sk99ubgs8V38QeauqzOwuAFvkEeBhd3O3qG1GKT_H5U-7tERG-t9Lbl7aexEgGcl-1OuTXQi6pWxaB/s400/_85G1506-P-Flickr.jpg" width="308" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Nikon D850, Sigma 150-600mm Lens, f/8, 1/1250 sec., ISO 640 EV +0.67</span></span></td></tr>
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<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">We saw a fair share of juveniles in the area. Juveniles have been know to hang around their parents for the first year or until mom and dad run them off. More than likely this is a fledgling. We met some ladies from the State of California who came to Loess Bluffs to photograph and a gentleman from Oklahoma. They, along with Bob got some killer shots of a juvenile starting a fight with an adult. That was short lived. The driving tour takes you around the pools and marshes and affords many opportunities to observe and photography wildlife. </span></span></span><br />
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<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_4lx640XSb5ctGhARWBBSZshvFhWOCqu3eH-Tp0AOYjSZvBDvY9sUpEzDxmTA6oO6hWcqB1Oo4MP_nnrpEBwKkEVAQFIE_E78E-ydEOQFRykeBXj_4Nq8F445qGsmR_JRXcgY8ggISPy1/s1600/DSC_0686-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_4lx640XSb5ctGhARWBBSZshvFhWOCqu3eH-Tp0AOYjSZvBDvY9sUpEzDxmTA6oO6hWcqB1Oo4MP_nnrpEBwKkEVAQFIE_E78E-ydEOQFRykeBXj_4Nq8F445qGsmR_JRXcgY8ggISPy1/s400/DSC_0686-P-Flickr.jpg" width="400" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Nikon D750, Nikkor 24-70mm Lens, f/10, 1/500 sec., ISO 200 EV -0.67</span></span></td></tr>
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<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">For me no trip anywhere is complete without taking in and photographing the area landscape. I was attracted to this setting sun reflecting on the marsh areas near the banks as well as the clouds in the background.</span></span></span><br />
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<tr><td style="text-align: center;"><span style="font-size: small;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8K0OVaIXjkYfiyidhSvhGmpKPsmrPIr86xdfUS6s6hQY9H_r-EUnHtao8sHsdfn7-N2NkcbkGuzCuvnSzEoGVqX9abZ6SIl8UaK-fuBnhxXPKb2eN0kf9UJvPmVmLbatjd8_4p4dRDJ4H/s1600/DSC_0706-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1069" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8K0OVaIXjkYfiyidhSvhGmpKPsmrPIr86xdfUS6s6hQY9H_r-EUnHtao8sHsdfn7-N2NkcbkGuzCuvnSzEoGVqX9abZ6SIl8UaK-fuBnhxXPKb2eN0kf9UJvPmVmLbatjd8_4p4dRDJ4H/s400/DSC_0706-P-Flickr.jpg" width="400" /></a></span></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: x-small;"><span style="font-family: inherit;">Nikon D750, Nikkor 24-70mm Lens, f/10, 1/500 sec., ISO 200 EV -0.67</span></span></td></tr>
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<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">I am a sucker for a good sunrise or sunset. It was an overcast day but there were areas where the sun was breaking through the clouds. It was still early in the afternoon but the cloud cover was low and the sun above was bouncing ambient light off the clouds and providing a nice reflection on the water.</span></span></span><br />
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<span style="font-size: large;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Well that completes another weekender trip photographing nature. If your ever in the area be sure and plan a visit. For more information follow this link.<a href="https://www.fws.gov/refuge/Loess_Bluffs/visit/visitor_activities.html.">https://www.fws.gov/refuge/Loess_Bluffs/.</a> Thanks for stopping by. I hope you've enjoyed our adventure to Loess Bluffs National Wildlife Refudge. Please leave me a message and let me know where you are from.</span></span></span><br />
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<b><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">John Gilbert</span></span></span></span></b><br />
<a href="https://www.jmgilbertphoto.com/"><span style="color: #cc0000;"><b><span style="color: #f6b26b;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;">https://www.jmgilbertphoto.com/</span></span></span></span></b></span></a><br />
<a href="https://www.flickr.com/photos/gil-bear"><span style="color: #6aa84f;"><span style="font-size: small;"><span style="font-family: inherit;"><span style="font-family: "arial" , "helvetica" , sans-serif;"> <b>https://www.flickr.com/photos/gil-bear</b></span></span></span></span></a>John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com0Loess Bluffs National Wildlife Refuge, 25542 US-159, Forest City, MO 64451, USA40.0828115 -95.2525929999999914.560776999999998 -136.561187 65.604846 -53.943998999999991tag:blogger.com,1999:blog-2442848430539673379.post-59413258596227966302019-01-14T14:09:00.000-06:002019-01-14T14:09:21.101-06:00UNION COVERED BRIDGE<div style="text-align: center;">
<span style="font-size: large;"><b>Snow Day Trip To A Covered Bridge</b></span></div>
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<i><span style="color: blue;">(Click on any image to enlarge it)</span></i></div>
This past week we were hit with a blizzard of a snow storm here in Mid-Missouri. Some areas reported up to 19 inches of snow and temperatures were below freezing. At my house I had to go out and shovel an area for the dog to go to the bathroom. Okay so while I was out there I cleared off an area around my bird feeders for my feathered friends. A friend of mine captured an image of the Union Covered Bridge a little while back on a previous snow day. Between the bridge and creek it made for a stunning image. So Bob Colvin an area photographer and I had added this to our bucket list of places to visit. Waiting for the right time was critical for us and we were rewarded with this gorgeous snow.<br />
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Bob and I live in the Jefferson City, Missouri area and are both members of the COMO Photographers Group out of Columbia, Missouri and we are officers of a newly formed club, "Friends of Eagle Bluffs Conservation Photography Group". We try to get together once a month to do some one day field trips to practice our sport of photographing nature. We recently spent a weekend in Dubois, WY and The Grand Tetons, both blogs of our adventure available on my blog sight.<br />
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It was luck that we were both ready to get out of the house and seize the moment to photograph this bridge in its winter wonderland. Not a lot of planning for us just a simple text you wanna go, yes what time we leaving. Bob travels this area on his semi-retired job so he pilots us on the outing. We must congratulate the Missouri Department of Transportation for an exceptional job of clearing the roads.<br />
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We traveled form our locations by way of highway 54 going towards Mexico, MO. Once in Mexico Bob pointed out a beautiful old home which is now a Museum for the American Saddlebred Museum and the Audrian County Fire Brick Museum. We made a not to stop here on our way back to capture this scene. I am going to include it in this blog first since I have hopefully peaked your interest.<br />
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<span style="font-family: inherit; text-align: center;">The Graceland Museum was built by John P. Clark, a native Virginian, as a reminder of the more genteel society he once knew "back home." The mansion was host to Col. Ulysses S. Grant during the early days of the Civil War. </span><span style="font-family: inherit; text-align: center;">Nine of its rooms contain displays that permit visitors to experience the Victorian elegance of the past as well as the rich history of Audrain County. </span><span style="font-family: inherit;"> There are some unique displays here so you might want to check it out. </span><a href="https://www.audrain.org/museum-collections">https://www.audrain.org/museum-collections</a>.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp8NF4Syg3LWKQQMOZkUUDa2Vs6XcSq3OyhQm_iKSI9f2ZYpNNs7pMnM-b9HJ4KhGgM3VXmm7oNl63egNfGzup_XPi-M2EaLWijgHtntAY8yQrCNMz6lJr9iJwbyp9qPdV4iKAojzPHzlf/s1600/_DSF7536-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp8NF4Syg3LWKQQMOZkUUDa2Vs6XcSq3OyhQm_iKSI9f2ZYpNNs7pMnM-b9HJ4KhGgM3VXmm7oNl63egNfGzup_XPi-M2EaLWijgHtntAY8yQrCNMz6lJr9iJwbyp9qPdV4iKAojzPHzlf/s400/_DSF7536-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fujifilm with Fuji 18-135mm lens, f/5.6, 1/160 sec, ISO 0.67, EV +0.67<br /></td></tr>
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We got lucky as no one had walked through the yard. We shot this picture from the parking lot across the street at a credit union. These were hand-held camera shots. Take the picture then move on.</div>
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From Mexico veer left onto highway 15 going north. Stay on highway 15 until you get to route M and go left or west. You will travel on Rte M until you get to Rte. C and then go north which for us was a left turn. You are going to exit Rte. C onto State Spur C which will take you to the Covered Bridge. Since the Union Covered Bridge State Historic Site in <span class="MsoHyperlink">Monroe County</span>, <span class="MsoHyperlink">Missouri</span>, is maintained by the <span class="MsoHyperlink">Missouri Department of Natural Resources</span> as a state <span class="MsoHyperlink">historic site</span> to preserve the Union Covered Bridge, there was a sign on Rte. C directing visitors to the bridge right at the Rte. C Spur turnoff.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqK5Hx7xicVNHR5ZCvtbBk-kdloczO935wiRhUERLaw4laDN7i7OytgPzPOSmt-0W8U-adQIACp0Jw03HhPG-CJ5xKLpAQh0zWe6fvZsI7E4wbx3BlIjD3eJxLsnPrvMsH8HqiZd-EGVJ9/s1600/_85G3104-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="901" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqK5Hx7xicVNHR5ZCvtbBk-kdloczO935wiRhUERLaw4laDN7i7OytgPzPOSmt-0W8U-adQIACp0Jw03HhPG-CJ5xKLpAQh0zWe6fvZsI7E4wbx3BlIjD3eJxLsnPrvMsH8HqiZd-EGVJ9/s400/_85G3104-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Nikor 20mm Lens, f/8, 0.6 sec., ISO 160</td></tr>
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Rte. Spur C is also County Road 962. The bridge spans the Elk Fork of the Salt River. The above image is a picture of Bob Colvin photographing the bridge from a higher elevation. This picture also shows the road as it crosses the Elk Fork.</div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT8kntZqTLWjbKv6riT6CIYDFEx5qvOe3Vajaq93A5u31XmoaTpI1wp4Dpm1yyWh3Wv2DZpGjo-sKtZwCn5Ek6BV_u89-CCdT0HNDjakLkgFzY2qNYkm0HA80Zq1flVPbNXoahoFUJOLAs/s1600/_85G3102-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="700" data-original-width="1600" height="173" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT8kntZqTLWjbKv6riT6CIYDFEx5qvOe3Vajaq93A5u31XmoaTpI1wp4Dpm1yyWh3Wv2DZpGjo-sKtZwCn5Ek6BV_u89-CCdT0HNDjakLkgFzY2qNYkm0HA80Zq1flVPbNXoahoFUJOLAs/s400/_85G3102-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Nikor 20mm Lens, f/8, 0.08 sec, ISO 100, EV +1.67</td></tr>
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I took this picture from the road on a tripod and cropped out the tire tracks that were leading across the Elf Fork. This was the widest lens I took with me and now wish I had taken my 16mm fish-eye. The distance from the road to the bridge might have been 50 to 100 yards and my lens just barely covered the this angle of view. An alternative was to shoot this as a pano which I did later.</div>
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<span style="font-family: inherit;">The bridge was built in 1871 across the Elk Fork of the Salt River as a link in the <span class="MsoHyperlink">Paris</span>-to-Fayette road. Its name comes from
the nearby Union Church. In 1968 a partial restoration was completed using
materials from the Mexico Covered Bridge which was destroyed the year before by
flood waters. In 1970 the Union bridge was closed after structural timbers were
damaged by overweight trucks. </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1yoROCF5Tgv3l4yiAbwlloKp3G7mWYgWm3F5dlIuouGCP3tijjuFvR0ayTCut_zdELMAimCWwhq5x6TlzFwib7gYaR3f928vaMK1l_WC240HBfQLt7JraJXbaVP_umzDndAo-GIyRMAv9/s1600/_85G3089-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="988" data-original-width="1600" height="246" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1yoROCF5Tgv3l4yiAbwlloKp3G7mWYgWm3F5dlIuouGCP3tijjuFvR0ayTCut_zdELMAimCWwhq5x6TlzFwib7gYaR3f928vaMK1l_WC240HBfQLt7JraJXbaVP_umzDndAo-GIyRMAv9/s400/_85G3089-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Nikor 20mm Lens, f/8, 0.6 sec, ISO 160</td></tr>
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This view was obtained by standing in the water as it cascaded over the concrete road crossing. The water was moving swiftly but was not high enough to create any stability issues for me or my tripod. Again I need a little wider angle to have framed this up a little nicer in my opinion. The temperature was around 28/29° F. There was very little wind and what there was was sporadic. The water was pretty clear which adds to the foreground lead-in to this composition.</div>
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<span style="font-family: inherit;">A total restoration was completed in 1988. The
bridge was entered on the <span class="MsoHyperlink">National Register of Historic Places</span>
in 1970. The bridge is a 120-foot-long (37 m) <span class="MsoHyperlink">Burr Arch</span>
span that is 17 feet 6 inches (5.33 m) wide and 12 feet
(3.7 m) high. Joseph C. Elliot built the bridge in 1871 from local <span class="MsoHyperlink">oak</span>.
It is sided in clapboard and uses wood shingles. Two earlier uncovered bridges
at this site were replaced in turn due to deterioration.<span style="font-size: 9pt;"> (Wikipedia)</span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyWoVTUZIpKzQW0DN_0oOM0cYSUAPWeNyheN54IMWuKo9qGKdMzMI-ALg2Ax4Iv8kSbjI40LMQigXQ1CS5i-HX8V98gupQEw5_Z9gD6iWaBkUOvLFIAufHlXJvQV4cg-PZxmMTGgdjfXJC/s1600/_85G3091-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyWoVTUZIpKzQW0DN_0oOM0cYSUAPWeNyheN54IMWuKo9qGKdMzMI-ALg2Ax4Iv8kSbjI40LMQigXQ1CS5i-HX8V98gupQEw5_Z9gD6iWaBkUOvLFIAufHlXJvQV4cg-PZxmMTGgdjfXJC/s400/_85G3091-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850. Nikor 20mm Lens, f/9, 1.0 sec., ISO 100</td></tr>
</tbody></table>
<div style="text-align: start;">
</div>
<o:p></o:p><br />
Here is a view of the Elk Fork as it travels downstream. With all the snow it was hard to get a handle on the surrounding terrain so we did not venture along the banks. I would have loved to have been able to capture the bridge from downstream so as to include this cascade in the foreground composition. I will need to check this out come spring. I can see the need for a set of chest waders in the future. I recently watched a video by David Morrow Color Theory Photography Guide which I found awesome. He talks about measuring the colors of your image using a color wheel and then trying to bring out the complementary colors of your image based on its reading. His video show you how to do that. Its really worth watching. Check it out at <a href="https://www.youtube.com/watch?v=-IMOOwR0kLo">https://www.youtube.com/watch?v=-IMOOwR0kLo</a> With that said I measured my colors and found that even though the snow appears to be white in the above image it in fact has some blue in it. The complementary colors for blue in this image is yellow and orange. When I processed this image I selectively created a layer mask using the color picker and applying it to a hue/saturation mask to enhance the yellow and orange colors. This is supposed to be more pleasing to our eyes and brain but I will let each viewer decide its effect.<div>
<br /></div>
<div>
Anytime you go out to take pictures be cognizant of your surroundings. Sometimes something that you might never notice could be worth taking a picture of.</div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMk32Xumx_DYjXafwC9gzOnbimuomQ6pc_c87534uNQnZKShopDVCfhNqpeaseV7bedtLEC2WkJ0w_k4AJ-YHtFpt0GzpSgqeqAIu5EH_YFQ5FoB65JR0ISKSUNmHMICz9TlKG2iZeXFC4/s1600/_DSF7526-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMk32Xumx_DYjXafwC9gzOnbimuomQ6pc_c87534uNQnZKShopDVCfhNqpeaseV7bedtLEC2WkJ0w_k4AJ-YHtFpt0GzpSgqeqAIu5EH_YFQ5FoB65JR0ISKSUNmHMICz9TlKG2iZeXFC4/s400/_DSF7526-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Fujifilm X-T2 and Fuji 18-135mm Lens, f/3.6, 1/180 sec., ISO 200, EV +0.67</td></tr>
</tbody></table>
<div>
<br /></div>
<div>
As we were loading up to call it a day the dead leaves of these trees caught my eye as being so orange. I am sure that being surrounded by a white cape helped to make this stand out to me. I went over to take this picture and then notice that the Elk Fork was in the background and was shaded in hues of green. In processing this image I cropped it to take advantage of the dead leaves framing up the tree as if it was watching the river bathing. I also used the color theory above to accentuate the oranges and green hues.</div>
<div>
<br /></div>
<div>
Well this concludes another blog and another great photography field trip. We left around 9AM and were back around 1PM. Photography can clear your mind and rev up some creative juices and it gets you out of the house. </div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_1olUx5vNshQtPKk4zc8R7mtxotJc9pLM8MmQtmsqEQAPmpsUKw54NSOAGVRu9DmMD1_qYXXJV9QPl7lxWvGZb0oSQS3EGvfp_QhXUqZPi2-IykyBO_liKb0DjnTUwUAA6b0zV2eXMx5b/s1600/85G3105-3108-Pano-P-Flickr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="574" data-original-width="1600" height="142" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_1olUx5vNshQtPKk4zc8R7mtxotJc9pLM8MmQtmsqEQAPmpsUKw54NSOAGVRu9DmMD1_qYXXJV9QPl7lxWvGZb0oSQS3EGvfp_QhXUqZPi2-IykyBO_liKb0DjnTUwUAA6b0zV2eXMx5b/s400/85G3105-3108-Pano-P-Flickr.jpg" width="400" /></a></div>
<div>
This is a composite of two separate hand held images stitched together in Photohop to create this panoramic view. I did not shot this with the idea of making it into a panoramic. I shot this with a 45megapixel camera and during processing I ended up with a file almost 500megabypes in size. O my. I guess I got lucky that these two images lined up it Photoshop.</div>
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<div>
<span style="font-family: inherit;">Thanks for stopping by and reading about my weekend adventure. You can check out more of my photography trips at <a href="http://www.jmgilbertphoto.com/">www.jmgilbertphoto.com</a> and don't forget to check out my archive of blog here as well.</span><br />
<div style="text-align: start;">
<span style="font-family: inherit;"><br /></span></div>
<div style="text-align: start;">
<span style="font-family: inherit;">John Gilbert Photography</span></div>
<div style="text-align: start;">
<span style="font-family: inherit;">gilbej49@gmail.com</span></div>
<div style="text-align: start;">
<br /></div>
</div>
John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com0tag:blogger.com,1999:blog-2442848430539673379.post-4383973965336482842019-01-04T10:22:00.004-06:002019-01-22T16:02:09.186-06:00GRAND TETONS IN WINTER<!--[if gte mso 9]><xml>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"><b><span style="font-size: large;">A DAY AT THE TETONS </span></b></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"> <span style="color: blue;"><i>(Click on any image to enlarge it.) </i></span></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">On a recent trip to Dubois, WY at the end of November 2018
Bob Colvin and I decided to spend our last day with a trip to Grand Teton
National park.<span style="mso-spacerun: yes;"> </span>The Grand Teton National
Park was only 55.6 miles from where we were staying.<span style="mso-spacerun: yes;"> </span>Normally this might only take an hour to
drive but for us it took longer because 1) the roads were covered in snow and
2) we kept stopping to take pictures along the way.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
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</span><br />
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<span style="font-family: "arial" , "helvetica" , sans-serif;">We hadn’t gotten that far out of Dubois when we spotted a cow
Moose and her calf near the side of the road.<span style="mso-spacerun: yes;">
</span>Naturally we had to stop and capture this opportunity on digital film. </span></div>
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<tr><td style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioC33QvI_1Y9gcw1P76K0IMBm4Pz0ki8Y2pCJlGZ3-obiDVDmAG5JB_Janed0CgSqDMmvUpO8d91iCuuPeT8xK1XyntmgBc7ycjfZVBbzE6pwL0ert0NjzWr98k9AzVHGlZXKNzcm6mQ9q/s1600/_50G7477-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioC33QvI_1Y9gcw1P76K0IMBm4Pz0ki8Y2pCJlGZ3-obiDVDmAG5JB_Janed0CgSqDMmvUpO8d91iCuuPeT8xK1XyntmgBc7ycjfZVBbzE6pwL0ert0NjzWr98k9AzVHGlZXKNzcm6mQ9q/s400/_50G7477-P-Flickr.jpg" width="400" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Nikon D500, Sigma 150-600mm Lens, f/5.3, 1/640sec ISO 1250</span></td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The road was covered in a packed layer of snow and the temperature
was below freezing that morning.<span style="mso-spacerun: yes;"> </span>The
Highway Department had done an excellent job of clearing the roads but you
still have to drive with caution because of the packed snow.<span style="mso-spacerun: yes;"> </span>Bob was the designated driver.<span style="mso-spacerun: yes;"> </span>I think I scared him the day before by doing
a fishtail in a parking lot and although he didn’t say anything his actions
told me he was driving from that point on.<span style="mso-spacerun: yes;">
</span>No problem for me I got to act as the wildlife spotter, hence the Moose
on the road. </span></div>
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<tr><td style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHsNc-gY4dvtesm69MtF3_LKAgeFA92PIdO-WdhenqQrzhISAKpvA4RCLkG5ALlrp-Q9t4F1GwQRYgxOJmn3NSX_4k4PsIClG17BAzEPfp-3Y139h8T8kDo2jfx3SY7xwr7TR6doBZa5Qx/s1600/_50G7468-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHsNc-gY4dvtesm69MtF3_LKAgeFA92PIdO-WdhenqQrzhISAKpvA4RCLkG5ALlrp-Q9t4F1GwQRYgxOJmn3NSX_4k4PsIClG17BAzEPfp-3Y139h8T8kDo2jfx3SY7xwr7TR6doBZa5Qx/s400/_50G7468-P-Flickr.jpg" width="400" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Nikon D500, Sigma 150-600mm Lens, f/5.3, 1/640sec ISO 5000</span></td></tr>
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<div class="MsoNormal">
<span style="font-family: "arial" , "helvetica" , sans-serif;">What I like about these shots was the creek being part of
the exposure.<span style="mso-spacerun: yes;"> </span>It was 7:45 am and the sky
was a solid sheet of grey.<span style="mso-spacerun: yes;"> </span>This required
a higher ISO and a wider aperture to adjust for the lighting while maintaining a
high enough shutter speed to match the lens length.<span style="mso-spacerun: yes;"> </span>They were just standing there checking us out
so my shutter speed of 1/640 second was sufficient to capture the image.<span style="mso-spacerun: yes;"> </span>It was lightly snowing which makes for fun
getting the focusing system to lock on to the subject while ignoring the snowflakes. </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4sj-C5z_sjuxYf4l9XaxQYjRxMQlBu98mwSWOLyn9lfGNWq8Tm4OIPCXFuOrkCilwy1Flg2fgkBzdCFfquFEsHn0xHlUd_wJWk-Lk7_DEGI-dOeaLAgJl8Hgj8SCKKCas_UMrXXI3vx0L/s1600/_85G2413-P-Flickr.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4sj-C5z_sjuxYf4l9XaxQYjRxMQlBu98mwSWOLyn9lfGNWq8Tm4OIPCXFuOrkCilwy1Flg2fgkBzdCFfquFEsHn0xHlUd_wJWk-Lk7_DEGI-dOeaLAgJl8Hgj8SCKKCas_UMrXXI3vx0L/s400/_85G2413-P-Flickr.jpg" width="400" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Nikon D850, Sigma 24-105mm Lens, f/14, 1/125 sec ISO90, EV +33</span></td></tr>
</tbody></table>
<div class="MsoNormal">
<span style="font-family: "arial" , "helvetica" , sans-serif;">The landscape along the way was beautiful with its winter
blanket of white snow as cover.<span style="mso-spacerun: yes;"> </span>Yep
another stop along the way to get in some landscape shots.<span style="mso-spacerun: yes;"> </span>As we got closer to our destination the sky cleared and was a vibrant blue which for
me makes for a colorful high dynamic scene.<span style="mso-spacerun: yes;">
</span>A few clouds would have added to the overall composition but when
dealing with nature you take what you can get. </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSRFDJk9xc8uugJ96RH6e3bd_CjqnxtsklDPmiKb08EJbg28igYrGltN2TDVIcKMH1dZkExA-v6_eWGO4J_mcq4F7qLTiPdlzIkhoQega2WAU06Jcna3Rw5NDfQqkz3OmZUyiWmAEXxMaV/s1600/_85G2436-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSRFDJk9xc8uugJ96RH6e3bd_CjqnxtsklDPmiKb08EJbg28igYrGltN2TDVIcKMH1dZkExA-v6_eWGO4J_mcq4F7qLTiPdlzIkhoQega2WAU06Jcna3Rw5NDfQqkz3OmZUyiWmAEXxMaV/s400/_85G2436-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 24-105mm Art Lens, f/16, 1/125sec ISO 110</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"></span></div>
<div class="MsoNormal">
<span style="font-family: "arial" , "helvetica" , sans-serif;"></span><span style="font-size: small;"><span style="font-family: "arial" , "helvetica" , sans-serif;"><span style="line-height: 107%;">It wasn't too long before we saw the Tetons. Since we were coming from a higher elevation
going towards the Tetons Valley we were afforded a great opportunity to
photograph the Tetons from a higher vantage point. Look closely and you can see a fog hovering
over Jenny Lake. Man it doesn’t get more
gorgeous then this and I am sure I did not capture it in all its glory.</span></span></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXLZ5iXXePMCZcjZC24pebM7aQkADXeJMZym_7VOQSqmr36-cF7WmF923lm7kwmVBriIfDhQucwAz8Dcw5xLWwUUd8xp4tWXrXbPxyvN-fwmLlSRfT29d2DyhZDfx879XKGiX235a8qo1C/s1600/_85G2466-P2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1026" data-original-width="1600" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXLZ5iXXePMCZcjZC24pebM7aQkADXeJMZym_7VOQSqmr36-cF7WmF923lm7kwmVBriIfDhQucwAz8Dcw5xLWwUUd8xp4tWXrXbPxyvN-fwmLlSRfT29d2DyhZDfx879XKGiX235a8qo1C/s400/_85G2466-P2.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 24-105mm Art Lens, f/11, 1/500sec ISO 160</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"></span></div>
<div class="MsoNormal">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Once we reached Moran Valley we opted to take US 191 into
the Grand Tetons National Park.<span style="mso-spacerun: yes;"> </span>The
road was not open all the way to Yellowstone but we were able to get to Colter
Bay which sets on Jackson Lake.<span style="mso-spacerun: yes;"> </span>Along
the way we stopped at the Oxbow Bend, one of the most photographed scenes in the
area.<span style="mso-spacerun: yes;"> </span>If you happen to be there in the
spring or summer in the early morning hours you will be treated to the sun
rising over the Tetons painting them in shades of purple.<span style="mso-spacerun: yes;"> </span>But you better get there really early, like
4:30 to 5:00 am to be able to claim your spot. </span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDIFWklkMnFGsuj2C4jtDK95DxmC8QajEepxvOgGhoRfu21CKwQowJcuJ7Wwudx4R_PYToJpkpzjWRagsdvsu-ipLO0cv8oB_JmO9ayTI6eGjbTbMHaCP1u5SMR8IcnGMmrG6pFdQFooaQ/s1600/_50G7585-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1237" data-original-width="1600" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDIFWklkMnFGsuj2C4jtDK95DxmC8QajEepxvOgGhoRfu21CKwQowJcuJ7Wwudx4R_PYToJpkpzjWRagsdvsu-ipLO0cv8oB_JmO9ayTI6eGjbTbMHaCP1u5SMR8IcnGMmrG6pFdQFooaQ/s400/_50G7585-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D500, Sigma 150-600mm Lens, f/6, 1/2500sec ISO200 EV+.33</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"></span></div>
<div class="MsoNormal">
<span style="font-family: "arial" , "helvetica" , sans-serif;">The Snake River creates the Oxbow Bend.<span style="mso-spacerun: yes;"> </span>While we were there parts of the river
appeared to be frozen and out in the center were about a dozen Trumpeter Swans.
<span style="mso-spacerun: yes;"> </span>Largest of the native waterfowl in North
America, and one of our heaviest flying birds, the Trumpeter Swan was almost
driven to extinction early in the 20th century. Its healthy comeback is
considered a success story for conservationists. Ordinarily the Trumpeter is
quite sensitive to human disturbance; in protected areas, such as some parks
and refuges, it may become accustomed to humans and allow close approach.</span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFD3g05YC2xwYrpo2prDp8POg_3lwBn_xcx3Z9BWgJm8LvMU_Gg7UtUdWxhaI1KC9AVwEvzjxPpGxPA3jopYARSXzq7t34vYzF-fZ_qy1X7p-w9NwkkX3vhS1zq9dNM7XM4_VY6oXgLuv5/s1600/_85G2501-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFD3g05YC2xwYrpo2prDp8POg_3lwBn_xcx3Z9BWgJm8LvMU_Gg7UtUdWxhaI1KC9AVwEvzjxPpGxPA3jopYARSXzq7t34vYzF-fZ_qy1X7p-w9NwkkX3vhS1zq9dNM7XM4_VY6oXgLuv5/s400/_85G2501-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 24-105mm Art Lens, f/10, 1/1000sec ISO160 EV+.33</td></tr>
</tbody></table>
</td></tr>
</tbody></table>
<span style="font-family: "arial" , "helvetica" , sans-serif;">Continuing north on US191 toward Colter Bay afforded us numerous
opportunities to frame up the Tetons with various foreground settings.<span style="mso-spacerun: yes;"> </span>This is my first time ever seeing the Grand Teton
National Park covered in snow.<span style="mso-spacerun: yes;"> </span>The blue
skies and cold air, it was 17° when we got there, set the mood for shooting
this winter wonderland.<span style="mso-spacerun: yes;"> </span>Insulated
underwear, snow boots and fur lined cap were the order-of-day.<span style="mso-spacerun: yes;"> </span>They had just plowed the road and there were
only three other cars there so a lot of the landscape had been untarnished with
foot-prints.<span style="mso-spacerun: yes;"> </span>What captured our interest
in this location was the fog above the ground and below the mountains.<span style="mso-spacerun: yes;"> </span>Upon investigation this was coming from
Jackson Lake.</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin7ybEKsd-itG38Qf_1f5mAY5_nu_qcqMGojtUAuTvdw6lEoANENBQoS_lgOXg9TQMYNhRGYdBaRDA8f629EA4vTDkr5Hln7qBolecof9PC6FNrAoHkhbglWPZaI1aYfleYcdFqX_azaLw/s1600/_85G2503-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin7ybEKsd-itG38Qf_1f5mAY5_nu_qcqMGojtUAuTvdw6lEoANENBQoS_lgOXg9TQMYNhRGYdBaRDA8f629EA4vTDkr5Hln7qBolecof9PC6FNrAoHkhbglWPZaI1aYfleYcdFqX_azaLw/s400/_85G2503-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 24-105mm Art Lens, f/10, 1/800sec ISO 160, EV +33</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"></span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;"> Cropped in view to accentuate the fog a little better.</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwFoP2_iZUAEz90ItUguldDNS_RSvUpAv-FKW2PgaGlvUik4Fkc0Fvs_t9mTNEXK1ZZHg57qTjIElnxjSQzmZ6owieDk_CB2WgAsxF1Kb2uV6axjzw0f5zKU2tknmqB3GZU7wVpWXpK5AQ/s1600/_85G2515-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwFoP2_iZUAEz90ItUguldDNS_RSvUpAv-FKW2PgaGlvUik4Fkc0Fvs_t9mTNEXK1ZZHg57qTjIElnxjSQzmZ6owieDk_CB2WgAsxF1Kb2uV6axjzw0f5zKU2tknmqB3GZU7wVpWXpK5AQ/s320/_85G2515-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 24-105mm Art Lens, f/10, 1/800sec ISO 160, EV +.33</td></tr>
</tbody></table>
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<div class="MsoNormal">
<span style="font-family: "arial" , "helvetica" , sans-serif;">There are
no salts or other minerals used on the road in this area but they are plowed pretty close
to the road so that driving on them was excellent.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;">
</span>The evergreen trees were capped in snow as were the mountains.<span style="mso-spacerun: yes;"> </span>There was a good 10 inches of snow on the
ground.</span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbUZZShdO1-AqRTFzJQMuNMPgSYJqRgZ4BbteXEonq1tTauDiOsClVrJMs4hdZotmTETTGcQphlXNrMd3PlKhVR8tc476pr6lFPlORQ4UXb-gMFPkom5iE_2QnKDjmhdpFLnQF9K2dTGiS/s1600/_85G2576-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="900" data-original-width="1600" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbUZZShdO1-AqRTFzJQMuNMPgSYJqRgZ4BbteXEonq1tTauDiOsClVrJMs4hdZotmTETTGcQphlXNrMd3PlKhVR8tc476pr6lFPlORQ4UXb-gMFPkom5iE_2QnKDjmhdpFLnQF9K2dTGiS/s320/_85G2576-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 24-105mm Art Lens, f/16, 1/250sec ISO 160, EV +.33</td></tr>
</tbody></table>
<span style="font-family: "arial" , "helvetica" , sans-serif;">We continued towards our destination, Colter Bay and the Jackson Lake, in search of the fog. There were lots of stops along the way to photograph the Tetons at slightly different locations with the lake and fog coming into few.</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhILkvwc_u80No__-PeUqKEs10o3c0xnXIzjrxiR-xZ9mZ6C9BRr-TM2WrBs_ghIdg0d5NBO0N0DJxzmUZZzM3b46K7Erwi_7ufb2RGcV_pwSCWvb_nFPBEVV6QfzILdoPFqXB8mnGJSjK4/s1600/_85G2523-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhILkvwc_u80No__-PeUqKEs10o3c0xnXIzjrxiR-xZ9mZ6C9BRr-TM2WrBs_ghIdg0d5NBO0N0DJxzmUZZzM3b46K7Erwi_7ufb2RGcV_pwSCWvb_nFPBEVV6QfzILdoPFqXB8mnGJSjK4/s320/_85G2523-P-Flickr.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 24-105mm Art Lens, f/10, 1/640sec ISO160 EV+.33</td></tr>
</tbody></table>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Another friend, Niala Branson and I stayed
here at Colter Bay back in the fall of 2011.<span style="mso-spacerun: yes;">
</span>It is a really nice area.<span style="mso-spacerun: yes;"> </span>Driving
in the area it was so quiet and peaceful.<span style="mso-spacerun: yes;"> </span>Colter Bay Cabins were closed for the season but the rest
rooms at the gas station were open.<span style="mso-spacerun: yes;"> </span>This
is also where the park maintenance crew offices and sheds are located so the
roads to this area are plowed.<span style="mso-spacerun: yes;"> </span> Here I walked over to the lake. This is a good indication of how deep it was. </span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 24-105mm Art Lens, f/10, 1/800 sec ISO160 EV+.33</td></tr>
</tbody></table>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Finally I reached the lake and there was a layer of fog suspended over it. This was awesome and surreal. There were some tracks which could easily have been Moose because they were in the area. This shot gave me a leading line around the lake as well as towards the fog clouds, Gotta love the tones of nature. </span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjESxkO8em1X0OXZJ_0VA7EXJEWiTcEMlF3LBTX0Ge_8b5B5CHo_8rdcV-L4WU9507ouymxoIEhuRkm-V2SK4EaV5vVPNhGLzj8K9Ls2Kn0nv6DwwZWhKPMlCSbJUh0Pz9Db_UDH6hOVinz/s1600/_85G2544-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjESxkO8em1X0OXZJ_0VA7EXJEWiTcEMlF3LBTX0Ge_8b5B5CHo_8rdcV-L4WU9507ouymxoIEhuRkm-V2SK4EaV5vVPNhGLzj8K9Ls2Kn0nv6DwwZWhKPMlCSbJUh0Pz9Db_UDH6hOVinz/s320/_85G2544-P-Flickr.jpg" width="266" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 24-105mm Art Lens, f/18, 1/125 sec ISO160 EV+.33</td></tr>
</tbody></table>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">As I was leaving the lake I noticed the sun shining through the pines and re-positioned myself so I could get the sun's rays while shielding my lens from overexposure. Normally, I would shoot two exposures one for the lights and the other for the darks but since I didn't have a tripod with me and I was hand holding the camera I exposed for the bright areas knowing that I could recover the shadows in post processing.</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFuBK6-ZIWTJNIIDKmKP2dxD0XzjGmmUFOxMTxBRXa-HwhrFd5QGPasOaE7Q2GWP8hUMyQXi-5oNf0T7K71pnsyv0Eeaq3hxDgdZ4OghXpAGEs6Hfe_iCrQCaJJdQXBHt0YTe_Yi4-ZWXD/s1600/_85G2881-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFuBK6-ZIWTJNIIDKmKP2dxD0XzjGmmUFOxMTxBRXa-HwhrFd5QGPasOaE7Q2GWP8hUMyQXi-5oNf0T7K71pnsyv0Eeaq3hxDgdZ4OghXpAGEs6Hfe_iCrQCaJJdQXBHt0YTe_Yi4-ZWXD/s320/_85G2881-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 24-105mm Art Lens, f/16, 1/250 sec ISO160 EV+.33</td></tr>
</tbody></table>
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<div class="MsoNormal">
<span style="font-family: "arial" , "helvetica" , sans-serif;">Well after several hundred images from this area we decided
to head on down to Mormon Row and the National Elk Refuge.</span><br />
<span style="font-family: "arial" , "helvetica" , sans-serif;"><br /></span></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Mormon Row, formerly known as the town of Grovont, was settled in the late
1890s by Mormons from the Salt Lake region. Due to the Homestead Act of 1862,
which granted land ownership to any person willing to build a house and
cultivate the area for five years, this community was able to establish a presence
in the area east of Blacktail Butte. Settlers secured 27 homesteads that they
built close together to share labor and community.</span><br />
<br />
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<br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">Today, two picturesque barns highlight Mormon Row. Settlers John and Thomas
Alma (T.A.) Moulton built these barns on adjacent homesteads. After nearly 30
years of working the land, John replaced his log home and barn with a new
carpenter-constructed two-story
gambrel barn north of Antelope Flats Road.</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbcW35mx5Z03K9lrzXJmMiEHG3TrzhVv6g5xfRDim7-0kOAARHxm3XDCbuX2WCcaJk2PDFa6DTDzcQhQRCIByrEv1OJ06Ibf6renyNPOX01ypJEB8yQDEYaU_X2JwdGMdQtDZtLgM5TXK5/s1600/_85G2884-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbcW35mx5Z03K9lrzXJmMiEHG3TrzhVv6g5xfRDim7-0kOAARHxm3XDCbuX2WCcaJk2PDFa6DTDzcQhQRCIByrEv1OJ06Ibf6renyNPOX01ypJEB8yQDEYaU_X2JwdGMdQtDZtLgM5TXK5/s400/_85G2884-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 24-105mm Art Lens, f/16, 1/200 sec ISO160 EV+.33</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"></span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;">Settlers dug miles of ditches to bring water from the Gros Ventre River to
their fields. In the winters, these ditches would freeze so families traveled
to the river with buckets to gather much needed water. It wasn’t until 1927 that a dependable water source to residents was available year
round. Families mainly grew hay and ninety-day-oats, as these were a few of the
only crops that were able to survive the short growing season and harsh
conditions of Jackson Hole. Families also owned cows, whose milk and meat
provided food, as well as horses, that helped settlers till the fields.</span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTwTXhjg3_Ey15IaIIYVq-7YKRRzRPkDvi4p3ORHk95zNHT3JHw0SmxVI3tDRCH0zO-EiTM7YPGhyphenhyphenrb1he_DUdt8eMC26UPd-SdSXtGEMu2buSzY3ApjX80NN_HYzr3P3aSUPH9RRWy87x/s1600/_85G2606-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTwTXhjg3_Ey15IaIIYVq-7YKRRzRPkDvi4p3ORHk95zNHT3JHw0SmxVI3tDRCH0zO-EiTM7YPGhyphenhyphenrb1he_DUdt8eMC26UPd-SdSXtGEMu2buSzY3ApjX80NN_HYzr3P3aSUPH9RRWy87x/s320/_85G2606-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 24-105mm Art Lens, f/14, 1/320 sec ISO160 EV+.33</td></tr>
</tbody></table>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: "arial" , "helvetica" , sans-serif;"></span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;">South of John’s homestead, is T. A.
Moulton's barn which took over 30 years to build this gable-with-shed style barn. Photographers from
around the world stop by T. A. Moulton’s barn to capture this iconic historic
structure with the Teton Range in the background. </span><br />
<br />
<span style="font-family: "arial" , "helvetica" , sans-serif;">The town of Grovont once contained multiple ranches, homes, a church, and a
school. The church, built in 1916, played a critical role in the community,
serving as a social stage for all, regardless of faith. Although the building
was moved to Wilson, it is marked at Mormon Row by fence posts, two
cottonwoods, and a spruce tree. </span><span style="font-family: "arial" , "helvetica" , sans-serif;"> </span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgixcqhmXmA9kDi-iKbSd3kze4mEHh0Z1AjnuIpblDIpXQYDrQzXAUDwgr8VFnyDUoeuauJYnxlCpA3BRLeyibng3QuULgbVPLu96sW0E9q2WiBnD77Tm7GR9sBWsS0w1EOnAt9tPVsTFHq/s1600/_85G2608-P3-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="712" data-original-width="1600" height="177" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgixcqhmXmA9kDi-iKbSd3kze4mEHh0Z1AjnuIpblDIpXQYDrQzXAUDwgr8VFnyDUoeuauJYnxlCpA3BRLeyibng3QuULgbVPLu96sW0E9q2WiBnD77Tm7GR9sBWsS0w1EOnAt9tPVsTFHq/s320/_85G2608-P3-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Sigma 24-105mm Art Lens, f/14, 1/400 sec ISO160 EV+.33</td></tr>
</tbody></table>
<span style="font-family: "arial" , "helvetica" , sans-serif;">In the mid-1900s, Mormon Row was acquired to expand Grand Teton National
Park and in 1997 the district was added to the National Register of Historic
Places. Below are descriptions of some of the barns that still stand today,
offering the same feeling and setting of the district as it was 100 years ago. </span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8w7qlRM417LGQbJ_jEMFy3W4YQ01sMXBLTVkmd5xkguvXdMwhlpKON5J8x8L9dCDZAJGJ5RaRI0bUUHzqo6miXn0vhkGclSV5F2umLZMWdEPAJnAwkn0GTEqk02Ka6Qg2wHdPwaf8ObC3/s1600/_50G7609-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1237" data-original-width="1600" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8w7qlRM417LGQbJ_jEMFy3W4YQ01sMXBLTVkmd5xkguvXdMwhlpKON5J8x8L9dCDZAJGJ5RaRI0bUUHzqo6miXn0vhkGclSV5F2umLZMWdEPAJnAwkn0GTEqk02Ka6Qg2wHdPwaf8ObC3/s320/_50G7609-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D500, Sigma 150-600mm Lens, f/5.3, 1/2000 sec ISO 200 EV+.33</td></tr>
</tbody></table>
<span style="font-family: "arial" , "helvetica" , sans-serif;">After photographing Mormon Row we continued our adventure heading towards the Elk Refuge when we spotted a group of cars along the side of the road with people and cameras pointing west. This is always a good sign that wildlife is nearby and sure enough there was a Bull Moose and Cow grazing about 100 yards from the road. Bob and I travel ready to stop at a minute's notice and set up outside the car. Our tripods are in the back of my Grand Cherokee fully extend. Just pull them out slap on the camera and you're ready to shoot. Having multiple cameras with different lens works great for us. One camera is set up for landscapes and the other for wildlife. With a bright sunny day and at this distance focusing with a low ISO is pretty much guaranteed. </span><br />
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2SP-WAPdGP-bsNmATDulrNi9F6l1QXTtMGIAyZi21TA8L20Cm4FGmFCnCIwGTCqxfafkcsJuC7r_0REB7-uzfHzxaW5wczqEk5hHgHLxMkr-nHP7TezkxfJYmB3FeRmts2fyLr1Ce6EQi/s1600/_50G7678-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1237" data-original-width="1600" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2SP-WAPdGP-bsNmATDulrNi9F6l1QXTtMGIAyZi21TA8L20Cm4FGmFCnCIwGTCqxfafkcsJuC7r_0REB7-uzfHzxaW5wczqEk5hHgHLxMkr-nHP7TezkxfJYmB3FeRmts2fyLr1Ce6EQi/s320/_50G7678-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption" style="text-align: center;">Nikon D500, Sigma 150-600mm Lens, f/8, 1/800 sec ISO 200 EV+.67</td></tr>
</tbody></table>
</td></tr>
</tbody></table>
<span style="font-family: "arial" , "helvetica" , sans-serif;">Moose are large ungulates (hoofed mammals) identified by
their long, rounded snouts; huge, flattened antlers; humped back; thin legs;
and massive bodies. Moose are also the largest members of the deer family. They
are also the tallest mammals in North America. Their height, from hoof to
shoulder, ranges from 5 to 6.5 feet (1.5 to 2 meters). Males are heavier than
females; males weigh 794 to 1,323 pounds (360 to 600 kilograms), while females
weigh 595 to 882 pounds (270 to 400 kg), according to the National Museum of
Natural History.</span><br />
<div class="MsoNormal">
<br /></div>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">Moose live only in areas that have seasonal snow cover. The
animals prefer colder climates. They cannot tolerate temperatures above 80
degrees Fahrenheit (27 degrees Celsius) for long because they cannot sweat, and
the fermentation caused by their digestion creates a large amount of heat.</span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF27nOJ_szvSKe9495-yLfAVvA-nmkPUcKLCUGBAp33IWzK_5i-fSVTHQD9Bn0NFR2HorfVPGd2j75vDyGMUmSYFlvk9DPgoBgO_ZfSM086BiXkG8VgYp7soFSMtp6VVwR2WOcywvlvbk9/s1600/_85G2706-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="1280" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF27nOJ_szvSKe9495-yLfAVvA-nmkPUcKLCUGBAp33IWzK_5i-fSVTHQD9Bn0NFR2HorfVPGd2j75vDyGMUmSYFlvk9DPgoBgO_ZfSM086BiXkG8VgYp7soFSMtp6VVwR2WOcywvlvbk9/s320/_85G2706-P-Flickr.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Nikor 300mm Lens, f/8, 1/1600 sec ISO 160 EV+.33</td></tr>
</tbody></table>
</td></tr>
</tbody></table>
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<span style="font-family: "arial" , "helvetica" , sans-serif;"></span></div>
<span style="font-family: "arial" , "helvetica" , sans-serif;">Well we finally made it to our destination the National Elk Refuge Road. To get to this road stay on US 191 and go into Jackson Hole. Go right or east on Broadway until you get to the National Elk Refuge Road and then go left. This road will circle back around and reconnects with US 191 if all the access roads are open however, on this trip they were closed so we had to back track. We spotted Big Horn Sheep, and Pronghorn on this road. There were a lot of Big Horn Sheep and as this was the rut season they were not interested in vehicles except for this guy. He was just standing in the road as cars passed by giving them no thought. We stopped some 100-200 yards back and got out of the car to take his picture. He stayed there for quite a while and then began watching us and proceeded to come our way. Well he got closer and closer and was headed straight towards me and I was on the passenger side of the car. I took a lot of pictures being cognizant of his distance to me. I learned my lesson shooting a buffalo in the Badlands once. I got so wrapped up in shooting his picture that I paid no attention to just how close he was getting so I was not going to repeat that situation again with this big guy. Besides this guy can kill a man instantly by butting him with those horns. I jumped into the car and Bob at the wheel was ready to go so we just drove around him. </span><br />
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<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Nikor 300mm Lens, f/8, 1/1000 sec ISO 160 EV+.33</td></tr>
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<span style="font-family: arial, helvetica, sans-serif;">There were a lot of Big Horn Sheep in this area and for sure it was the rut season. This guy was following a ewe which was in heat. Note the head up and curled back lips.</span><span style="font-family: "arial" , "helvetica" , sans-serif;"></span><br />
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<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Nikor 300mm Lens, f/8, 1/1250 sec ISO 160 EV+.33</td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The rams can be seen resting a lot. The rut season keeps them in constant motion and breeding draws a lot of energy out of them.</span><br />
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<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Nikor 300mm Lens, f/8, 1/800 sec ISO 160 EV+.33</td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">The really great thing about this road was how close we could get from our car. Most of the time we were able to stand outside the vehicle without interfering with the sheep or causing them any distress. Using a telephoto lens can have a lot of pluses and well as some drawbacks. As long as you are within a reasonable distance you can get some killer shots. With the light we had, keeping a low ISO was a plus as well.</span><br />
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<tr><td class="tr-caption" style="text-align: center;">Nikon D850, Nikor 300mm Lens, f/8, 1/1000 sec ISO 160 EV+.33</td></tr>
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<span style="font-family: "arial" , "helvetica" , sans-serif;">There were a lot of rams in this area and is the winter grazing area for Elk, Pronghorn, and Big Horn. This was the first time I have traveled this road and we were so thankful that Bill told us about it. Well we got a lot in for just one day and made it back to Dubois at a reasonable hour. This was a great trip. </span><br />
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<b><span style="color: blue;"><span style="font-family: "arial" , "helvetica" , sans-serif;">Thanks for stopping by. I hope you enjoyed this trip with us.</span></span></b></div>
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<br />John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com3tag:blogger.com,1999:blog-2442848430539673379.post-68903482857793460552018-12-25T12:18:00.002-06:002019-01-22T16:04:40.578-06:00LOOKING FOR BIG HORN SHEEP<!--[if gte mso 9]><xml>
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<span style="font-size: large;"><b>A WEEKEND ON WHISKEY MOUNTAIN </b></span></div>
<br />
<a href="https://bighorn.org/">The National Big Horn Sheep Center</a> is dedicated to educating
people about Big Horn sheep and the conservation of wildlife and wild
lands.<span style="mso-spacerun: yes;"> </span>Located in Dubois, WY, it has one
of the world’s largest wintering herds of Rocky Mountain Big Horn Sheep in the
Whiskey Mountain Area.<span style="mso-spacerun: yes;"> </span>The center offers
3 to 4 hour guided viewing tours. This was a planned and fast track trip with Bob Colvin and myself. From our homes in Jefferson City, MO to Dubois it is an 18 hour drive straight through. We left on Wednesday and drove about 7 hours before getting a motel. On Thursday we drove on through to Dubois, stopping along the way to get a few landscape shots with snow. Our plan Thursday to Sunday and back on Monday. Two days at Dubois and one day at the Grand Tetons. The Grand Teton portion is for another Blog. <b><span style="color: red;"><i>(Click on any image to see an enlarged version)</i></span></b></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8FzGRFZPR0zXEa4CPMIMB69EE-mQcWxedhVVUTfUbjdrcwOM52QIDp_ZYISJigaVbSNf7nv_6VCuW_9-sTtubCvsMrxp-Her0yb92V-4FKy21bfUNxO_kP5HI5ZebS8BV0Z15vlIyICDi/s1600/DSC_0880-P-Flickr.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1069" data-original-width="1600" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8FzGRFZPR0zXEa4CPMIMB69EE-mQcWxedhVVUTfUbjdrcwOM52QIDp_ZYISJigaVbSNf7nv_6VCuW_9-sTtubCvsMrxp-Her0yb92V-4FKy21bfUNxO_kP5HI5ZebS8BV0Z15vlIyICDi/s400/DSC_0880-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D750 w/Sigma 24-105mm Art @95mm, f/16, 1/100sec, ISO 100</td></tr>
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We stayed at the Stage Coach Inn in Dubois and ended up
with a room with a kitchen which was sweet.<span style="mso-spacerun: yes;">
</span>We had scheduled a tour for Friday November 30, 2018 with Sara Domek,
the Executive Director and on Saturday with Bill Savage, Board member and
photographer.</div>
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We started our day Friday by having breakfast at the Blue
Coyote Coffee Shop. <a href="https://www.facebook.com/CoyoteBlueCoffeeDeli/">https://www.facebook.com/CoyoteBlueCoffeeDeli/</a>.<span style="mso-spacerun: yes;"> </span>The owner fixed breakfast for us and the
locals invited us to set with them.<span style="mso-spacerun: yes;"> </span>We
got some good tips on sightings of Big Horn Sheep.<span style="mso-spacerun: yes;"> </span>The food was very good as was the service and
atmosphere. <br />
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We met Sara at the National Big Horn Sheep Center <a href="https://bighorn.org/">https://bighorn.org/</a> at 8AM.<span style="mso-spacerun: yes;"> </span>Sara had the Suburban warming up and had
provided hot tea, hot chocolate, and a lemon loaf cake.<span style="mso-spacerun: yes;"> </span>It was a very cold morning below freezing,
windy, and the ground was snow covered.<span style="mso-spacerun: yes;"> </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghBktwj7EvZ6LqpE1mABcPoS2Kmr-C47e3opUnL35ZO59QLLUNynx9T5roNEnoKTzJLflmJspaZ1wyt2lYlCp98G84hwr-nL-Kr3YpdTR_F066Hgh-jVV3HRPm9meybZ3h22BE_vbL9QLh/s1600/DSC_0894-P-Flickr.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1069" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghBktwj7EvZ6LqpE1mABcPoS2Kmr-C47e3opUnL35ZO59QLLUNynx9T5roNEnoKTzJLflmJspaZ1wyt2lYlCp98G84hwr-nL-Kr3YpdTR_F066Hgh-jVV3HRPm9meybZ3h22BE_vbL9QLh/s400/DSC_0894-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D750 w/Sigma 24-105mm Art Lens @75mm, f/9, 1/800sec, ISO 250</td></tr>
</tbody></table>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
How do you dress for a trip like this?<span style="mso-spacerun: yes;"> </span>It is important to layer your clothing and
wear moisture wicking materials.<span style="mso-spacerun: yes;"> </span>We were
going to be in and out of the car throughout the tour.<span style="mso-spacerun: yes;"> </span>I wore insulated underwear under my cargo
pants, and insolated snow boots.<span style="mso-spacerun: yes;"> </span>For my
upper body I wore a heavy insulated shirt, covered with a sweatshirt, then a down filled vest, and a Gortex Jacket.<span style="mso-spacerun: yes;"> </span>I
had shooter gloves and a hat with fur lined ear flaps. The temperature for the
day was a high of 34 and a low of 18.<span style="mso-spacerun: yes;">
</span>However being in the higher elevation and with the wind it was a lot
colder.<span style="mso-spacerun: yes;"> </span>I might mention that there was a
dusting of snow for the first part of our trip but it cleared and we were left
with beautiful clouds and a blue sky.<span style="mso-spacerun: yes;">
</span>With the earth covered in white it made for a beautiful landscape scene.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Sara took us up to Whiskey Mountain by way of the Tora
Road.<span style="mso-spacerun: yes;"> </span>For the most part this was a
decent road but there were a couple stretches that were heavily rutted or
washed out.<span style="mso-spacerun: yes;"> </span>You definitely need a high
clearance SUV.<span style="mso-spacerun: yes;"> </span>Sara was an excellent
guide and within no time we were all friends.</div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7a6pPix16NRdYT7WU7P0aLBK6yXlXh019qC0W7jDTy5AQhhoSYT3wDRGvX3NPf3ij0HLUxviQ2CqSX_bNOtmXAIQyLiQz2Lu7JtkJ_DTSSrZNUWlsZXp6KyxX-vOi3pI_kLfVM9om49Hk/s1600/DSC_0898-P-Flickr.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1069" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7a6pPix16NRdYT7WU7P0aLBK6yXlXh019qC0W7jDTy5AQhhoSYT3wDRGvX3NPf3ij0HLUxviQ2CqSX_bNOtmXAIQyLiQz2Lu7JtkJ_DTSSrZNUWlsZXp6KyxX-vOi3pI_kLfVM9om49Hk/s400/DSC_0898-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D750 w/Sigma 24-150mm Art Lens @ 58mm, f/16, 1/250sec, ISO250</td></tr>
</tbody></table>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
The scenery was awesome and the valleys and canyons
spectacular.<span style="mso-spacerun: yes;"> </span>It wasn’t long before we
spotted the bands of Ewes and Rams. The Ewes were in estrous cycle but
may not have been ready to breed.<span style="mso-spacerun: yes;"> </span>Rams
were checking out the Ewes and chasing after them.<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHCQCfcJzdHaCTInhYY7HlqnJAW7EKGx9qUm5YAl6qYJYkY9Lg1QcZKuLFa6hhT7-zZvP7EW-DF6X0oBLqUQLIaG817SYi7QI7L0rUrr4VtO1ZJAJMe1n1PRhZAkp5FwmVxt8G6L-4N3T3/s1600/_85G1722-P2-Flickr.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1028" data-original-width="1600" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHCQCfcJzdHaCTInhYY7HlqnJAW7EKGx9qUm5YAl6qYJYkY9Lg1QcZKuLFa6hhT7-zZvP7EW-DF6X0oBLqUQLIaG817SYi7QI7L0rUrr4VtO1ZJAJMe1n1PRhZAkp5FwmVxt8G6L-4N3T3/s400/_85G1722-P2-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850 w/Sigma 150-600mm @420mm, f/6.3, 1/1600sec, ISO800</td></tr>
</tbody></table>
</div>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
The Rams were frisky and occasionally
challenged each other but not yet butting heads. A characteristic of the Rams is raising their heads, pulling back their lips in search of estrus. A ewe in heat (estrus) will generally seek out the ram. She will sniff and chase after him. The ram responds to urination by the estrus ewe by sniffing, extending the leg, and curling his lip. Curling the lip is called the "flehmen response." If the female is receptive, she will stand for mating. The Ram may fail in several initial attempts to mount the Ewe. He may repeatedly mate the same Ewe.</div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglcWww-dUkBSkIs0vyGiu7xVZbJUVGpSJoB8PbZbLUuy0QuoCPz8xs10p-bo5GyCK-LkOOzzmnPvylO2Zok1oBRURXM9j-_ndhy6dkBf6r6fpyE9MzHhuQwP1PAKuHwporxIDrWwrf4kMM/s1600/_85G1674-P2-Flickr.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1237" data-original-width="1600" height="307" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglcWww-dUkBSkIs0vyGiu7xVZbJUVGpSJoB8PbZbLUuy0QuoCPz8xs10p-bo5GyCK-LkOOzzmnPvylO2Zok1oBRURXM9j-_ndhy6dkBf6r6fpyE9MzHhuQwP1PAKuHwporxIDrWwrf4kMM/s400/_85G1674-P2-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850 w/Sigma 150-600mm @ 600mm, f/6.3, 1/1250sec, ISO800</td></tr>
</tbody></table>
<div class="MsoNormal">
There were clusters of Rams who banded
together. (Image below) A lot of male animals will mount each other as a means of domination. In this image we have one male challenging another by mounting him and then right behind this pair you see two Rams butting heads. It was below freezing and snowing when this picture was taken.<br />
<br />
<span style="background-color: #e7d8c5; color: #2c221a; display: inline; float: none; font-family: "roboto" , "helvetica" , "arial" , sans-serif; font-size: 14px; font-style: normal; font-weight: 400; letter-spacing: normal; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; word-spacing: 0px;"></span></div>
<div class="MsoNormal">
</div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBmfizey-TtGmkbg9p0IRI2fntonUAUdweuI3760Ji11ALeEyVc9RpSKrBr3Mq-w5XCgTOeZtlqkMBeLjyfyBuDJ-2mksr5l359rBR6H7q8533555T3XGQKNEpsUtgsRpFZpYv3eMdeggw/s1600/_85G1982-P2-Flickr.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1095" data-original-width="1600" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBmfizey-TtGmkbg9p0IRI2fntonUAUdweuI3760Ji11ALeEyVc9RpSKrBr3Mq-w5XCgTOeZtlqkMBeLjyfyBuDJ-2mksr5l359rBR6H7q8533555T3XGQKNEpsUtgsRpFZpYv3eMdeggw/s400/_85G1982-P2-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850 w/Sigma 150-600mm @500mm, f/8.0, 1/1250sec, ISO800</td></tr>
</tbody></table>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
We were able to get out of the Suburban and set up our
tripods for more controlled and hopefully sharper photography.<span style="mso-spacerun: yes;"> </span>The sheep were pretty oblivious to our
presence and we for sure kept our distance so as not to disturb or stress
them.<span style="mso-spacerun: yes;"> </span>Got to love those telephoto
lenses.<span style="mso-spacerun: yes;"> </span>I was shooting with a Nikon
D850, D500, and even my D750.<span style="mso-spacerun: yes;"> </span>When you
are operating out of a car it is great to have multiple cameras with different
lenses.<span style="mso-spacerun: yes;"> </span>There is no changing of lenses
out in the elements for me.<span style="mso-spacerun: yes;"> </span>If however,
I do need to change a lens I always pack a white trash bag and change the lens
inside the bag. The downside is downloading images from multiple cameras at the
end of the day.</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="MsoNormal">
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgFzK-4gNRIpbenCKL2yZxrwVH2pJqsWs2_GABK4OlaHZeenR09XA5sEaFF3iOTcVK383HbyVaPE1LSJEMiaAxxBc9hFA-egXnM3xz0uar0hjbquwU8i9eNoDvhhcBa02nqHURiGJ0VjWK/s1600/DSC_0856-P-Flickr.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1069" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgFzK-4gNRIpbenCKL2yZxrwVH2pJqsWs2_GABK4OlaHZeenR09XA5sEaFF3iOTcVK383HbyVaPE1LSJEMiaAxxBc9hFA-egXnM3xz0uar0hjbquwU8i9eNoDvhhcBa02nqHURiGJ0VjWK/s400/DSC_0856-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D750 w/24-105mm Art Lens @24mm, f/14, 1/500sec, ISO400</td></tr>
</tbody></table>
<div class="MsoNormal">
Let me touch base on that for a minute.<span style="mso-spacerun: yes;"> </span>I always travel with a laptop and compact
500G external drive.<span style="mso-spacerun: yes;"> </span>My work flow at
the end of the day is to download all my images onto my laptop and also to make
a copy to my external drive.<span style="mso-spacerun: yes;"> </span>Once I have
confirmed that I have good downloads and a copy, I will reformat my cards in
their perspective cameras.<span style="mso-spacerun: yes;"> </span>When I get
back home I transfer the files to my desktop and backup drives.<span style="mso-spacerun: yes;"> </span>I usually don’t clear my laptop or compact
backup drive until my next outing.</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
What about my equipment in the cold?<span style="mso-spacerun: yes;"> </span>I carry a hand towel and throw it over my
camera while it is on my tripod to prevent moisture from getting into the zoom
when I change focal lengths.<span style="mso-spacerun: yes;"> </span>Remember earlier
I said it was lightly snowing. I also carry a rain coat for my camera and lens
as well but the towel seems to work pretty good for this outing.<span style="mso-spacerun: yes;"> </span>We asked Sara to keep the heat down in the Suburban.<span style="mso-spacerun: yes;"> </span>In addition when my cameras
are laying on the seat next to me I cover them with a wool blanket.<span style="mso-spacerun: yes;"> </span>Taking your cameras/lenses in and out of the
cold can cause condensation. At the end of the day I remove the file cards
before going back inside and keep my equipment in their bags so they can slowly
adjust to the room temperature.<span style="mso-spacerun: yes;"> </span>Again, I cover
the bags with my wool blanket.<span style="mso-spacerun: yes;"> </span>Prior to
heading out the next day I put the equipment in the car and yes using my wool
blanket, cover it to allow the equipment to slowly adjust to the cold.</div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
According to our guide Sara, Dubois does not get a lot of
snow even though everything around Dubois and the mountains can be covered in
snow.<span style="mso-spacerun: yes;"> </span>Again this area is the wintering grounds
for Big Horn Sheep.<span style="mso-spacerun: yes;"> </span>Back to my story.<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
In addition to Big Horn Sheep there were a
lot of Mule Deer in the area as well with some impressive antlered bucks.<span style="mso-spacerun: yes;"> </span>They appear to get along and share the
grazing area, at least this day they did.<span style="mso-spacerun: yes;"> </span>At one point we spotted a Ewe who appeared to have some rear leg or hip
damage which made her ability to get around very restricted.<span style="mso-spacerun: yes;"> </span>I inquired as to what predators were in the
area and Sara indicated there were Mountain Lions as well as a wolf pack. <span style="mso-spacerun: yes;">Although they appear to stay higher up in the mountain. </span>It appears there were two small bands of
wolves and they banded together.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Sara stayed with us until 1PM and by then we were ready to
take a break from this mountain.<span style="mso-spacerun: yes;"> </span>Several
thousand pictures of Big Horn Sheep, Mule Deer, and some awesome landscapes
completed our first day.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
On day two we met up with Bill Sincavage at the center.<span style="mso-spacerun: yes;"> </span>Bill had hot beverages ready for us.<span style="mso-spacerun: yes;"> </span>Because this marked the first day of December
the road up to Whiskey Mountain was officially closed for the winter.<span style="mso-spacerun: yes;"> </span>Bill is a member of the association board and
an avid photographer himself.<span style="mso-spacerun: yes;"> </span>Bill lives
in the area and had been scouting out the area prior to our arrival.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
We drove south of town to an area Bill had seen a band of sheep earlier in the week. We didn't see any sheep but Bill pointed out a Mountain Lion track to us. This was a beautiful area with a river running through it.<br />
<br /></div>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6KgYFiK5zqfWebNR9FanSfSdbNlxpIS4uJ1c0HjUlBMwkOsBt_KXPHkQP08MRpwjVvns7QQnGl1HVzCdc0fzytuy8eC605IUFVwJEZMlu0bT6mHI8XVV2gfFMjwPd4Un77xTIKdkIq1Z1/s1600/_50G6961-P-flickr.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6KgYFiK5zqfWebNR9FanSfSdbNlxpIS4uJ1c0HjUlBMwkOsBt_KXPHkQP08MRpwjVvns7QQnGl1HVzCdc0fzytuy8eC605IUFVwJEZMlu0bT6mHI8XVV2gfFMjwPd4Un77xTIKdkIq1Z1/s400/_50G6961-P-flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D500 w/150-600mm @150, f/10, 1/160sec, ISO250</td></tr>
</tbody></table>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
We came upon several areas were Mule Deer were grazing on the sides of the road. I think these deer must be conditioned to all the tourists because they were not that skittish even when we got out of the car to photograph them.</div>
<div class="MsoNormal">
</div>
<br />
<div class="MsoNormal">
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgo8jUPjLNRTKF51jR46XS43JGl7R4IXhFSBAeA7_mvByTzMKTLt4g6pc5idxaGZJhkol2ZiwDbZ7GiL44R8wYvusQnHYHTTP-PdJDqC5S-NPRB3ub5UtvQTRaAwpG290MIADvT_ivOIkd/s1600/_50G6971-P-Flickr.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgo8jUPjLNRTKF51jR46XS43JGl7R4IXhFSBAeA7_mvByTzMKTLt4g6pc5idxaGZJhkol2ZiwDbZ7GiL44R8wYvusQnHYHTTP-PdJDqC5S-NPRB3ub5UtvQTRaAwpG290MIADvT_ivOIkd/s400/_50G6971-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D500 w/Sigma 150-600mm @290mm, f/10, 1/400sec, ISO250</td></tr>
</tbody></table>
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
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<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
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Mule deer are generally easy to identify due to their large mule-like ears (generally 3/4 the length of the head). They usually have a distinctive black forehead, or mask, that contrasts sharply with a light grey face. The lighter facial coloration makes the eye rings and muzzle markings seem less obvious. Mule deer are brownish-gray in color, have a white rump patch and a small white tail with a black tip.</div>
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<tr><td class="tr-caption" style="text-align: center;">Nikon D850 w/Sigma 150-600 @155mm, f/8, 1/3200sec, ISO500</td></tr>
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I got several full body shots of this buck but this one called out to
me. He blended into his surroundings but let me know that he knew I was
there.<br />
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<tr><td class="tr-caption" style="text-align: center;">Nikon D850 w/Sigma 150-600mm @350mm, f/8, s/800sec, ISO320</td></tr>
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This group of Mule Deer Does really shows the size of their ears. They were aware of us and curious but make no mistake they can move rather quickly.<br />
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We headed to the Whiskey Basin Habitat, also known as Torrey Valley. This area is open year round but parts of it is private land so visitors are encourage to stay on the road. It also supports a Conservation Lodge which is used for education and a series of lakes.<br />
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<tr><td class="tr-caption" style="text-align: center;">Nikon D850 w/Sigma 150-600mm @ 160mm, f/8, 1/800sec, ISO500, EV 0.33</td></tr>
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Near Torrey Lake we found a band of Ewes and some young Rams near a rest room area. Some were grazing while others were laying down resting. We were able to get out of the car and photograph within a respectable distance making sure to not encroach on their space. The above image shows another group of Ewes on the oposite side of the road. This Ewe shows how sure footed they are. I would have slid right off that rock. It is important to not disturb them. These animals have traveled from the high mountains to winter in this area. They have no where else to go so it is critical that this area remain a safe environment for them.</div>
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<tr><td class="tr-caption" style="text-align: center;">Nikon D500 w/Sigma 100-400mm @400mm, f/8, 1/1250sec, ISO250</td></tr>
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We spotted this mature Ram on the cliffs over looking the valley. I am not good at judging distance but I will guess somewhere between 100 to 200 yards. I have traveled to several National Parks and I have photographed many Ewes but this was my first time being able to capture Rams. So this big guy was a treat. I might mention that our Guide, Bill, was shooting with the new Nikon Z6 and a Sigma 100-400mm lens f/5-6.3. He let me borrow it to try it out. It weighed next to nothing. I put it on my Nikon D500 which gave me a focal length of 150-600mm. I was impressed with how well this image came out. </div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAu08gAQD9fsmxjk7v0iuQ6PeaOqgV2puHC1Ac1BC6PX0sAxHUd3M632Z4_2ExuKEn0e6Il-ksVEG1fcYBL-y3OdoIDZUt4q88bCWuE2gdCI-ImPk6qquDx7NNWgj3BIFoEfa9fIXp0bxe/s1600/_50G7198-P2-Flickr.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1236" data-original-width="1600" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAu08gAQD9fsmxjk7v0iuQ6PeaOqgV2puHC1Ac1BC6PX0sAxHUd3M632Z4_2ExuKEn0e6Il-ksVEG1fcYBL-y3OdoIDZUt4q88bCWuE2gdCI-ImPk6qquDx7NNWgj3BIFoEfa9fIXp0bxe/s400/_50G7198-P2-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D500 w/Sigma 100-400mm @400mm, f/8, 1/1250sec, ISO 320</td></tr>
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Boy you can't get more regal than this. Relaxed with not a care in the world. This image was also shot with the Nikon D500 and Sigma 100-400mm Lens. I have been looking for a telephoto lens to use when hiking and also to pair with my Fujifilm XT-2 by way of an adapter. The reason for my camera settings for this and the previous picture were as follows. 1) Most lenses have a sweet spot at 2-stops above their maximum aperture. When in doubt f/8 is a general sweet spot for a lot of lenses. Since I was not really concerned with depth of field I went with f/8. 2) Since I was hand holding the lens I wanted to make sure that my shutter speed was greater than my focal length. In this case at 400mm focal length with a 600mm 35mm equivalent I opted for around a shutter speed of 1250sec. Remember multiply your focal length by 1.5 if shooting a Nikon and 1.6 if shooting a Canon. 3) Even though it was a bright sunny day I increased my ISO because this lens at f5-6.3 is a slower lens and I needed more sensitivity to maintain a faster shutter speed.</div>
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<tr><td class="tr-caption" style="text-align: center;">Nikon D500 w/Sigma 150-600mm @360mm, f/8, 1/1250sec, ISO320</td></tr>
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There were several Rams in this area but we were told that it would be about another week before any head butting occurred. Although we did see and hear a young pair going at it once. Many bighorn sheep populations in the United States experience regular outbreaks of infectious pneumonia which likely result from the introduction of bacterial pathogens carried in domestic sheep. Once introduced, pathogens can transmit rapidly through a bighorn population, resulting in all-age die-offs that sometimes kill up to 90% of the population. In the years following pathogen introduction, bighorn populations frequently experience multiple years of lamb pneumonia outbreaks. These outbreaks can severely limit recruitment and likely play a powerful role in slowing population growth. Big Horn Sheep which come in contact with domestic sheep can be euthanized by conservation agents to prevent the spread of pneumonia.(Wikipedia and Big Horn Sheep Center)<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU3EjESRPDsfrAS6pQa-37SOsVPlpquReg_sqyAytVGNi3bcqW4rGr-ZHrPEY4YgqKFC1BML4Kb_ugplh6r8ByVk8Vm9YyZvx_mgLxyo7HtoKl4zu_-Dyqua1Xib3_NgTyqg0kYdJ1a11B/s1600/_85G2196-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU3EjESRPDsfrAS6pQa-37SOsVPlpquReg_sqyAytVGNi3bcqW4rGr-ZHrPEY4YgqKFC1BML4Kb_ugplh6r8ByVk8Vm9YyZvx_mgLxyo7HtoKl4zu_-Dyqua1Xib3_NgTyqg0kYdJ1a11B/s400/_85G2196-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850 w/Sigma 150-600mm @ 600mm, f/10, 1/500sec, ISO 140 EV, -0.33</td></tr>
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The above image shows a mature adult Ram. Notice his horn is broken but add a couple inches back onto it and it is getting closer to a 360° circle which is an indication of an 8 year old Ram.<br />
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<tr><td class="tr-caption" style="text-align: center;">Nikon D850 w/Sigma 150-600mm @ 600mm, f/10, 1/500sec, ISO 160, EV-0.33</td></tr>
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This big guy was not with any Ewes or any bachelor Rams. He was a good 100 to 200 yards away but we really appreciated his posing for us.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj40VI4xkr2MQWOVyNuMjvb5jjXBTEYraxvezgdrLNJ4ELRz41dUVHcxG2mzKHCg1KOrZcxlqm-w_-FGGktCWJWXR7b2KOwDolT_HFQF6oLCuNzTmXVE6cO-kxvQpN7UbQfwS-uQJuojyc/s1600/_85G2335-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1143" data-original-width="1600" height="285" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj40VI4xkr2MQWOVyNuMjvb5jjXBTEYraxvezgdrLNJ4ELRz41dUVHcxG2mzKHCg1KOrZcxlqm-w_-FGGktCWJWXR7b2KOwDolT_HFQF6oLCuNzTmXVE6cO-kxvQpN7UbQfwS-uQJuojyc/s400/_85G2335-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D850 w/Sigma 150-600mm @600mm, f/8, 1/500sec, ISO 90, EV -0.33</td></tr>
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One final shot of this guy. He begin moving up the hill but stopped to look over the valley and I couldn't resist this shot or including it in this Blog. What a great experience being able to photograph these majestic animals in a natural setting. We can only hope and pray that future generations will protect them and this land.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgajKBt-b3M1uU5JKX5uKczm4jKIPzZ124o4LaqlVRPxo6o3klLDf1pmwpOrVfW1jkXhcCdcvYZWfzM_K_TEOBwm-fDXD6XRPy0FHVoeqxFGt6tFOjg-SHyLOef0W2JBs9HBhAGQipYPTNB/s1600/DSC_0911-P-Flickr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1069" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgajKBt-b3M1uU5JKX5uKczm4jKIPzZ124o4LaqlVRPxo6o3klLDf1pmwpOrVfW1jkXhcCdcvYZWfzM_K_TEOBwm-fDXD6XRPy0FHVoeqxFGt6tFOjg-SHyLOef0W2JBs9HBhAGQipYPTNB/s400/DSC_0911-P-Flickr.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Nikon D750 w/Sigma 24-105mm Art lens @42mm, f/16, 1/500sec, ISO 250, EV-0.67</td></tr>
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Whiskey Basin was a favorite winter ground for the Sheepeater Clan of the Shoshone Tribe because of the relatively mild winters and the abundance of big game. Petroglyphs carved in the large glacial rocks by the Sheepeaters provide a vivid history of this area. These petroglyphs are irreplaceable treasures. Bill told us that at certain times of the year photographers will set up to photograph this scene with the north star in the background. I can see a return trip in the spring to attempt this shot with the Milky Way as a backdrop.<br />
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I can't thank Sara Domek, and Bill Sincavage enough for a great and successful adventure and to Bob Colvin for doing all the driving. The 17 hour straight trip back home was a killer for him, I on the other hand read a book, played solitaire, and enjoyed the ride.<br />
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Thanks for stopping by and reading about my adventure.<br />
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John Gilbert </div>
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<br />John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com1tag:blogger.com,1999:blog-2442848430539673379.post-37308273874147398892018-08-13T07:39:00.004-05:002023-01-19T07:37:44.844-06:00Eagle Bluffs Conservation Area Article #2<div style="text-align: center;">
<b>SUNSET TO SUNUP</b></div>
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<b>Eagle Bluffs Conservation Area</b></div>
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<b>John Gilbert</b></div>
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<span face=""arial" , "helvetica" , sans-serif">Saturday, August 4, 2018 and it's back to Eagle Bluffs Conservation Area outside Columbia, MO to shoot the Milky Way. This took some advanced planning because we had to get a permit from the Department of Conservation to be in the area after closing hours. The game plan was to photograph the area during the sunset hours, wait till it got dark to photograph the Milky Way, and finally catch the sunrise. I never realized just how beautiful the night really is, with its sounds, smells, and solitude. Bob had packed some snacks and water as did Bill and I so we were set for the night.</span><br />
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<span face=""arial" , "helvetica" , sans-serif">I was joined by fellow Friends of Eagle Bluffs photographers Bob Colvin and Bill Palmer. However, we weren't the only ones there to capture the sunset. Dennis Smarr and William Settle two other members of Friends of Eagle Bluffs were there as well. Their agenda was to photograph the sunset then they were off to other parts of Missouri to photograph the meteor showers. It was a good meetup and a chance to talk photography.</span><br />
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<span face=""arial" , "helvetica" , sans-serif">Our first objective was to photograph the sun setting over pools 14 and 15 which are on the southern most part of this 4,431 acre wetland. </span><span face=""arial" , "helvetica" , sans-serif">We were all impressed by an image taken by fellow photographer Matt Farris of this location and posted in Friends of Eagle Bluffs after our last club field trip. We set out to capture the scene as well. Thanks Matt. The area’s 17 wetland pools allow the flooding of 1,100 acres of moist
soil marshes, emergent marshes, and crop fields. These marshes provide
year-round habitat for migrating and wintering birds and permanent
wildlife and excellent wildlife viewing and hunting opportunities. In
the fall, the area’s beauty is enhanced by colorful foliage along the
bordering limestone bluffs.</span><br />
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<span face=""arial" , "helvetica" , sans-serif">These pools are fed by an irrigation system with water supplied by the Missouri River and a series of river water pumps. Currently the water levels are low as part of the areas wetland management but this will change in time for the fall migration and the up coming hunting season. This image was taken with a Nikon D750 and Nikor 20mm f/2 prime lens. My camera settings were aperture f/10, shutter speed was at 1/25 of a second, and my ISO was set to 100. Since I was using a tripod I wanted my light sensitivity (ISO) to be as restricted as possible as this really helps to control noise in the image. This image was captured at approximately 7:00 PM. The skies were clear but we were treated with some beautiful hues of purple and pinks.</span><br />
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<span face=""arial" , "helvetica" , sans-serif">After this shooting Dennis and William left us to go shoot the Perseid's<span face=""helvetica" , "arial" , sans-serif" style="background-color: white; color: #1d2129; font-size: 14px;"> </span> Meteor Showers at Petersburg, MO. I was not interested in shooting wildlife but hey I would not pass it up either. Bob got some good shots of a Belted Kingfisher. The rest of us drove back towards the Distribution Channel to set up for our Milky Way shot. We photographed it from three different locations but all with the Milky Way over the channel. We set up our tripods and sighted in our cameras before sitting back and enjoying the night while waiting for it to get dark enough to photograph out subject. </span><br />
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<span face=""arial" , "helvetica" , sans-serif">When shooting the Milky Way it is important to set you camera up so that it focuses to infinity and this can be a challenge. However, Bill Palmer suggested that we sight in a bright star using our LCD screen and a Hoodman Magnifying Loop. It is imperative to magnify your image of a star as much as possible on your LCD screen and then focus on the star manually. Magnify first with the camera then use the loop to better see the star. Yes, you must shoot in manual focus so the camera does not try to refocus when you take the shot. If you use a zoom lens it will be necessary to tape the lens in place using gaffers tape so that you don't accidentally move it. You also want to shoot the lens wide open using the lens's smallest f-stop number (largest opening) to allow in as much light as possible. In my case I was using a fixed 20mm prime and was able to shoot it at f/2.8.</span><br />
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<span face=""arial" , "helvetica" , sans-serif">Part of your setup is to determine how long a picture you can take before you get star trails. For my lens that would be up to 25 seconds. How you determine this is to divide the number 500 by the focal length of the lens. Using my lens as an example I divided 500 by 20 and got 25. If you use a zoom lens you need to do this for whatever length you decide to shot, so if the lens is 10-24mm and your going to shoot it at 12mm you would divide 500 by 12. There is another factor that I must address and that is if you are using a full-frame camera verses a cropped sensor camera. With a full-frame there is no adjustment to the lens size to make but If you shoot a cropped sensor camera you need to multiply your lens length by your camera's cropped sensor factor. In the case of NIkon the crop factor is 1.5 while Canon is 1.6. What this means in my case of using a 20mm prime on a cropped sensor camera like the D7200 or D500, I would need to multiply 20 by 1.5 to get a 35mm focal length equivalent of 32mm. I would then divide 500 by 32 and the maximum length of time to prevent star trails would be 16 minutes. </span><br />
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<span face=""arial" , "helvetica" , sans-serif">It really helps to use a remote to trigger your camera so that you prevent any camera movement caused when you depress the shutter. If you don't have a remote you can shoot in time-delay mode, if your camera has that. Also I shoot in RAW format so I will be able to recover as much data as possibly in post processing. Your ISO setting is critical too so that you let in as much light as possible but keep in mind the higher the ISO setting the more noise you will get in the image as well. For these outing I decided to start out shooting at ISO 3200 but eventually lowered it to around 1200. Take a series of shots at different ISO sets. You can change the ISO settings to let in more light or increase the shutter time but don't exceed you maximum time as calculate above. I varied my shutter time and my ISO settings.</span><br />
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<span face=""arial" , "helvetica" , sans-serif">Other factors you might want to consider is to set you camera up to shoot using a white balance setting on "K" Kelvin and set it to around 3200. This will lower the temperature and give you a cooler or bluer sky picture. However, if you shoot in RAW Format you can also correct this in post processing. In this capture I accentuated the Milky Way in post processing. After all this was my subject. I am not going to go into detail of how I processed this image because that would take too long but there are ways to bring out the light and reduce the noise in processing. I used a Nikon D750 and Nikkor 20mm prime lens. My aperture was set to f/2.8, and I settled on an ISO of 2500 for this shot, and I used a 20 second exposure time for this. The light above the tree line is light pollution from neighboring cities. Your may not see this but the camera will pick it up.</span><br />
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<span face=""arial" , "helvetica" , sans-serif">I took dozens of shots of this subject from different angles and locations and each could have a different look depending on how I processed it. By 2:00AM we were getting pretty tired so decided to move our vehicles to a parking area and sleep until it was time to capture the morning sunrise. Bob set his phone alarm for 6AM but Bill and I both accidentally activated our car alarms at around 5 AM. That was OK because to witness the the day come alive was awesome. </span><br />
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<span face=""arial" , "helvetica" , sans-serif">A nice fog had set in over the marshes and the birds had come to life with their singing. This was such a beautiful time that we all took a series of images from different locations as the sun rose. The following images are my series depicting the changing light. It changes by the seconds.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKfNXCqBSOYC_3mQFkeiJVjgZuL-TzN3Cn01OjAXDJs0W63WHuHEiYkCEEQEVpR9xBDolzeEL7K_Umu_ja_H7lWfWtnWdRKcq-Qld0bDJdeNqkkSERWtaSkCPymyiSnoiWrgbnO_Ej6xZ2/s1600/_DSF7258-P-Web.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="371" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKfNXCqBSOYC_3mQFkeiJVjgZuL-TzN3Cn01OjAXDJs0W63WHuHEiYkCEEQEVpR9xBDolzeEL7K_Umu_ja_H7lWfWtnWdRKcq-Qld0bDJdeNqkkSERWtaSkCPymyiSnoiWrgbnO_Ej6xZ2/w558-h371/_DSF7258-P-Web.jpg" width="558" /></a></div>
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<span face=""arial" , "helvetica" , sans-serif">This image was taken from the back of my car over looking pool #4 from the restroom parking lot. The sun had not broke the horizon but a beautiful hue of colors proceeded it's arrival. I took this image using a Fujifilm X-T2 mirror-less camera and a Fujifilm 35mm lens. My aperture was set to f/3.4, an ISO of 400, and since I was using a tripod set my shutter to 1 second.</span><br />
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<span face=""arial" , "helvetica" , sans-serif">There was 28 minutes difference between when I shot this image and the previous one. Fujifilm X-72, aperture f/8, ISO 200, and shutter speed of 1/60 second.</span><br />
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<span face=""arial" , "helvetica" , sans-serif">The sun was breaking the horizon and was a beautiful red. I grabbed my wildlife rig which consisted of a Nikon D500 and Sigma 150-600mm lens attached to it. This gave me the ability to get in much closer to the sun. It also gave me a shallower depth of field and help diffuse the brightness of the sun. Aperture was set to f/5.6, ISO at 720 (set to auto) and a fast shutter speed of 1/1000 of a second to freeze the sun in place.</span><br />
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<span face=""arial" , "helvetica" , sans-serif">Once the sun breaks the horizon it rises by the second so the light changes quickly. Aperture priority is a good setting for this but be sure and use a tripod. Fujifilm X-72, 35mm lenses, Aperture at f/5.6, ISO 200, and shutter speed of 1/500 of a second. This was taken handheld using the camera's vibration correction turned on and a higher shutter speed.</span><br />
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<span face=""arial" , "helvetica" , sans-serif">My last shot of the morning was the sun being reflected on the marsh and cloaked by the fog. At this point the light from the sun was much brighter and stronger. I stood on the car's running board to get high enough to shoot at a downward angle. Fujifilm X-T2, 35mm lens, aperture f/8, to give me more depth-of-field, ISO of 200 and a shutter speed of 1/500 second. Hand held.</span><br />
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<span face=""arial" , "helvetica" , sans-serif">This was a great experience that afforded an opportunity to not only participate in an ever changing light display but to enjoy the solitude of the night. Special thanks to Brady Lichtenberg MDC Area Wildlife Biologist for getting us the permits. </span><br />
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<span face=""arial" , "helvetica" , sans-serif"><b>Good Location-With Friends-Priceless.</b></span></div>
John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com2tag:blogger.com,1999:blog-2442848430539673379.post-25296960664109645112018-07-23T15:49:00.000-05:002018-07-24T07:28:53.224-05:00Eagle Bluffs<div>
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<b><span style="font-size: x-small;">EAGLE BLUFFS CONSERVATION AREA</span></b></div>
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<b><span style="font-size: x-small;">by John Gilbert - Photographer</span></b></div>
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<b><span style="font-size: x-small;">July 21, 2018</span></b><br />
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<span style="text-align: left;">On Saturday July 21, 2018 fellow "Friends of Eagle Bluffs Photography Club" member Bob Colvin and I headed to Columbia, MO to photograph the Sunflowers at the University of Missouri Columbia South Extension Farm. Several club members, who live in the area, had told us about this research facility and the field planted in Sunflowers. The field is located east of the AC exit off of New Haven Road.</span></div>
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We left Jefferson City, MO at 6:30 am to be able to take advantage of the morning light. It was a gorgeous day, blue skies and not to hot. Once we got there we spent a couple of hours just walking around the perimeter of the field taking pictures. I used a Fujifilm X-T2 and Nikon D500 with a 150-600 mm zoom lens. Bob was shooting a Canon 7D MKII and 150-600 mm Lens. The zoom lens made for a shallow-depth-of-field and combined with a wide open aperture f/5.6 made for some nice background bokah.<br />
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This first image was taken with a Fujifilm X-T2; Fujifilm 55-200mm f/3.5-4.8 Lens; F/5.6; 1/680 second; and ISO 250. I love the rich colors this camera produces.<br />
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There were bees of various types everywhere collecting pollen. Click on this image to enlarge it and note the pollen all over its body and especially the collection on the rear legs. Taken with a Nikon D500 and Sigma 150-600 mm Contemporary Lens at a focal length of 500 mm. Aperture f/8; Shutter of 1/2000 of a second; and ISO at 400.<br />
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After several attempts I was able to lock in on this little butterfly. They are flighty and move from flower to flower quickly. I really liked the patterns on its wings and the greenish-yellow hue of its body. Nikon D500 with Sigma 150-600 at 360 mm. Aperture f/5.6, Shutter of 1/1000 second; and ISO of 160<br />
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For the day I took 673 pictures and could fill up this whole post with Sunflower pictures alone. I am saving some for flickr. I was supersized with all the keepers but then out subjects were close and cooperative. After having a great morning we headed to Eagle Bluffs to check out the wildlife.<br />
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We were headed to pools 14 and 15 when Bob spotted this young Juvenile setting in a dead tree. He was right above the road and not the least bit intimidated by our presence. He set there as if it was his throne watching out of his lands and all the while continuing to strike poses for our enjoyment. By the way the waters at Eagle Bluffs are low and there was little to no water in pool 15. However, this is perfect for Heron and Egrets hunting for food.<br />
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Nikon D500, Sigma 150-600 mm set at a 500 mm focal length. Aperture f/8; Shutter speed of 1/1000 second, and ISO of 400.<br />
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It pays to travel in pairs because four eyes are better than two and thanks to Bob Colvin who spotted this Red-Headed Woodpecker who, like the Eagle, was not going to get left out of this photo-shoot opportunity. I just love when nature gives us such great photo models to work with.<br />
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Nikon D500, Sigma 150-600 mm set at a 500 mm focal length. Aperture f/8; Shutter speed of 1/2000 second, and ISO of 500. It wasn't until I got this image on my computer and was processing it when I noticed the cobwebs. I read somewhere that the number of Red-Headed Woodpeckers are down so for me this was a great catch.<br />
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We circled on around to pool 15 and on the way back we noticed a Doe with a fawn in the distance and out of camera reach but I and able to see them clearly with a set of Nikon Binoculars. They were pretty far away and I regret at least not taking a landscape shot with them in it even though they where a block or two from us. As we continued in their direction, the Doe and not one but two Fawns came out of the woods and posed for us while crossing the road.<br />
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Nikon D500, Sigma 150-600 mm set at a 600 mm focal length. Aperture f/8; Shutter speed of 1/2000 second, and ISO of 500.<br />
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Bob got the best shot of one of the Fawns running but this one for me was not bad, not bad at all.<br />
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Nikon D500, Sigma 150-600 mm set at a 500 mm focal length. Aperture f/8; Shutter speed of 1/500 second, and ISO of 500 and EV at +1.<br />
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As we were gearing up to leave I noticed this Blue Heron across the Distribution Channel. It was pretty far away and I was not expecting to capture anything of substance but to my surprise I got a pretty clean shot. He tried to fly off several times and we just kept pace with him. He appeared to have capture a fish, maybe dead that might have been two big for him to swallow and I was intrigued on capturing this situation.<br />
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Nikon D500, Sigma 150-600 mm set at a 600 mm focal length. Aperture f/8; Shutter speed of 1/2000 second, and ISO of 500.<br />
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For me this was a very successful day of practicing my photography but wait there is one more shot. We came across two Bow Hunters and one of them agreed to pose for us. He even pulled back his bow so we could get an action shot. I will let Bob tell you his name and a little about him. We ended up having a great conversation with him.<br />
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Well that capped off an exceptional day for both of us and with that it is always good to leave on a positive adventure. Thanks for stopping by and please leave me a comment if you liked the adventure and the images. </div>
John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com1tag:blogger.com,1999:blog-2442848430539673379.post-45035498331383217442018-07-16T14:33:00.001-05:002018-07-17T06:52:06.011-05:00CASTLE ROCK<div style="text-align: center;">
<b>CASTLE ROCK</b></div>
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<b>Photographing The Milky Way</b></div>
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<b>July 13, 2018</b></div>
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Recently I signed up for a one day/one night workshop on photographing the Milky Way. I was accompanied by two friends, Niala Branson and Sharon Tuschhoff from the Cape Girardeau area who are both members of the newly formed Eagle Bluff photography Club and long time members of Club Camera, a closed group of experienced photographers on Facebook. There were eight participants in all with 3 from Texas 3 from Missouri, and 2 from Kansas.<br />
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The workshop was held on July 13, 2018 during a new moon. It took place at <span style="background-color: white; color: #222222; font-family: "times new roman" , serif; font-size: 12pt;">Castle Rock which is a large limestone pillar landmark
in Gove County, Kansas. The formation and the nearby badlands are located in
the Smoky Hills region of Kansas, which is approximately 11 miles south of I-70
near Quinter, Kansas.</span><br />
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We booked rooms at a Super 8 in Wakenny, KS, a little town approximately 30 miles east of our proposed location shoot. We all met at 6 PM with the instructor in the lobby to go over the basics and camera settings we were going to need to capture the Milky Way. It was touch and go as there were thunder storms, with lightning and rain all around us. There was moderate to heavy cloud coverage in the area we were going to which could have blocked any chances of getting a good shoot of the stars and Milky Way.<br />
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 107%;">Our location shoot was on private range land </span><span style="font-family: "times new roman" , serif; font-size: 12pt;">but the landowners are amenable to visitors and no special permission is
required. </span><span style="font-family: "times new roman" , serif; font-size: 12pt;">The two rut path leading back from
the dirt road is quite rough, portions of the track having up to 18 inch deep
ruts. It takes some careful driving, but you can do it in a car, but a SUV or
light truck works much better. </span><br />
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<span style="background-color: white;">The Castle Rock
limestone, chalk and shale formation is fragile and may not last many more
years. The tallest spire fell following a thunderstorm in 2001. But there is still a lot to see here. I found the badlands area just south of Castle Rock
to be more interesting. We got there around 7pm and selected our location for the Milky Way Shoot. We were all on a burm lined up in a row. Good time to take some shots of the area while waiting to see if the clouds were going to move out and if the Milky Way would show itself. This first image was taken with a Fujifilm X-T2 and a 18-135mm lens. I shot this at f/8, 1/800 second shutter speed and ISO at 400. My focal length was 21mm and the camera was hand held. Note, that the shutter speed was higher than the focal length which really helps freeze any movements from hand-holding. Keep in mind this was a mirror-less camera so there was no shutter movement to deal with. It was taken at 7:57PM (6:57PM actual day-light time) In this shot I am facing north-west. You can see by the clouds and the storm south of our location and it was moving east. The sun coming from the west was reflecting light behind all the storm clouds which made for this shot.</span><br />
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<span style="background-color: white; font-family: "times new roman" , serif; font-size: 12pt;">Monument
Rocks (near by) and Castle Rock are designated as one of the 8 Wonders of Kansas as a duo entry because of the
scientifically significant fossils these ancient chalk beds have produced and
because they have been highly eroded into unusual spires and shapes, making
them spectacular landmarks on the plains of western Kansas! </span><br />
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 107%;"><span style="background: white;">Monument Rocks are large, heavily sculpted chalk monoliths that are sometimes
referred to as the Chalk Pyramids. The site has been designated as a National
Natural Landmark as well. In eastern Gove County is Castle Rock, a chalk spire that
stands by itself in the valley of Hackberry Creek, though immediately south of
Castle Rock is an extensive outcrop of chalk, capped by the younger Ogallala
Formation. </span></span><br />
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 107%;"><span style="background: white;">This second image was taken around 8:22 PM and reflects the setting sun carpeting light on some of the rock formations. This is definitely a good example of high contrast between light and dark. This is not a composite of multiple images but a single shot that was taken in RAW format. I composted for the light so as not to blow it out and since I was shooting in RAW format was able to recover the dark and shadow areas. I did not use the rule-of-thirds for my composition but cropped using the Golden Triangle. To get as much light as possible I shot at f/5 which limited my depth-of-field (DOF) somewhat. I used a shutter speed of 1/480sec and an ISO of 400. In hind site I could have change my settings to a higher f-stop for greater DOF which would have reduced my shutter speed and accomplished the same correct exposure. My camera was set to a fixed ISO of 400 with aperture manually set but shutter speed on automatic. I was so excited taking pictures that I broke the cardinal rule of not checking my camera settings each time I moved to a new location.</span></span><br />
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This is probably one of my favorites because of the beautiful light and colors being reflected by the setting sun. It was 8:50PM, just about 30 minutes from the previous shot above yet the light is changing by the minute. As the sun continues to set the light will change by the second. OK so for this shot I increased my DOF by using an aperture set to f/8. Now with this aperture and an ISO of 400 my shutter speed was only 1/40 of a second but since I was shooting with a focal length of 24mm and this lens has vibration reduction I was able to capture this image hand-holding the camera.<br />
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 17.12px;"><span style="background: white;">The chalk was deposited during the Cretaceous Period of geologic history, about 80 million years ago, when the central interior of the U.S. was covered by a seaway. The several hundred feet deep water contained single-celled animals that drifted to the sea floor for eons, creating a mucky ooze. This material was perfect for trapping and preserving the remains of animals that lived in that ocean, such as fish, turtles, sharks, swimming reptiles called mosasaurs and plesiosaurs, swimming birds, gliding reptiles called pterosaurs, as well as invertebrate animals such as giant clams. Today the chalk beds routinely give up these fossils. Probably the best-known fossil from these beds is the famous "fish-within-a-fish" on display at the Sternberg Museum in Hays. </span></span><br />
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 17.12px;"><span style="background: white;">As I stated earlier there was a lot of lightning as the storms passed across our path. The good news was the clouds were moving out of the area allowing the stars to show themselves. I opted to process this image in black and white because there were low hanging clouds and a lot of dust in the area which gave this image the appearance of banding. Since my camera was on a tripod I was able to use a slow or longer shutter speed and was able to capture the lighting's effects. I counted between each strike and timed it so that I would get lightening feedback while my shutter was still open. </span></span></div>
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 17.12px;"><span style="background: white;">This was taken with a Nikon D750 and a 20mm Prime Lens. Aperture was set at f/2.0. I used a shutter speed of 15 seconds. At this point it is getting dark and it was time to use a much higher ISO which I set to 3200. Yes the trade off is increased noise but I was able to remove it selectively in Photoshop. I had calculated the length of time I could set my shutter speed at using the 500 Rule. What is that? You divide 500 by your lens focal length and this will give you the maximum shutter length before the stars start to leave trails in your image. So with my lens being 20mm I divided 500 by 20 to get the length of time I could use or for this lens up to 25 seconds. Remember I was using a Full Frame camera. If I were to shoot with my Nikon D500 or even my Fujifilm I would need to take into consideration my cropped sensor factor. For Nikon and Fujifilm it is 1.5 for Canon it is 1.6. Example: If I used this same lens on my D500 I would need to multiply the lens length by 1.5 or in this case 30 (20 x 1.5) and then divide this into 500 and my maximum shutter time would be 16.6 or just say 16 seconds prior to getting star trails. Why does this happen? Because the earth is rotating. There are devices to attach to your tripod to counter this effect.</span></span></div>
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 17.12px;"><span style="background: white;">We all set around waiting for the clouds to move out while praying the storms/rain would stay south of us, which they did. In the meantime everyone focused there lens to infinity using white clouds in the north and then marked their lenses to be able to get back to that setting when it was too dark to see. For those using zoom lenses the instructor had gaffer's tape which he used to mark their settings to prevent their lenses from accidentally moving. Once you find the infinity focal length you must switch the camera to "manual focus". </span></span></div>
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 17.12px;"><span style="background: white;">While waiting for the clouds to move out of the way of the Milky Way I looked behind me and just could not pass up this shot. The sky was clear except for a few clouds with very low opacity and the heaven was blanketed with stars. </span></span></div>
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 17.12px;"><span style="background: white;">For this composition I used the Nikon D750 on a tripod and the 20mm lens. My aperture was almost wide open at f/2. My shutter speed was set for 20 seconds and my ISO was at 6400. What can I say, lot of noise but was able to remove a lot of it in post processing.</span></span></div>
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 17.12px;"><span style="background: white;">Well at around 11:00 PM the Milky Way began to show itself. In this image there is still some cloud coverage between the Milky Way and the top of the rocks so parts of the Milky Way are still hidden. With and ISO of 6400, an aperture of f/2 and shutter speed of 20 seconds I was able to capture this image.</span></span></div>
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 17.12px;"><span style="background: white;">Probably the best shot for ME because the Clouds had moved out and it was around 2:00 AM. Everything I have read is that the Milky Way is at its brightest during the summer months when it is in the norther hemisphere, best seen during a "New Moon", and reflects its best light between 2 AM to 4 AM in the morning. </span></span></div>
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 17.12px;"><span style="background: white;">Nikon D750 with 20mm Lens, Aperture at f/2, Shutter set to 15 seconds and ISO at 6400. In the future I will opt for settings of f/2 or f/2.8, Shutter somewhere between 20-25 seconds, and ISO at 3200. The secret is in post processing and shooting in RAW Format so that no data is thrown away by your camera.</span></span></div>
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 17.12px;"><span style="background: white;"><span style="font-size: 12pt; line-height: 107%;"><b><span style="color: blue;">The Milky Way: </span></b>A galaxy contains stars, gas and dust. In a
spiral galaxy like the Milky Way, the stars, gas, and dust are organized into a
"bulge," a "disk" containing "spiral arms," and a
"halo." Elliptical galaxies have a bulge-like central region and a
halo, but do not have a disk. <b><span style="color: blue;">Bulge:</span></b> The bulge is a round structure made
primarily of old stars, gas, and dust. The outer parts of the bulge are
difficult to distinguish from the halo. The bulge of the Milky Way is roughly
10,000 light years across. <b><span style="color: blue;">Disk:</span></b> The disk is a flattened region that surrounds
the bulge in a spiral galaxy. The disk is shaped like a pancake. The Milky
Way's disk is 100,000 light years across and 1,000 light years thick. It
contains mostly young stars, gas and dust, which are concentrated in spiral
arms. Some old stars are also present. <b><span style="color: blue;">Spiral Arms:</span></b> The spiral arms are curved
extensions that begin at the bulge of a spiral galaxy, giving it a
"pinwheel" appearance. Spiral arms contain a lot of gas and dust as
well as young blue stars. Spiral arms are found only in spiral galaxies. <b><span style="color: blue;">Halo:</span></b> The
halo primarily contains individual old stars and clusters of old stars
("globular clusters"). The halo also contains "dark
matter," which is material that we cannot see but whose gravitational
force can be measured. The Milky Way's halo may be over 130,000 light years
across. <b><span style="color: blue;">Stars, Gas, and Dust:</span></b> Stars come
in a variety of types. Blue stars, which are very hot, tend to have shorter
lifetimes than red stars, which are cooler. Regions of galaxies where stars are
currently forming are therefore bluer than regions where there has been no
recent star formation. Spiral galaxies seem to have a lot of gas and dust,
while elliptical galaxies have very little gas or dust.</span></span></span></div>
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<span style="font-family: "times new roman" , serif; font-size: 12pt; line-height: 17.12px;"><span style="background: white;"><span style="font-size: 12pt; line-height: 107%;">I am intrigued with night photography and plan to continue to pursue it so as to improve my skills. Planning a trip in August to to photograph the Milky Way. Thanks for visiting my Blog. </span></span></span></div>
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John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com1tag:blogger.com,1999:blog-2442848430539673379.post-36896302034888714732018-07-10T14:35:00.001-05:002023-01-19T07:41:46.830-06:00Eagle Bluff <div style="text-align: center;">
<span style="font-family: inherit;">A DAY AT EAGLE BLUFF CONSERVATION AREA</span></div>
<div style="text-align: center;">
<span style="font-family: inherit;">Columbia, Missouri</span></div>
<div style="text-align: center;">
<span style="font-family: inherit;">July 8, 2018</span></div>
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<span style="font-family: inherit;">The high for the day was 90° but during my morning visit it was in
the low to mid 80’s.<span style="mso-spacerun: yes;"> </span>The sky was clear
and it was a sunny bright day.<span style="mso-spacerun: yes;"> </span>There
weren’t a lot pf people in the area; however, the roads were dry and what cars
were there stirred up a lot of dust. It is wise to roll up your windows when
you see cars approaching and always use the inside circulation of your car air
conditioning. Even this won’t stop dust from getting into your vehicle or on
your equipment but it helps.<span style="mso-spacerun: yes;"> If only folks would slow down when approaching a park car. </span>Always
remember to clean your equipment after a day in this area or any area that is
dusty or sandy.<o:p></o:p></span></div>
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<span style="font-family: inherit;">I started off the day looking for the Sunflower Field.<span style="mso-spacerun: yes;"> </span>The field is on Private Property, even though it is in the confines of Eagle Bluff and
it appears the City of Columbia has added two pump stations on the road leading
to the property.<span style="mso-spacerun: yes;"> </span>I also noticed a sign
halfway to the field that indicated <span style="color: red;">“authorized vehicle only”</span>.<span style="mso-spacerun: yes;"> </span>Just a note of caution and please respect
this owners property and his crop. Yes, these are not growing wild they are a
commodity and damaging them could cost some bucks.<o:p></o:p></span></div>
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<span style="font-family: inherit;">I used three cameras today.<span style="mso-spacerun: yes;">
</span>For the Sunflower Field I was shooting with a Nikon D750 and a Fujifilm
X-T2.</span><o:p></o:p></div>
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<span style="font-family: inherit;">This first image was
taken with a Fujifilm X-T2. I was using a 18-135 walk around lens. My settings were as
follows; f/5.6, 1/180sec, and ISO of 200.</span></div>
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<span style="font-family: inherit;"><span style="font-size: 12pt; line-height: 107%;">My second image was also taken with the Fujifilm
X-T2 and same lens. My settings were as follows;
f/5.6, 1/160sec, and ISO of 200. I haven’t accomplished the art of fine tuning
the focus, using focus peaking. </span><span style="font-size: 12pt; line-height: 107%;">(</span><span style="background-color: white; color: #333333; font-size: 18px;">Focus peaking works by detecting edges of highest contrast in your scene and therefore most in focus and highlighting them in a bright color, usually of your choice.)</span></span><br />
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<span style="font-family: inherit;">The above image was taken with a Nikon D750 with a Tokina
100mm Macro Lens. My settings were as follows, f/8, 1/250sec, ISO 100 and EV
of -1. <span style="font-size: 12pt;">I
processed this so that only the flower in the lower right </span>corner<span style="font-size: 12pt;"> would be in
focus.</span><span style="font-size: 12pt;"> </span><span style="font-size: 12pt;">I used a Gaussian Blur Filter and Radial Filter to
help accomplish this.</span></span></div>
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<span style="font-family: inherit;"><span style="font-size: 12pt; line-height: 107%;">My final image of the Sunflower Field was of the
flowers looking to the sun as if worshiping the energy of its rays. I positioned myself in order to shoot the
back of the flowers as they were facing east.
The flowers will follow the sun as it travels across the sky to the west. </span><span style="font-size: 12pt;">Also taken with a Nikon D750 and macro lens the
settings were set to f/8, 1/250sec, and ISO 100 and a -1 EV.</span></span><br />
<span style="font-size: 12pt;"><span style="font-family: inherit;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: inherit;">I traveled on with no set plan or place to go
just looking for wildlife. I ended up taking the road towards Pools 14 and
15. There were a lot of White Egrets and
Blue Heron in the park today. The water
is low in Pool 10 with only shallow water and an exposed mud floor. This makes
for great hunting for invertebrates, and fish for these birds.</span></span><br />
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: inherit;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: inherit;">Turning from one gravel road to the next I saw a
large gathering of Egrets and Heron. I
grabbed my camera, the Fujifilm, and when I did I must have locked down the
safety buttons on the shutter dial and ISO dial and also moved them to their
maxes. Bottom line I was shooting at
f/22 and an ISO 12500. Yep 12500. </span></span><br />
<span face=""arial" , sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5iuDzmFDhC3K41UaAyd7cKzje8v5iTCD-aTSNTWgHciC4c8uOLfdXsKM87u4Aax13EOaqMIZ-RL4nSqqyHE4WeATc_p3P28R6ihpIO9AoXuJju1uz2fepIEGgyTqtP4Hv8w5jYM4lw7uf/s1600/_DSF7053-P-Web.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1143" data-original-width="1600" height="408" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5iuDzmFDhC3K41UaAyd7cKzje8v5iTCD-aTSNTWgHciC4c8uOLfdXsKM87u4Aax13EOaqMIZ-RL4nSqqyHE4WeATc_p3P28R6ihpIO9AoXuJju1uz2fepIEGgyTqtP4Hv8w5jYM4lw7uf/w572-h408/_DSF7053-P-Web.jpg" width="572" /></a></div>
<span face=""arial" , sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span>
<span face=""arial" , sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: inherit;">Now
this image is not the best, no let’s put it in its proper perspective, it sucks
and normally I would delete such a capture. It has a lot of noise, not to mention focus
was off but I am posting it in this blog because I wanted to show the number of
Egrets/Heron in the area. I also was amazingly surprised at the picture. I
drove down the road and naturally they all flew off so I couldn’t repeat the
capture and it wasn't until I drove off that I notice the locked up controls on my
camera. (You have to push in a safety button on top of the control wheel in order to turn the control and change the settings and these had not released.)</span></span><br />
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: inherit;"><br /></span></span>
<span style="line-height: 107%;"><span style="font-family: inherit;"><span style="font-size: 12pt;">Some of the pools have patches of American Lotus flowers in bloom. Beautiful flowers but
these plants are </span></span><span style="font-family: inherit;">invasive</span><span style="font-family: inherit;"><span style="font-size: 12pt;"> and uncontrolled will take over all the pools. It appears MDC is addressing this problem as
I noticed a patch that were dead, appearing to have been sprayed. On this
particular day I was able to compose the next two images of an Egret feeding among
the flowers. The Egrets don’t appear to
be as skittish as the Herons especially when hunting for food.</span></span></span><br />
<span face=""arial" , sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLRgPepIGnQC_5Hl6HfTDxFxINudEsyK1d8TWLENfT3m_z3w9jupGhAT6IAsH8eDL-dV6Qnd0EVh6jzeZRfgv77nWd3Oi7nSCBiA3qbkKD_zh9Evw3h50ovMRSP1UhdonUc7tozHMWWPaa/s1600/_50G3592-P-Web.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="381" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLRgPepIGnQC_5Hl6HfTDxFxINudEsyK1d8TWLENfT3m_z3w9jupGhAT6IAsH8eDL-dV6Qnd0EVh6jzeZRfgv77nWd3Oi7nSCBiA3qbkKD_zh9Evw3h50ovMRSP1UhdonUc7tozHMWWPaa/w572-h381/_50G3592-P-Web.jpg" width="572" /></a></div>
<span face=""arial" , sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: inherit;">I switched to my Nikon D500 and Sigma 150-600mm
lenses for these shots. My settings were
as follows; f/5.6, s/1000sec, and ISO 125.
My focal length was 310mm or a 35mm equivalent of 465mm. Normally I shoot at f/8 because this lens is
sharpest at that setting and I for sure did not need the light. What this boils down to is forgetting to
check my settings prior to taking the shot'</span></span><br />
<span face=""arial" , sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-Ujysm2p4mIVl_T-AoGJ0uQ2WPYbfhz9PsKQFihuCo17RhFJHDMbifgFDQa4bNo3crM7lN1UGuhB7Ek_IL4UMNr-9R0-exm40J-6vcm-GQq5suaHq45TWTLr3Vd0YdVv86vi-QfwMM5va/s1600/_50G3622-P-Web.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1143" height="575" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-Ujysm2p4mIVl_T-AoGJ0uQ2WPYbfhz9PsKQFihuCo17RhFJHDMbifgFDQa4bNo3crM7lN1UGuhB7Ek_IL4UMNr-9R0-exm40J-6vcm-GQq5suaHq45TWTLr3Vd0YdVv86vi-QfwMM5va/w410-h575/_50G3622-P-Web.jpg" width="410" /></a></div>
<span face=""arial" , sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span>
<span face=""arial" , sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span>
<span face=""arial" , sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span>
<span style="font-family: inherit;"><span style="font-size: 12pt; line-height: 107%;">My final catch for the day was this Blue Heron
perched on a Wood Duck House. </span><span style="font-size: 12pt;">Like I mentioned earlier these birds are flighty and quick to take to flight once your vehicle gets near or for sure if you stop
the car. </span></span><br />
<span style="font-size: 12pt;"><span style="font-family: inherit;"><br /></span></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: inherit;">Settings for this image was f/6. 1/1000sec, and
ISO 280. My focal length was 460mm or a 35mm equivalent of 690mm.</span></span><br />
<span face=""arial" , sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTO-Qe-f3r7yz8NKmaCoJlr4-D0Jc9AkQWAAAnakLCWZl7bYDn7WHqqYd81UWWr8eR0Dc6GtnzIR4eX4HHTPiTqLQCTImdz9BkA7NPMJAdcCOKSO0i-I-DJ13APJUproK8n5QvM4XAnXUS/s1600/_50G3734-P-Web.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1144" height="585" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTO-Qe-f3r7yz8NKmaCoJlr4-D0Jc9AkQWAAAnakLCWZl7bYDn7WHqqYd81UWWr8eR0Dc6GtnzIR4eX4HHTPiTqLQCTImdz9BkA7NPMJAdcCOKSO0i-I-DJ13APJUproK8n5QvM4XAnXUS/w417-h585/_50G3734-P-Web.jpg" width="417" /></a></div>
<span face=""arial" , sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: inherit;">Well it was only natural for him to take to
flight. I mean after all I was a block
away and posed a major threat to his safety.</span></span><br />
<span face=""arial" , sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirkjRi49n9dGi69FGOkMwGEs_bwpQnk_ndxtFRkQyux-H2R74v9gFdmoV7TlE_4VKc8YQNf2NyUukwieiqoUKRmES5NN3rDEA7n8wensUpXP57iEZLhKqtnbUAGihShCtk8PKgVXG1mQZj/s1600/_50G3744-P-Web.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1143" data-original-width="1600" height="377" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirkjRi49n9dGi69FGOkMwGEs_bwpQnk_ndxtFRkQyux-H2R74v9gFdmoV7TlE_4VKc8YQNf2NyUukwieiqoUKRmES5NN3rDEA7n8wensUpXP57iEZLhKqtnbUAGihShCtk8PKgVXG1mQZj/w530-h377/_50G3744-P-Web.jpg" width="530" /></a></div>
<span face=""arial" , sans-serif" style="font-size: 12pt; line-height: 107%;"><br /></span>
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: inherit;">If you enjoyed this post please leave a comment. I have been told that unless you have a Google account you have to prove you are a human. This prevents spam so please take the time to go through the questions and steps or better still set up a Google+ account and create you own personal social network that you can restrict to photography, photographers, and photography groups. Thanks for stopping by.</span></span>John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com1tag:blogger.com,1999:blog-2442848430539673379.post-16845443962532928472018-06-26T11:37:00.000-05:002018-06-26T12:06:02.798-05:00SHARPENING METHODS IN PHOTOSHOP<br />
<div align="center" class="MsoNormal" style="text-align: center;">
<b style="mso-bidi-font-weight: normal;">SHARPENING METHODS IN PHOTOSHOP<o:p></o:p></b></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<br /></div>
<div class="MsoNormal">
Software that sharpens an image does so by looking for parts
of an image which has significant changes in color or luminosity and it applies
contrast to pixels on either side of those changes therefore it gives the
appearance of sharpness.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
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</v:shape><![endif]--><!--[if !vml]--><!--[endif]--><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRIAUVhL6Gt9yhYCSBodr0CZ_nBlcO-KeutRZahy6nZY-HhFbX9nqZfw1THMThIV2_U_XOzJ-YuoW7UBaqjGfz1GlJXHVlegwJ-LP89I7OKGItMl_5IFM0iDQ92-eqBtrIU9ptxRku2imH/s1600/Sharpen+Menu.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="332" data-original-width="397" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRIAUVhL6Gt9yhYCSBodr0CZ_nBlcO-KeutRZahy6nZY-HhFbX9nqZfw1THMThIV2_U_XOzJ-YuoW7UBaqjGfz1GlJXHVlegwJ-LP89I7OKGItMl_5IFM0iDQ92-eqBtrIU9ptxRku2imH/s200/Sharpen+Menu.jpg" width="200" /></a>What is the best
method for sharpening?<span style="mso-spacerun: yes;"> </span>The one that YOU
are the most comfortable with.<span style="mso-spacerun: yes;"> </span>The
purpose of this article is to take a look at the various methods offered by
Photoshop.</div>
<br />
The methods offered by Photoshop are Sharpen, Sharpen Edges,
Sharpen More, Smart Sharpen, Unsharp Mask, and High Pass. (Fig. 1-1) The first three are blunt in their
techniques and should be used with caution.<br />
<div class="MsoNormal">
<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
In this article we are going to look at “Smart Sharpen”, “Unsharp
Mask”, and “High Pass”.<span style="mso-spacerun: yes;"> </span>There are other
methods also and there are presets that can help as well, such as the NIK
Collection, Topaz Labs, TKActions by Tony Kuyper and I am sure many more.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
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</v:shape><![endif]--><!--[if !vml]--><!--[endif]--><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNLj45KzYGgmDqosxtvnKuYzrdGCopXCEGdOX3M81WsFISgEJeZLOEsoQbDgotWO89ZYeoBS-LJ7shEJ55hZPie3c_i6ftHGyCCSEh_FdPDCK2WZ36HQc075lVhL-w_w_I94KIwmmAG08W/s1600/Unsharp+Mask.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="333" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNLj45KzYGgmDqosxtvnKuYzrdGCopXCEGdOX3M81WsFISgEJeZLOEsoQbDgotWO89ZYeoBS-LJ7shEJ55hZPie3c_i6ftHGyCCSEh_FdPDCK2WZ36HQc075lVhL-w_w_I94KIwmmAG08W/s200/Unsharp+Mask.jpg" width="147" /></a><b><span style="color: blue;">UNSHARP MASK:</span><span style="color: blue;"> </span></b> This filter is flexible in that it gives the
user control over its effects. There are three adjustments which can be applied
when using this mask, Amount, Radius, and Threshold. “Amount” controls how much or how little to
increase the contrast of pixel edges.
Increase this slider too much and you will get halos around the edges.
Increase too little and you will get practically no effect. For high resolution images experts indicate
that you can push this slider to somewhere in the neighborhood of 150% all the
way up to 300%. (Fig. 1-2) </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
It’s all about your
taste. Remember you can tone it down
with the opacity slider. <o:p></o:p></div>
<div class="MsoNormal">
</div>
<div class="MsoNormal">
<br /></div>
“Radius” determines the number of pixels surrounding the
edges that will be “contrast-enhanced” to provide the sharpening effect. The
greater the value, the wider the edge effects become, and the more pronounced
and obvious the sharpening becomes.<span style="mso-spacerun: yes;"> </span>It
appears that a value, somewhere, between 2 and 3 will yield the best results on
an uncropped image from a camera with a sensor of 12Mp or 18Mp.<span style="mso-spacerun: yes;"> </span>Your camera’s sensor and your computer
monitor can have a bearing on the outcome so experiment with this.<span style="mso-spacerun: yes;"> </span>Saved-as Practice image and get away from it
for an hour or two or even a day.<span style="mso-spacerun: yes;"> </span>Come
back and review your practiced image.<o:p></o:p><br />
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
“Threshold” determines how different, surrounding pixels are, before
considering them for sharpening.<span style="mso-spacerun: yes;"> </span>The
greater the value, the less the sharpening effect.<span style="mso-spacerun: yes;"> </span>I have mine set at 1 but have used a higher
value like 2 or 3.<span style="mso-spacerun: yes;"> </span>Some experts recommend
3 or 4.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="color: blue;"><b>SMART SHARPEN:</b></span><span style="mso-spacerun: yes;"> </span>This is
the Cadillac of the sharpening filters because it gives the user control over
sharpening and the sharpening algorithm.<span style="mso-spacerun: yes;">
</span>It also allows for controls of sharpening over shadows and/or
highlights.<span style="mso-spacerun: yes;"> </span>It’s not perfect yet but
Adobe is getting there.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
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</v:shape><![endif]--><!--[if !vml]--><!--[endif]--><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3fpeLmh9ovK9FVwm7LVkV4DTlI6x8GG7RPvotiWbeB5vSgKOFlGdjbKnFKJnf1_Upt3Zt2OjR0jC4BMH0C6ZkBc8nOIhdroBuUX9mpuUnSB7vcKSKmYLIcyldhIDP-_JI2IikVYuHltW_/s1600/Smart+Sharpen.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="581" data-original-width="722" height="160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3fpeLmh9ovK9FVwm7LVkV4DTlI6x8GG7RPvotiWbeB5vSgKOFlGdjbKnFKJnf1_Upt3Zt2OjR0jC4BMH0C6ZkBc8nOIhdroBuUX9mpuUnSB7vcKSKmYLIcyldhIDP-_JI2IikVYuHltW_/s200/Smart+Sharpen.jpg" width="200" /></a>The Smart Sharpen
dialog window gives two modes of operation. “Basic” and “Advanced”.<span style="mso-spacerun: yes;"> (Fig. 1-3) </span>The “Advanced” mode is where you can tweak
the shadows and highlights.<span style="mso-spacerun: yes;"> </span>There are
three tabs in the “Advanced” mode, Sharpen, Shadow and Highlight.<span style="mso-spacerun: yes;"> </span>This lets you control how the shadows and
highlights areas are dealt with. <span style="mso-spacerun: yes;"> </span>The “Amount”
and “Radius” sliders work in the same way as they do in the Unsharp Mask.<span style="mso-spacerun: yes;"> </span>However there are two additional sliders “Reduce
Noise”, and “Remove”.<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Reduce Noise is self-explanatory
but remember reducing noise will soften an image.<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The remove option allows you to specify the
sharpening algorithm.<span style="mso-spacerun: yes;"> </span>For still images
the choice is between “Gaussian Blur” and “Lens Blur”.<span style="mso-spacerun: yes;"> </span>For moving subjects the option is “Motion
Blur”. There are those that believe that “Lens Bur” has the edge in quality
when shooting stills.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
The “Shadows” slider consists of Fade, Tonal Width, and
Radius.<span style="mso-spacerun: yes;"> </span>The “Fade” slider controls the
amount of sharpening in the shadow areas.<span style="mso-spacerun: yes;">
</span>Sliding to the right adds more sharpening while sliding to the left adds
less.<span style="mso-spacerun: yes;"> </span>The “Tonal” slider controls the
range of tones in the shadows that will be sharpened.<span style="mso-spacerun: yes;"> </span>They work together with both sliding in the
same direction to increase or decrease sharpness.<span style="mso-spacerun: yes;"> </span>The “Radius” slider controls the pixels
around the shadows but a lot of pros see that it has little effect and
recommend just leaving it alone.<o:p></o:p></div>
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<br /></div>
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The “Highlights” controls are the same as the “Shadows” but
targeted to the highlights.<span style="mso-spacerun: yes;"> </span>The Smart
Sharpen Filter is a RAM hog on a 32 bit system and works best on a 64 bit
system.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
IMPORTANT:<span style="mso-spacerun: yes;"> </span>The most
important thing to know is that, since you are sharpening on a pixel basis,
different sizes of any given image require different amounts of sharpening –
which is fairly obvious, but often overlooked.<span style="mso-spacerun: yes;">
</span>So set Photoshop to display an image at “Print Size” when applying
sharpening. <o:p></o:p><span style="font-family: "arial" , sans-serif; font-size: 12pt;">(Menu>View>Print Size)</span></div>
<div class="MsoNormal">
<o:p> </o:p> </div>
<div class="MsoNormal">
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not included in Photoshop’s sharpening menu. It is found in a sub-menu in the “Other”
section under the “Filter” menu.<span style="mso-spacerun: yes;"> (Fig. 3-3) </span>In
order to use this menu you have to create a duplicate of the background image.
(Menu>Layer>Duplicate Layer) and apply the filter to the duplicate layer,
with the blending mode set to “Overlay” or “Soft Light”.<span style="mso-spacerun: yes;"> </span>However, Soft Light results in less
pronounced sharpening. The only control slider is the radius slider.<span style="mso-spacerun: yes;"> </span>The larger the number the more the
sharpening. <span style="mso-spacerun: yes;"> </span>Using this filter is about
the same as using the “Unsharp Mask” filter but with less hassle because you
have to create a separate layer.<span style="mso-spacerun: yes;"> </span>Since
sharpening is your last step you could combine all the layers into a combined
layer and then apply the sharpening.<span style="mso-spacerun: yes;"> </span>Hold
down Ctrl, Alt, Shift, and E to create a new layer that combines all the layers
underneath it.<span style="mso-spacerun: yes;"> </span>Keep in mind this will
apply sharpening to all your adjustments as well.<span style="mso-spacerun: yes;"> </span><o:p></o:p></div>
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<br /></div>
<div class="MsoNormal">
Rule-of-Thumb, I like to apply sharpening to various parts
of my image and not the whole image. To do this I will add a “Black Layer Mask”
(Menu>Layer>Layer Mask>Hide All) to my combined layer (Ctrl/Alt/Shift/E)
and using a brush set to white will paint sharpening to the areas I want.<span style="mso-spacerun: yes;"> </span>I always start with a low capacity (selected
from the brush tool bar) and make several passes. I set flow to 100% and
smoothing to anywhere from 0 to 100%.<span style="mso-spacerun: yes;">
</span>Smoothing prevents the jitters from painting with the brush while using
a mouse. I have found that this works great with sharpening wildlife images.<o:p></o:p></div>
<div class="MsoNormal">
Well that’s it.<span style="mso-spacerun: yes;"> </span>I
hope this helps and if you have your own method for sharpening please share
with the group.<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<i><span style="background-color: white; color: red;">Information for this presentation was obtained from an article by Karl Williams Photography 2011</span></i>John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com2tag:blogger.com,1999:blog-2442848430539673379.post-51007635213160842432017-09-27T18:35:00.001-05:002017-12-25T07:30:00.838-06:00RAW vs JPEG<!--[if gte mso 9]><xml>
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<div align="center" class="MsoNormal" style="text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 16.0pt; line-height: 107%;">WHY I SHOOT RAW</span></b></div>
<div align="center" class="MsoNormal" style="text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 11.0pt; line-height: 107%;">By john gilbert</span></b></div>
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<br /></div>
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I have said it before and I will repeat it now, shooting in
jpeg throws away valuable recoverable data.<span style="mso-spacerun: yes;">
</span>Furthermore, when you shoot jpeg you are letting the camera “post
process the image for you”.<span style="mso-spacerun: yes;"> </span>Don’t
believe me?<span style="mso-spacerun: yes;"> </span>Do this test, go outside and
shot a picture and shoot it in jpeg and then shoot it in RAW.<span style="mso-spacerun: yes;"> </span>Download the two pictures and compare the
file size of the jpeg with that of the image shot in RAW.<span style="mso-spacerun: yes;"> </span>You should note a huge difference in the
number of megapixels which make up each image.<span style="mso-spacerun: yes;">
</span>The RAW file, depending on your camera, can be twice as big as the jpeg
file.<span style="mso-spacerun: yes;"> </span>So what happened to all those
megapixels?<span style="mso-spacerun: yes;"> </span>The camera post processed
the jpeg image based on the camera’s internal stored memory data and then
discarded all the pixels it did not use.<span style="mso-spacerun: yes;">
</span>Threw them away not be seen again, co-poof, gone.<span style="mso-spacerun: yes;"> </span>No chance of ever recovering detail in post
processing.<span style="mso-spacerun: yes;"> </span>Did you know that the
discorded data could be up to 61% of the total that could have been captured?<span style="mso-spacerun: yes;"> </span>The next images were taken with a Nikon
24megapixel camera, Nikon D750. <span style="color: red;">(Click on an image to enlarge it.)</span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjorWx_c3xzdUKuSPaI6Z1Mg6kZ2Tl2BeDIu6E80wtaWOxwEFsx0nEKkMi1-KFKMXby8IfYl1NT7Ed0MlsGbu67pEmFwL1nwacWKJo051JEnPABx2bVWSwZYPFK_DUenihOCCL7m-v76_mI/s1600/_75G5325.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1069" data-original-width="1600" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjorWx_c3xzdUKuSPaI6Z1Mg6kZ2Tl2BeDIu6E80wtaWOxwEFsx0nEKkMi1-KFKMXby8IfYl1NT7Ed0MlsGbu67pEmFwL1nwacWKJo051JEnPABx2bVWSwZYPFK_DUenihOCCL7m-v76_mI/s400/_75G5325.JPG" width="400" /></a></div>
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The above image was captured as a jpeg right out of the
camera and consisting of 11.92MB and at a resolution of 300ppi.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>When
you compare this to the image below (Image II) it is obvious that the camera
has applied some processing.<span style="mso-spacerun: yes;"> </span>The RAW
file below is muted or dull and flat in appearance. <span style="color: red;">(Click on an image to enlarge it.)</span></div>
<div class="MsoNormal">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzynVLBabnE52w2UNiRdTwXAmQ0ukLLYs5pIr7sUDn0wa4gDi2wim16cdoj9PIWAoyrSP2Da3_TKmBS9j9Bxf8pGLj27KsRT6mpY9sSoJPGhWyaQVw_lh68j7GFSSr8VL2jC50iY12Vhos/s1600/_75G5325-Copy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1069" data-original-width="1600" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzynVLBabnE52w2UNiRdTwXAmQ0ukLLYs5pIr7sUDn0wa4gDi2wim16cdoj9PIWAoyrSP2Da3_TKmBS9j9Bxf8pGLj27KsRT6mpY9sSoJPGhWyaQVw_lh68j7GFSSr8VL2jC50iY12Vhos/s400/_75G5325-Copy.jpg" width="400" /></a></div>
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UnhideWhenUsed="true" QFormat="true" Name="heading 7"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 8"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="heading 9"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index 9"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 1"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 2"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 3"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 4"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 5"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 6"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 7"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 8"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" Name="toc 9"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/>
<w:LsdException Locked="false" Priority="35" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="caption"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
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This second image is the unprocessed RAW file and contains
28MB of data, just waiting to be processed.<span style="mso-spacerun: yes;">
</span>Note the difference in the sizes of the two images, 11.92MB for the jpeg
and 28MB for the RAW file.<span style="mso-spacerun: yes;"> </span>That is a
loss of data of approximately 57%, this will differ with various cameras but
the principal will always be the same.<span style="mso-spacerun: yes;">
</span>What happens to that data?<span style="mso-spacerun: yes;"> </span>It is
lost.<br />
<br /></div>
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So what is so important about this?<span style="mso-spacerun: yes;"> </span>The ability to recover highlights and shadows
in post processing is lost.<span style="mso-spacerun: yes;"> </span>Many times,
as I will show later in this article, data can be recovered in processing.<span style="mso-spacerun: yes;"> </span>Today’s cameras have the ability to record a
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can be brought forward in the digital darkroom (computer).</div>
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<br />
Let’s look at image III taken with a Nikon 36megapixel
camera, Nikon D810. Even though I used two different cameras from different
periods in time the principal of lost data from shooting jpeg versus RAW is the
same. Just for information this was captured at Millstream Gardens on the St.
Francis River.<span style="mso-spacerun: yes;"> </span>This RAW file is 76MB in
size.<span style="mso-spacerun: yes;"> </span>The jpeg version of this image
would be about 29MB or 61% <span style="color: red;">less</span> data.<span style="mso-spacerun: yes;"> </span>Note here that the sky appears to be washed out
or overcast.<span style="mso-spacerun: yes;"> </span>However, on the day this
picture was taken there were in fact clouds in the sky.<span style="mso-spacerun: yes;"> </span>But standing in the shade and shooting a
scene that has a bright sunny background is definitely a high contrast
scenario.<span style="mso-spacerun: yes;"> </span>But like I said today’s
cameras can capture a large range of light/dark contrast. <span style="color: red;">(Click on an image to enlarge it.)</span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvBLEDOmfmGnGTH3vpdx7yDrfXDjkhcT2thnCjZMB1AZdvqdwI_rI3bWHioRVmXz2YpTcCTtE0LgqOKn7lcPtSo_O9YyhNt-pDP26QPo9D3i3wMrIxOElmK4ZG15wRMr2SiKIaI6c5t8oX/s1600/_81G1561copy.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1068" data-original-width="1600" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvBLEDOmfmGnGTH3vpdx7yDrfXDjkhcT2thnCjZMB1AZdvqdwI_rI3bWHioRVmXz2YpTcCTtE0LgqOKn7lcPtSo_O9YyhNt-pDP26QPo9D3i3wMrIxOElmK4ZG15wRMr2SiKIaI6c5t8oX/s400/_81G1561copy.JPG" width="400" /></a></div>
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<br />
<div class="MsoNormal">
So I am going to take this image into Photoshop and process
it to bring back the details not showing but were in fact captured by the
camera.<span style="mso-spacerun: yes;"> </span>How can I do this? Because the
data is still there in the RAW file, it was not discarded by the camera but in
fact was captured and stored on the SD c<span style="mso-no-proof: yes;">ard.<span style="mso-spacerun: yes;"> </span>This affords me the opportunity to recover as
much data in the image as is possible.<span style="mso-spacerun: yes;"> </span>I
usually begin with some general adjustments in a RAW processer.<span style="mso-spacerun: yes;"> </span>My RAW converter is “Adobe Bridge”. I use it
to set the camera mode, correct for “Chromatic Aberration” should any exist and
enable “Profile Correction”.<span style="mso-spacerun: yes;"> </span>I use
Layers in Photoshop to pull back the light and open up the shadwows but this
can be done in “Bridge” or “Lightroom”.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-no-proof: yes;">Before we go any farther lets
explain Chromatic Aberration and Profile Correction.<span style="mso-spacerun: yes;"> </span></span>Chromatic aberration (also known as
color fringing or dispersion) is a common problem in lenses which occurs when
colors are incorrectly refracted (bent) by the lens, resulting in a mismatch at
the focal point where the colors do not combine as they should.<span style="mso-spacerun: yes;"> </span></div>
<div class="MsoNormal">
<span style="mso-no-proof: yes;">It can appear as a green or
red fringe around the sharp edges of your subject.<span style="mso-spacerun: yes;"> </span>Chromatic Aberration</span> happens because
your lens acts as a prism; bending light depending on the various properties of
the glass.<span style="mso-no-proof: yes;"> </span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="mso-no-proof: yes;">Profile correction allows you
to fix </span>lens problems such as <a href="https://photographylife.com/what-is-distortion"><span style="color: black; text-decoration: none;">distortion</span></a><span style="color: black; mso-themecolor: text1;">, </span><a href="https://photographylife.com/what-is-chromatic-aberration"><span style="color: black; text-decoration: none;">chromatic aberration</span></a><span style="color: black; mso-themecolor: text1;">, and </span><a href="https://photographylife.com/what-is-vignetting"><span style="color: black; text-decoration: none;">vignetting</span></a><span style="color: black; mso-themecolor: text1;">. </span><br />
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<br />
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There is a lot that can be done in “Bridge” or
“Lighroom” and for general purposes you should be able to accomplish everything
you need in these programs.<span style="mso-spacerun: yes;"> </span>You can
adjust the temperature, to make your image cooler or warmer.<span style="mso-spacerun: yes;"> </span>Adjust contrast locally or globally.<span style="mso-spacerun: yes;"> </span>Pull back the highlights in case there is
some spiking of them and open up the shadows.<span style="mso-spacerun: yes;">
</span>Adjusting clarity can make a picture appear to be sharper and you can
even apply sharpening and reduce noise as well.<span style="mso-spacerun: yes;">
</span>You can also adjust the saturation of colors globally or increase
non-saturated colors by adjusting the vibrancy slider. </div>
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<br /></div>
<div class="MsoNormal">
Image IV is the completed processing of the RAW file.<span style="mso-spacerun: yes;"> </span>Note that I was able to recover some really
nice clouds, opened up some mid-tones or shadows, brought out the colors, and
increased the overall sharpness, all without distorting any parts of the
image.<span style="mso-spacerun: yes;"> </span>Because of the file's size I could
enlarge this picture for printing without any loss of detail. <span style="color: red;">(Click on an image to enlarge it.)</span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdOv06kh1c0qmOYEINeh7Ea2ZaLelTpPI-7aDMKww3AMM6qmojQurYEjc3lx1XE5sCTBkBbEmPkP3tCxMBYpvH_fwu-Nrd2WIBsRovFcz-BBQteUWp3m1pFClDl_wG4JfUmvrwhamE4nIp/s1600/_81G1561-PF-Web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1068" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdOv06kh1c0qmOYEINeh7Ea2ZaLelTpPI-7aDMKww3AMM6qmojQurYEjc3lx1XE5sCTBkBbEmPkP3tCxMBYpvH_fwu-Nrd2WIBsRovFcz-BBQteUWp3m1pFClDl_wG4JfUmvrwhamE4nIp/s400/_81G1561-PF-Web.jpg" width="400" /></a></div>
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<br />
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<span style="color: black; mso-bevel-capbot-bevelstyle: 0; mso-bevel-capbot-dpiheight: 0pt; mso-bevel-capbot-dpiwidth: 0pt; mso-bevel-captop-bevelstyle: 2; mso-bevel-captop-dpiheight: 3.0pt; mso-bevel-captop-dpiwidth: 2.0pt; mso-bevel-dpicontour: 0pt; mso-bevel-dpiextrusion: 4.5pt; mso-bevel-material: 12; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: 0pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: none; mso-themecolor: text1;">I should point out
that shooting in RAW will require more processing time and this can be daunting
if you have taken hundreds of shots.<span style="mso-spacerun: yes;">
</span>Today’s software’s make it possible to process one image and then copy
the adjustments to subsequent images.<span style="mso-spacerun: yes;">
</span>There are hundreds of presets available to aid in the processing task as
well as plug-ins like NIK and Topaz or even On1.</span></div>
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<br /></div>
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<span style="color: black; mso-bevel-capbot-bevelstyle: 0; mso-bevel-capbot-dpiheight: 0pt; mso-bevel-capbot-dpiwidth: 0pt; mso-bevel-captop-bevelstyle: 2; mso-bevel-captop-dpiheight: 3.0pt; mso-bevel-captop-dpiwidth: 2.0pt; mso-bevel-dpicontour: 0pt; mso-bevel-dpiextrusion: 4.5pt; mso-bevel-material: 12; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: 0pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: none; mso-themecolor: text1;">I shoot in RAW but there
are times when jpeg is the way to go.<span style="mso-spacerun: yes;">
</span>For example when I shoot a sports event like a high school football game
I will shoot in jpeg.<span style="mso-spacerun: yes;"> </span>I have even been
known to shoot wildlife in jpeg and RAW at the same time.<span style="mso-spacerun: yes;"> </span>Now there is absolutely nothing wrong with
whichever method you prefer and with cameras offering 36 to 50 megapixels there
is a lot of room for adjustments even in a jpeg file.<span style="mso-spacerun: yes;"> </span>I have seen some drop dead gorgeous landscape
images that were taken in jpeg mode.<span style="mso-spacerun: yes;"> </span>But
to capture that breathtaking sunset or sunrise or any dynamic range landscape I
encourage you to shoot in RAW format.<span style="mso-spacerun: yes;">
</span>Beside for me post processing can be as much fun as actually taking the
image.<span style="mso-spacerun: yes;"> </span>Well maybe the next best thing to
taking the image. </span><span style="color: black; mso-bevel-capbot-bevelstyle: 0; mso-bevel-capbot-dpiheight: 0pt; mso-bevel-capbot-dpiwidth: 0pt; mso-bevel-captop-bevelstyle: 2; mso-bevel-captop-dpiheight: 3.0pt; mso-bevel-captop-dpiwidth: 2.0pt; mso-bevel-dpicontour: 0pt; mso-bevel-dpiextrusion: 4.5pt; mso-bevel-material: 12; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: 0pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: none; mso-themecolor: text1;"><span style="color: black; font-family: "ar berkley"; mso-bevel-capbot-bevelstyle: 0; mso-bevel-capbot-dpiheight: 0pt; mso-bevel-capbot-dpiwidth: 0pt; mso-bevel-captop-bevelstyle: 2; mso-bevel-captop-dpiheight: 3.0pt; mso-bevel-captop-dpiwidth: 2.0pt; mso-bevel-dpicontour: 0pt; mso-bevel-dpiextrusion: 4.5pt; mso-bevel-material: 12; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: 0pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: none; mso-themecolor: text1;"></span></span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="header"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footer"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/>
<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
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<![endif]-->John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com0tag:blogger.com,1999:blog-2442848430539673379.post-4088334888829514712015-01-01T08:17:00.060-06:002020-10-19T11:16:48.240-05:00COLOR CORRECTION<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJuMURmQDxQQvVsShn6ckmPKSxeWI5RPy0HhRzAyIFTN9gjCFxq2wGWxHGQGs-jAr0VA2rjr0c73IcBdynwjp0UbI9JXaB7ByBmqwVAyRenyMufiRuSY_LslfRXmGSzL8XAsEGtz9usibF/s1600/Figure+1.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-size: large;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJuMURmQDxQQvVsShn6ckmPKSxeWI5RPy0HhRzAyIFTN9gjCFxq2wGWxHGQGs-jAr0VA2rjr0c73IcBdynwjp0UbI9JXaB7ByBmqwVAyRenyMufiRuSY_LslfRXmGSzL8XAsEGtz9usibF/s1600/Figure+1.jpg" width="260" /></span></a><span style="font-size: large;">Sometimes it can be difficult to get the correct color balance of a photo. It is important to get it right before you begin to post-process your image. The following tutorial will help color correct an image utilizing the white point, black point, and mid-tone gray areas.</span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">Open an image, any image you choose but select one with contrast and color. Contrast is the difference between black and white in an image. High contrast will show the full range of darks to lights and colors while low contrast will not show a lot of difference between darks and lights. </span><span style="font-size: large;">Think of a picture of a scene taken in the fog, the difference could be somewhat muted. </span><br />
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<span style="font-size: large;">However, this color correction will work on any image but some adjustments will be more predominant or noticeable than others. After you have your image open create a duplicate. Go to Layer > Duplicate Layer. Another way is to Right-click on the Background copy and select Duplicate Layer.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKu-TGRI_RXLPkI0mhEcW58Hx17frW45rIhkhkT2EhJvRlttrm2oeizjcIwiY-jOai_nW2Y6QlJBwFPrFV5wNjZ6-28Jbd4F1hqHuQSh3M6ePK4-FhIH3gJdEEMQamvRK5ctLpvZLyQUHr/s1600/Figure+2.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-size: large;"><img border="0" height="218" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKu-TGRI_RXLPkI0mhEcW58Hx17frW45rIhkhkT2EhJvRlttrm2oeizjcIwiY-jOai_nW2Y6QlJBwFPrFV5wNjZ6-28Jbd4F1hqHuQSh3M6ePK4-FhIH3gJdEEMQamvRK5ctLpvZLyQUHr/s1600/Figure+2.jpg" width="320" /></span></a></div>
<span style="font-size: large;">Once you click on the duplicate layer menu the Duplicate Layer Window will open and will allow you to rename the layer or go with the default which in this case is Duplicate Copy.</span><br />
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<span style="font-size: large;">On this duplicate copy, I enlarge the image to 100% and search for any sensor dust spots showing up on the image. This can be done in LR or Bridge's Camera Raw prior to opening in Photoshop. I have noticed sometimes when removing spots through Bridge that it can leave a halo type effect around the spot I removed, that is why I prefer to remove in Photoshop using the "Spot Healing Brush". Don't forget to select the "Content-Aware Option" on the "Option's Bar". You can also use this layer to remove any unsightly objectives, like trash or a lone tree branch in the corner of the image.</span><br />
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<span style="font-size: large;">Next I want to deal with any noise in the picture. I use NIK Define to remove any unnecessary noise in the image. Any adjustments you make to the image can magnify imperfections in the image, like dust spots, so clean them up before you proceed. I use NIK Define for noise removal because it shows you where the noise is in the image. It will allow you to remove the noise globally or paint the noise reduction in specific areas only. Use whatever noise reduction program you have. The NIK Suite was bought out by DXO and is relatively inexpensive from back in the days when I bought it. Regardless of which module within the NIK Suite you use it will put each adjustment on a separate layer. In my opinion, their Sharpening module and Black and White module along with the noise reduction module are some of the best out there and easy to use and manipulate. https://nikcollection.dxo.com/</span><br />
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<span style="font-size: large;">Your layers menu should look like the image to the right if you used NIK Define, which as I mentioned, puts its </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDVX3Kmyw4kbFaA6vMRRP27Vg_2pQ73NUh49NGTojCC4vKqCD9T9wprahX0PMMl8_LTp8UA_482I0apAygX01ui1NLSbE2GsmV0BWTaFDkPkmjJbd765F7rifUuLWTJYu3_wyGy4kbbVEx/s1600/Figure+3.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-size: large;"><img border="0" height="262" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDVX3Kmyw4kbFaA6vMRRP27Vg_2pQ73NUh49NGTojCC4vKqCD9T9wprahX0PMMl8_LTp8UA_482I0apAygX01ui1NLSbE2GsmV0BWTaFDkPkmjJbd765F7rifUuLWTJYu3_wyGy4kbbVEx/s1600/Figure+3.jpg" width="320" /></span></a></div>
<span style="font-size: large;">adjustments on a separate layer. If you use Photoshop you can apply noise reduction on the background copy layer or create a new layer that combines the background layer, and the background copy layer, into a separate layer before running Photoshop noise reduction. To do this on a PC hold down the CTRL + ALT + SHIFT Keys and then click on the “E” key. On a MAC , COMMAND+OPTION+SHIFT+E. Photoshop will merge all of the layers into one new layer and insert it at the top of your layers stack. It also leaves all of the layers below alone so you can still go back to them if you need. For purposes of this tutorial put you noise reduction on its own layer to make it easier to follow along.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0m-xIn2HzF7oLLEGi1uPE9lFITSkPyXhVY-F8mp1jCNvuSXDplsFULvZh5er_Jxp0Q8UVnGP2FPBNLdUca7OjIBNI_66Isub7-vgyTva1LJS37Wu6M4Av3PxjSVDHajxOhqukOZtdzljT/s1600/Figure+4.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0m-xIn2HzF7oLLEGi1uPE9lFITSkPyXhVY-F8mp1jCNvuSXDplsFULvZh5er_Jxp0Q8UVnGP2FPBNLdUca7OjIBNI_66Isub7-vgyTva1LJS37Wu6M4Av3PxjSVDHajxOhqukOZtdzljT/s1600/Figure+4.jpg" width="289" /></a></div>
<span style="font-size: large;">Next, we want to add a Curves Adjustment Layer. You can add this layer through the menu drop-down window, by clicking on the “Layer > Create New Fill Layer” or by clicking on the “Adjustment Layer Icon” at the bottom of the Layers panel, (It is a circle that is half white half dark.) or a third option from the “Adjustments Panel” if you have it open and viewable. If this panel is not visible go to the “Windows Drop-down Menu” and click on “Adjustments”, this will open the adjustments panel. </span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg65lQiDImD4wIjzRBAdDKWIDvhSQe39ndvGviQnLqit-i1zRyDgIWoQptFfKIHXcbxYfj19049D4N5dMmO-M-GwO2JdLDPRgTNZk5oYzXqOF7ApwYiCF_6u4j6nJaCoL7cFgJcOKMANuyJ/s1600/Figure+5.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg65lQiDImD4wIjzRBAdDKWIDvhSQe39ndvGviQnLqit-i1zRyDgIWoQptFfKIHXcbxYfj19049D4N5dMmO-M-GwO2JdLDPRgTNZk5oYzXqOF7ApwYiCF_6u4j6nJaCoL7cFgJcOKMANuyJ/s1600/Figure+5.jpg" width="320" /></a><span style="font-size: large;"><br /></span>
<span style="font-size: large;">I assume that most people have a workspace area already set up if using Photoshop but if you don’t, go to the "Window’s Drop-down Menu" and under the “Workspace” option select “Photography”. This is a good place to start. You can add to this by opening up other options from the "Window’s Menu" and then save the workspace under your name.</span><br />
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<b style="font-size: x-large;">SET THE BLACK ANCHOR POINT</b><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLrPAxcUwdTgbNlquPgBqIqwsFpubwuH4gEmLJteiAHGMR99Em3L0By4MwgydM8FZZDnmjS91zgkfw5OB1fO12gbbQg570_tTTFwQhlglMQG74sujVS5nDMVhHmJ09f3Bfe-n2NImVNI1O/s1600/Figure+6.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLrPAxcUwdTgbNlquPgBqIqwsFpubwuH4gEmLJteiAHGMR99Em3L0By4MwgydM8FZZDnmjS91zgkfw5OB1fO12gbbQg570_tTTFwQhlglMQG74sujVS5nDMVhHmJ09f3Bfe-n2NImVNI1O/s1600/Figure+6.jpg" /></a><span style="font-size: large;">Open up the threshold layer by clicking the “Threshold Icon” in the Adjustments Panel or go to Layers >New Adjustment Layer >Threshold. (This will split the image between black and white). At this point you should have five layers: 1) Background Layer, 2) Background Copy Layer, 3) Noise Reduction Layer, 4) Curve’s Layer, and 5) the Threshold Layer.</span><br />
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<span style="font-size: large;">Go to the Threshold Histogram and move the slider all the way to the left and then move it back towards the right until the <span style="color: blue;">first signs</span> of black appear in the window. <span style="color: red;"><i>(You may need to enlarge the image to see the black area to ensure you get the black anchor point on it.) </i></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbQhhpJV_2HlB5VFF-zrbrcPe_AN_cwj9FYYuuPvg2Wsx6uzwm9PtUlIfrB4bMArpg0djt9RHIib7-qjfN7Xi-8HKbnMd9rmIzNiMKtX4IO83BRH1JDliZqbCcMiNeCP72_p_qnpbF_7lZ/s1600/Figure+7.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbQhhpJV_2HlB5VFF-zrbrcPe_AN_cwj9FYYuuPvg2Wsx6uzwm9PtUlIfrB4bMArpg0djt9RHIib7-qjfN7Xi-8HKbnMd9rmIzNiMKtX4IO83BRH1JDliZqbCcMiNeCP72_p_qnpbF_7lZ/s1600/Figure+7.jpg" /></a></div>
<span style="font-size: large;">Right, Click the Eye Dropper in the "Photoshop Menu Panel" and select the color sampler tool. (Sample size 3X3 from the "Option Bar") Now mark the black area with the color eyedropper tool. This sets the black spot in the image. Note this labels this mark as #1. This action will also switch between the properties window to the info window. (See Threshold diagram picture above). Click on the properties tab within the Threshold Properties Window, top left to return to the Threshold window histogram. </span><br />
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<span style="font-size: large;"><b>SET WHITE ANCHOR POINT</b></span><br />
<span style="font-size: large;">You will need to do the same thing to mark the white point. Move the slider all the way to the right and then slowly move the slider back to the left until the first black area appears. Again using the color eyedropper tool, mark the white spot. This marker should be labeled #2.</span><br />
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<span style="font-size: large;">Before we go any farther let's address what happens if we click on the wrong spot or we miss the anchor all together? Just try again but remember each time you use the color dropper it labels the new</span><br />
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5COD7JHC6SWrUZ1rAav98P20HsVEi0YCBsvp7MzEAR9Sqho_paD-q2cv6cSHbM5iBmNtO6azOE3Uo2R4KOyXIzaS9qCL2cUlTdpA3uINfAIpeTEQQRN2OXyFLOE4WbE8uYWGWV-PP5HOk/s1600/Figure+8.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5COD7JHC6SWrUZ1rAav98P20HsVEi0YCBsvp7MzEAR9Sqho_paD-q2cv6cSHbM5iBmNtO6azOE3Uo2R4KOyXIzaS9qCL2cUlTdpA3uINfAIpeTEQQRN2OXyFLOE4WbE8uYWGWV-PP5HOk/s1600/Figure+8.jpg" /></a></span></div>
<span style="font-size: large;"> spot with a different number. For example, if you repeat the process to get a better white spot then the new number will be labeled # 3 instead of number #2. You will have three markers now but you are only going to use two, number #1 for blacks and now number #3 for whites. <span style="color: red;"><i>You can also deactivate the Threshold Layer, then right-click on the anchor you want to remove and then click delete, then re-activate the Threshold Layer and add a new anchor point.</i></span></span><br />
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<span style="font-size: large;">Now turn off the Threshold layer by clicking on the “Eye” immediately to the left of the layer. Drop down to the curves layer. Zoom into the image so the black and white anchor points are easier to see. When you click on the curves layer a Properties Window will open. Make sure that the "Properties Tab within this window is selected, if it isn't double-click on the Threshold eye-icon nest to the eye-icon to activate it."</span><br />
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<span style="font-size: large;">In the Curves Layer Window, on the left side, will be three eye droppers, the top one for black, the middle one for mid-tones, and the bottom one for whites. Click on the black eye-dropper to the left of the curves properties window and then click on the black anchor point on your image. Remember this is the first point we created and it was labeled #1. Now click on the white eyedropper in the curves window and then click on the white point, the one labeled #2. We have now set the black point and the white point on the curves layer. Now we need to set the Mid-Tone point.</span><br />
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<span style="font-size: large;"><b>SET THE MID-TONE ANCHOR POINT</b></span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieiZLkLFCxAkCHTOgGiVnJsolrdZBz6NEBI4Z19equ2JKamEQQknig7z61kpmD2XlugIU92nbkHbcaI8FTpgfy8dDiv6vXjkNlWdwpRTxpmhMOnV49IlFnGaHS6B4z34DwFWsW_xjA6_1b/s1600/Figure+9.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieiZLkLFCxAkCHTOgGiVnJsolrdZBz6NEBI4Z19equ2JKamEQQknig7z61kpmD2XlugIU92nbkHbcaI8FTpgfy8dDiv6vXjkNlWdwpRTxpmhMOnV49IlFnGaHS6B4z34DwFWsW_xjA6_1b/s1600/Figure+9.jpg" width="320" /></a><span style="font-size: large;">Make sure the Threshold Layer is not active. Now click on the curves layer. Go up to the Layer’s Dropdown menu tab and select new, then layer. When the “New Layer’s Menu” opens, click OK. Now go to the Edit Dropdown menu and select Fill. When the Fill Window opens click on contents and select 50% gray and click on OK. You should have a grayed-out image now showing in Photoshop. Go to the blending mode and select “Difference”. If your screen now looks wild with psychedelic </span><br />
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMPgzCdx-ypUxZa2hkJGK7oy59tYeqRJCbC3hQvEaJQxEahQFPR5jNV76k-PKrXryTLD3V8Cm9B6UYnanh8EKcd_XEGRh_Yn_yUwpMiW8c8LnpNe__v3oiIZdXKz_qg6WVflUNBjLKLPv8/s1600/Figure+10.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="162" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMPgzCdx-ypUxZa2hkJGK7oy59tYeqRJCbC3hQvEaJQxEahQFPR5jNV76k-PKrXryTLD3V8Cm9B6UYnanh8EKcd_XEGRh_Yn_yUwpMiW8c8LnpNe__v3oiIZdXKz_qg6WVflUNBjLKLPv8/s1600/Figure+10.jpg" width="320" /></a></span></div>
<span style="font-size: large;">colors you are okay. Now activate the Threshold Layer by clicking on the Eye icon then double-click on the Threshold Icon between the Eye Icon and the white layer mask. This will activate the Threshold Properties window. <span style="color: red;"><i>If it doesn't double-click on the Threshold icon next to the eye-icon to open the properties window. </i></span>Slide the arrow in the properties window all </span><br />
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifyUFu5S-SP180ChMruV2V4DTzHNbMFLdPpiExEPUJE99Q1LAELXVoU8xwLmtsRIezolzlS7CMVdJqVbaAg0gG1X-c-hMz34wy4PhLU-J331E_cMSQOzM0BXqqpvOMc0kPdDzi8JxEaMgv/s1600/Figure+11.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifyUFu5S-SP180ChMruV2V4DTzHNbMFLdPpiExEPUJE99Q1LAELXVoU8xwLmtsRIezolzlS7CMVdJqVbaAg0gG1X-c-hMz34wy4PhLU-J331E_cMSQOzM0BXqqpvOMc0kPdDzi8JxEaMgv/s1600/Figure+11.jpg" width="320" /></a></span></div>
<span style="font-size: large;">
the way to the left until the histogram in the properties window turns completely white. Zoom in on the image and then slowly move the slider to the right until black appears. Because we want to mark the mid-tone area we may need to move the slider far enough to the right to get a larger selection area. Once you have a good patch of back go to the tools menu and select the color sample tool again then mark a patch of black. </span><br />
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<span style="font-size: large;">This will be your third color marker and should be labeled number</span><br />
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<span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuUFIbvgwnwpjMb8Qp_KsEW15Md9X7j2FS-U9M_RqLx5wIvP4o7PRg9ouqOSrUfOeGnLXxkIR_LPMCrIpRv3UhVzweuBBfqGB9wBeQknES3x22rdVVn5ecA2bmdKeSbjmmNyuQKwx2GbVQ/s1600/Figure+12.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuUFIbvgwnwpjMb8Qp_KsEW15Md9X7j2FS-U9M_RqLx5wIvP4o7PRg9ouqOSrUfOeGnLXxkIR_LPMCrIpRv3UhVzweuBBfqGB9wBeQknES3x22rdVVn5ecA2bmdKeSbjmmNyuQKwx2GbVQ/s1600/Figure+12.jpg" /></a></span></div>
<span style="font-size: large;"> #3. Turn off the Threshold Layer then go back to the curves layer and select the middle eye-dropper and click on the color marker labeled #3. Now deactivate the 50% Gray layer. The mid-tone anchor point might have the greatest impact on your overall color adjustment. If the color is off you may not have gotten a good mid-tone selection. <span style="color: red;"><b><i>If you need to you can delete this Mid-Tone Anchor Point and repeat the process of selecting a different area of the image.</i></b></span> </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjctx6KM74TvxyU9Ivcu2OGz4EWRGv8glAjgnaCPCuuuJGSBd2D2KuMA0rA0hRj7Z5XteodLiKH88Av1LP1LgyD-ZzbNr4Rv5A0AMZGIfMDvtzfreenVr7Z-Ru8tGLF5iD5g2juxdiQvAvX/s1600/Figure+13.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjctx6KM74TvxyU9Ivcu2OGz4EWRGv8glAjgnaCPCuuuJGSBd2D2KuMA0rA0hRj7Z5XteodLiKH88Av1LP1LgyD-ZzbNr4Rv5A0AMZGIfMDvtzfreenVr7Z-Ru8tGLF5iD5g2juxdiQvAvX/s1600/Figure+13.jpg" width="248" /></a><span style="font-size: large;">At this point let’s take a look at the before and after effects by holding down the alt key on a PC and clicking on the Eye-Ball icon next to the Background Layer. Continue to hold down the alt key and click again. Toggle this back and forth to see the before and after-effects. </span><span style="font-size: large;">If your image looks good you can now delete the Threshold Layer and the 50% Grey Scale Layer. These will only take up space and you don’t need them because any adjustments made by these layers have been applied to your curves layer. If you don’t like the overall effect you can delete the curves layer and start all over. </span><br />
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<span style="font-size: large;">Well, there you have it. I have found this to be very helpful in attempting to get the right color balance for some images. This is not a cure-all sure fix for every image as you may want a specific color tent to an image. Case in point: If you want to give a winter landscape a colder look adding a cooler temperature may do the trick.</span><br />
<span style="font-size: large;"> </span><br />
<span style="font-size: large;">Prior to opening in Photoshop I usually adjust for Lens Correction and Remove Color Aberration in the RAW Converter, in my case Bridge but for others Lightroom. I then take the image into Photoshop to run the color adjustment, flatten all layers, and save as a tiff file. I will then reopen in my RAW Converter and begin my post-processing workflow.</span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">Please feel free to share this with others and you might want to print it out for a follow-along reference. I first learned of this technique from Jimmy McIntyre on YouTube. </span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">I learn a lot from watching tutorials and am grateful that there are so many photographers out there willing to share their knowledge and Photoshop skills. Jimmy offers a free set of down-loadable luminosity masks actions and he also sells some great video tutorials. </span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">I am a hard copy kind of guy who believes that training is enhanced if you can see it, then read it, and finally practice it with a reference next to your keyboard. For this reason, I have practiced this technique using my own images and have put it into a written document. If you would like to see Jimmy’s video on this subject just follow this link. </span> <a href="https://www.youtube.com/watch?v=7nzc82SCrzA&index=10&list=PLfAhBeqaWAz3ZofLqmguwQDbEFRyPtLCi">Color Correction by Jimmy McIntyre</a><br />
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<span style="font-size: large;">After performing this action I continued to post-process my image adding contrast, brightness, texture, and some sharpening. Here is a before and after of the image, I used in this tutorial.</span><br />
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BEFORE (RAW File)<span class="Apple-tab-span" style="white-space: pre;"> </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_77kHVcDlzTBdtwFBJd-9jskfP75RBuu_NTOIy7bY0LfnYNIcefRp1J1z6KP-lPpOlALUHhV-TU8gnD-B0Hw_CBX6f53emiPtS5YIo76e3DnAOzzB5MMCWxmbMzfB-5fol4WXbq_LF4v5/s1600/Figure+15.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_77kHVcDlzTBdtwFBJd-9jskfP75RBuu_NTOIy7bY0LfnYNIcefRp1J1z6KP-lPpOlALUHhV-TU8gnD-B0Hw_CBX6f53emiPtS5YIo76e3DnAOzzB5MMCWxmbMzfB-5fol4WXbq_LF4v5/s1600/Figure+15.jpg" width="426" /></a></div>
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If you would like a pdf of this tutorial please contact me and request a copy by e-mail at gilbej49@gmail.com.<br />
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John Gilbert<br />
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<a href="http://www.jmgilbertphoto.com/">www.jmgilbertphoto.com (Photo Travel Journal)</a><br />
<a href="http://www.jmgilbertphoto.net/">www.jmgilbertphoto.net (Display Gallery)</a><br />
<a href="https://500px.com/gilbej49">https://500px.com/gilbej49 (High Resolution Photo Gallery)</a><br />
<a href="https://www.flickr.com/photos/gil-bear/">https://www.flickr.com/photos/gil-bear/ (Social Gallery)</a><br />
<a href="https://plus.google.com/+JohnGilbert49/posts">google.com/+JohnGilbert49 (Social Page for Photography)</a><br />
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John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com0tag:blogger.com,1999:blog-2442848430539673379.post-11415758305879418912014-11-22T15:04:00.000-06:002014-11-22T15:34:32.928-06:00GRAND CANYON 2014<br />
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<span style="font-family: "Times New Roman",serif; line-height: 107%;"><span style="font-size: large;">Grand
Canyon 2014</span></span></div>
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<span style="font-family: "Times New Roman",serif; line-height: 107%;"><span style="font-size: x-small;">Travel Journal by John Gilbert</span></span></div>
<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%;"><br />
Day 1-10/23/14: Flew from St. Louis to Phoenix, AZ. Left Saint Louis at 8:00am arrived
at 9:00am. Three hour flight with a two hour time change. Desert
like area. Lot of cactus. By the time we got the car and got on our way
it was around 3:07 Central Time and 5:07pm Pacific. Traveled Highway 17 north
and then took scenic route 179 through Sedona. <span style="color: blue;"><i>(Click on images to see a larger view) </i></span></span><br />
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Day 2-10/24/14: Took the day to scope out the Grand Canyon. Took cameras but
did not plan any photo shoots other than what I could capture hand held.
We rented a couple of bicycles for the day and road to Yaki Point which is the
eastern section of the south rim of the Canyon. On our return we rode to
the Grand Canyon Village.<span style="mso-spacerun: yes;"> </span>This section
of the rim bridges the east “Kaibab Rim Route” with the west “Hermit Road
Route”. <span style="mso-spacerun: yes;"> </span>The Grand Canyon Village houses the mule
barns and is the location for Bright Angel Trailhead, the mule trail to the
bottom and the Colorado River. <span style="mso-spacerun: yes;"> </span>The
scenery is beautiful and truly is a wonder to behold.<span style="color: white;"> </span></span><br />
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Day 3-10/25/14: <span style="mso-spacerun: yes;"> </span>Today we set out
to drive the east rim of the Canyon also known as Desert View Drive.
Another beautiful morning. Our first stop was at an over look on Desert
View Drive. <span style="mso-spacerun: yes;"> </span>It was early morning
and the sun was just beginning to rise.<span style="mso-spacerun: yes;">
</span>I wish we had some cloud cover but it was a clear sky
with shades of yellow, blue, purple, and pink hues as part of the sunrise.<span style="mso-spacerun: yes;"> </span>After capturing a few images we continued on
and stopped at Grandview Point then it was on to Moran Point. We took a break
to tour the Tusayan Museum and Ruin. Next was Lipan Point, then Navajo Point
and finally Desert View.<span style="mso-spacerun: yes;"> </span>This drive is
not heavily traveled but one that yields awesome panoramic views of the Grand
Canyon <span style="color: white;">(</span></span><br />
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Day 4-10/26/14: Today was the day to hike Hermits Rest Road Rim. There
are three section to the South Rim of the Grand Canyon, The Village Route,
Kaibab Rim Route, and the Hermit Rest Road. A system of shuttle buses travel
a restricted paved road that runs parallel to the rim hiking corridor. Although
vehicles are restricted there are bus links at every viewing point.<span style="mso-spacerun: yes;"> </span>This allows hikers to get off the trail at
designated points and be shuttled back to their starting locations.<span style="mso-spacerun: yes;"> </span>The Hermits Rest Road Rim section is approximately 8 miles long
one way. <span style="color: white;">(</span></span><br />
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<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%;">We parked at the Village section and took the shuttle
to the beginning of the Hermits Rest Road. <span style="mso-spacerun: yes;"> </span>Our first
overlook, Trail View Point was .7 mile from our starting location. <span style="mso-spacerun: yes;"> </span>Here we took a series of stairs down the
Canyon to the observation area. <span style="mso-spacerun: yes;">
</span>For some reason climbing back up those stairs was a workout but remember
the higher altitude puts more pressure on the old lungs. <span style="color: white;">(</span></span><br />
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<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%;">We got back on the rim trail and proceeded another
.7 mile to Maricopa Point. Every point is a photo opportunity.<span style="mso-spacerun: yes;"> </span>Now the pros would scope out the area for a
day or two and pick that one spot for a dynamite picture.<span style="mso-spacerun: yes;"> </span>Remember this was my first trip to the Grand
Canyon so I want pictures of it all for my travel gallery.<span style="mso-spacerun: yes;"> </span>On my return trip I will pick out that magic
spot and concentrate on getting a magic capture.<span style="mso-spacerun: yes;"> </span>I must admit that I am well please with my
first pictures which can be seen on my gallery at <a href="http://www.jmgilbertphoto.com/"><span style="color: windowtext;">www.jmgilbertphoto.com</span></a>
in the “New Photo” folder.<span style="mso-spacerun: yes;"> </span>From here we
hiked .5 mile to Powell Point. I switched to a Nikon 16mm wide angle
lens.<span style="mso-spacerun: yes;"> </span>Using a tripod I set up and took a
series of shots.<span style="mso-spacerun: yes;"> </span>My aperture was set at
f/13 to give some depth-of-field with my ISO at 200.<span style="mso-spacerun: yes;"> </span>I varied my shutter speeds to create my
bracketed composures.<span style="mso-spacerun: yes;"> </span>This lens can have
a bowed or distorted appearance, which can be corrected in the RAW Converter.<span style="mso-spacerun: yes;"> </span>However by positioning the lens to align with
the horizon I was able to compensate for most of the lens distortion.<span style="mso-spacerun: yes;"> </span>This was a moderately easy image to blend due
the clean separation of the sky form the canyon.<span style="mso-spacerun: yes;"> </span>It was at this location that we came upon a
young couple getting married, naturally I fired off a few shots of the wedding
party and sent them the copies.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDC6JXuhJf3Sh7RblJtwxHrgo9EerolsSXtqUrZSx8wPI8bQoLhpA4PJiTd7kn9FTki17JkgHX8m0cdv2jf2v6j8x-TJfzqJYEybHmPlvI4IlLKxcHzHRRg90dMC2BRld9Qrs79flFzYqI/s1600/_JMG5901_2_3_P_Web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDC6JXuhJf3Sh7RblJtwxHrgo9EerolsSXtqUrZSx8wPI8bQoLhpA4PJiTd7kn9FTki17JkgHX8m0cdv2jf2v6j8x-TJfzqJYEybHmPlvI4IlLKxcHzHRRg90dMC2BRld9Qrs79flFzYqI/s1600/_JMG5901_2_3_P_Web.jpg" height="266" width="400" /></a></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%;">The next overlook was Hopi Point and only .3 mile
along the rim. Between Hopi Point and Mohave Point the rim trail has
places that are 3 to f feet wide and a straight drop over the edge to the
canyon below.<span style="mso-spacerun: yes;"> </span>(Insert _JMG5975) <span style="mso-spacerun: yes;"> </span>Continuing our rim hike we arrived at Mohave
Point after .8 mile. Each of these points represented a photo opportunity
and a water break. From Mohave it was 1.1 mile to the Abyss and from
Abyss to Monument Creek Vista was another .9 mile. There was a bench on
the rim trail overlooking a panoramic view of the canyon so took a 30 minute
break to eat our pre-packed lunch. Time to go and our next leg of our
journey was a 1.7 mile stretch to Pima Point. From here we headed toward
the last leg of our hike which was 1.1 mile and uphill to Hermits Rest.<span style="mso-spacerun: yes;"> </span>If I do this again I will start my hike at
Hermit’s Rest so that the last few legs of the trail are shorter between
observation points. </span></div>
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Day 5-10/27/14: We went to Page, AZ to photograph the Lower Antelope Canyon.
(AC) and Horse Shoe Bend. (HB). Antelope Canyon required us to hike 1/4 mile to
entrance, then descend three stories into the Canyon. There is a lot of
fine sand in this area which can be very slippery on the rocks. Used
Ken's Tours as recommended by Trip Advisors. The Photo Pass was $48 and
good for two hours. You are on your own but Watch you watch because it is $20
for each twenty minutes of overtime. The competitor has group photo tours
but I would not recommend it because in the canyon there is limited space to
set up. The regular tour groups are not allowed to have tripods.
They allowed me to follow the group tour in and I had no problem setting up my
tripod to get a specific shot. Because this was late in the season and probably
the last group for the day, the group I as following took their time and I was
able to follow behind without losing contact with them. <span style="mso-spacerun: yes;"> </span>Awesome experience and the Navaho guides were
excellent and knew all the right spots to get a great shot. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh28ELJAcCXLfACDl1Bxv_Ip3kmdiJrQdVTbMC_k_z45QVCrcjAKiQ38_6b5zn6GPwrSSMX9DTOyaxYhGWcxq_qYjM9NyI3SI8QDUzBdvUA5f6IKHbqVAoQTxibrCkpuu8Hljm2oXPmq6YA/s1600/_JMG6145_P2_Web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh28ELJAcCXLfACDl1Bxv_Ip3kmdiJrQdVTbMC_k_z45QVCrcjAKiQ38_6b5zn6GPwrSSMX9DTOyaxYhGWcxq_qYjM9NyI3SI8QDUzBdvUA5f6IKHbqVAoQTxibrCkpuu8Hljm2oXPmq6YA/s1600/_JMG6145_P2_Web.jpg" height="400" width="308" /></a></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%;">Next it was on to Horse Shoe Bend. It was a
short drive from Antelope Canyon.<span style="mso-spacerun: yes;"> </span>This
was a ¾ mile hike.<span style="mso-spacerun: yes;"> </span>The first leg of this
hike has a moderately steep elevation probably made moderate by the deep fine
sand.<span style="mso-spacerun: yes;"> </span>The approach to the actual bend is
open and panoramic.<span style="mso-spacerun: yes;"> </span>After cresting the
first hill it is all downhill thereafter and yes lots of sand.<span style="mso-spacerun: yes;"> </span>On the final approach to the bend I became cognizant
of my surroundings and the drop off that I was approaching.<span style="mso-spacerun: yes;"> </span>Having a height phobia I had problems with
this but was not leaving without a picture to show that I had been there.<span style="mso-spacerun: yes;"> </span>So I did the only sane thing I could do.<span style="mso-spacerun: yes;"> </span>I crawled on me belly to get to the
edge. No tripod for me, no way was I going to stand on the edge of that
cliff looking down 1,000 feet.<span style="mso-spacerun: yes;"> </span>This was
going to strictly be a hand held capture in a prone position. <span style="mso-spacerun: yes;"> </span>Well I have been there!<span style="mso-spacerun: yes;"> </span>I have capture the scene! And I absolutely am
NOT going back!<span style="mso-spacerun: yes;"> </span>Well at least I don’t
think so anyway.<span style="mso-spacerun: yes;"> </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_qiihpjd1xx1KM6c174-mLjv1Rkuu_B-2qFfUnmpNqIpN03_yI7etdEQ5VenQvJh3cwhXsGQUMAcNP5XFcrg6Q8hAjAf9PEwp-7e0TvWFTlPEUPFWKtkKBoXR1yVUg-u-V58lwiEaNK01/s1600/_JMG6186_P2_Web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_qiihpjd1xx1KM6c174-mLjv1Rkuu_B-2qFfUnmpNqIpN03_yI7etdEQ5VenQvJh3cwhXsGQUMAcNP5XFcrg6Q8hAjAf9PEwp-7e0TvWFTlPEUPFWKtkKBoXR1yVUg-u-V58lwiEaNK01/s1600/_JMG6186_P2_Web.jpg" height="246" width="400" /></a></div>
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<span style="font-family: "Times New Roman",serif; font-size: 12pt; line-height: 107%;">That night it was back to the rim for some star
photography. This was a first for me and a learning experience. <br />
<br />
Day 5-10/28/14: Breakfast in Williams at Pine Country Restaurant. Took
scenic route 89A through Sedona. Stopped at overlook to shop with Navaho
venders. Took pictures of cactus plants just outside of Phoenix.<span style="mso-spacerun: yes;"> </span>Check in at a motel and rested up for the
return flight back to St. Louis and the drive home.<span style="mso-spacerun: yes;"> </span>I definitely want to go back and I want to
drive all the way even though it will be a 24 hour drive.<span style="mso-spacerun: yes;"> </span>Next on my bucket list is Zion, Bryce, and
Archer’s National Parks.<span style="mso-spacerun: yes;"> </span>Please visit my
galleries at <a href="http://www.jmgilbertphoto.com/"><span style="color: #0563c1;">www.jmgilbertphoto.com</span></a>
and <a href="http://www.jmgilbertphoto.net/"><span style="color: #0563c1;">www.jmgilbertphoto.net</span></a>.<span style="mso-spacerun: yes;"> </span>Thanks!<o:p></o:p></span></div>
John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com0tag:blogger.com,1999:blog-2442848430539673379.post-65408740165863027272014-10-07T11:13:00.000-05:002014-11-22T15:04:48.293-06:00CREATE SOFT PROOF ACTION<br />
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<b style="mso-bidi-font-weight: normal;"><span style="color: #666666; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;">CREATE AN ACTION FOR SOFT PROOFING<o:p></o:p></span></span></b></div>
<div style="text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="color: #666666; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;">By Sean Bagshaw</span><a href="file:///K:/MY%20PHOTOS/BLOG/Soft%20Proof%20Action/CREATE%20A%20ACTION%20FOR%20SOFT%20PROFFING.docx" name="_ftnref1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><b style="mso-bidi-font-weight: normal;"><span style="color: #666666; font-family: "Arial","sans-serif"; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><span style="font-size: xx-small;">[1]</span></span></b></span><!--[endif]--></span></span></a><span style="font-family: Arial;">
<o:p></o:p></span></span></b></div>
<div style="text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="color: #666666; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;">Translated into Print by John Gilbert</span><a href="file:///K:/MY%20PHOTOS/BLOG/Soft%20Proof%20Action/CREATE%20A%20ACTION%20FOR%20SOFT%20PROFFING.docx" name="_ftnref2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><b style="mso-bidi-font-weight: normal;"><span style="color: #666666; font-family: "Arial","sans-serif"; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-US;"><span style="font-size: xx-small;">[2]</span></span></b></span><!--[endif]--></span></span></a><o:p></o:p></span></b></div>
<br />
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<b style="mso-bidi-font-weight: normal;"><span style="color: #666666; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><o:p><span style="font-family: Arial;"> </span></o:p></span></b><span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;">In this tutorial I am going to show you how to make a
Photoshop action that will create a soft proofing version of your image prior
to printing. This will help insure that what you see on your monitor will
hopefully match want is printed.<span style="mso-spacerun: yes;"> </span>Basically
we are going to use Photoshop to simulate what an image will look like when
printed on a certain type of paper.<span style="mso-spacerun: yes;"> </span>We
can speed hours post processing an image to look the way we remember it, but
when it comes time to print, well our print copy does not look like the
processed copy on our monitor. <span style="mso-spacerun: yes;"> </span>Different
papers interact differently with inks, printer pixels and resolutions do not
match the image on our monitor. <span style="mso-spacerun: yes;"> </span>Sometimes
we need to tweak our image by making a few additional adjustments to get it to print
as closely as possible to what we see on our screen.<span style="mso-spacerun: yes;"> </span>We need the ability to compare our screen
image with a print proof.<span style="mso-spacerun: yes;"> </span>In this tutorial
we are going to create an action to compare the two. <o:p></o:p></span></span></div>
<br />
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<span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><o:p><span style="font-family: Arial;"> </span></o:p></span><span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;">Let’s open an image.<span style="mso-spacerun: yes;">
</span>This image has been processed by me and saved in a tiff format.<span style="mso-spacerun: yes;"> </span>All the layers I created to arrive at this
final output are preserved in the tiff file.<span style="mso-spacerun: yes;">
</span></span></span></div>
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<span style="font-family: Arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5w1fSc9N3J4OuHTd56W0HROhRnMdwyfiH2pW7yNqmWTCrLXGdDMLibMRKwsbF6Eg1iO1C5Ou9yzY1Oz3Fh84__80-gChHYCdLwZsKizUZflLrxpXt5sYQ1U2a1fq2HxOs6TiwBUcj5Wu5/s1600/2014-08-15_12-12-41.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5w1fSc9N3J4OuHTd56W0HROhRnMdwyfiH2pW7yNqmWTCrLXGdDMLibMRKwsbF6Eg1iO1C5Ou9yzY1Oz3Fh84__80-gChHYCdLwZsKizUZflLrxpXt5sYQ1U2a1fq2HxOs6TiwBUcj5Wu5/s1600/2014-08-15_12-12-41.jpg" height="202" width="400" /></a></span></div>
<span style="font-family: Arial;"><o:p></o:p></span><br />
<br />
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<span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><o:p><span style="font-family: Arial;"> </span></o:p></span><span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;">In addition I add, as a final layer, a “Levels Adjustment
Layer” set to “Screen Blending Mode”, with a 50% opacity, because I know that
my printer has a tendency to print darker than what I see on my monitor.<span style="mso-spacerun: yes;"> </span>So I want to click on the eyeball icon to
activate this layer.<span style="mso-spacerun: yes;"> </span>If you do not have
this layer on your image you should create one before now.<o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ9bpLE209kMwvcUOw3QthliVEdmxh0l5jcak2wVmfDjsw_9eWzNI7CLLsbTkaqhwqsNeBxTMn0epchM9JPLh_6loI0cQ4jOW7x3fiJGWL0J3420w3ErbGKyWNYs3sShIwqAkIDkpZBcAj/s1600/2014-10-03_14-10-05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ9bpLE209kMwvcUOw3QthliVEdmxh0l5jcak2wVmfDjsw_9eWzNI7CLLsbTkaqhwqsNeBxTMn0epchM9JPLh_6loI0cQ4jOW7x3fiJGWL0J3420w3ErbGKyWNYs3sShIwqAkIDkpZBcAj/s1600/2014-10-03_14-10-05.jpg" height="320" width="214" /></a></div>
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<span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><o:p><span style="font-family: Arial;"> </span></o:p></span></div>
<span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;">Let’s begin.<span style="mso-spacerun: yes;"> </span>First we
want to store this action in a separate folder in our actions panel so go to
the action panel and select create new folder.<span style="mso-spacerun: yes;">
</span>Let’s name it “Soft Proof Action”.<span style="mso-spacerun: yes;">
</span>Once we are ready to begin recording our steps, we will click the “new
action button”.<span style="mso-spacerun: yes;"> </span>This is going to create
a new action in our newly created Soft Proof Folder.<span style="mso-spacerun: yes;"> </span></span></span><br />
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<span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="mso-spacerun: yes;"></span></span></span> </div>
<span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="mso-spacerun: yes;"></span></span></span><div class="separator" style="clear: both; line-height: 200%; margin: 0in 0in 0pt; text-align: center;">
<span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="mso-spacerun: yes;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUMr-OKWIC7eubsKgx4m6FLvMKML6tbmgLb8gDiKIsjgJC176pg_67aC7EBA1NTQSpQRZd0zYd4DQNXYbhyVmcYRnyi4doxMshv1uAXXRIlCfHsEHNgPZcZTE9kLAsiCmWVHdSlAcre02y/s1600/2014-10-03_14-28-32.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUMr-OKWIC7eubsKgx4m6FLvMKML6tbmgLb8gDiKIsjgJC176pg_67aC7EBA1NTQSpQRZd0zYd4DQNXYbhyVmcYRnyi4doxMshv1uAXXRIlCfHsEHNgPZcZTE9kLAsiCmWVHdSlAcre02y/s1600/2014-10-03_14-28-32.jpg" height="153" width="320" /></a></span></span></span></div>
<span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="mso-spacerun: yes;">
</span><o:p></o:p></span></span>
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<span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><o:p><span style="font-family: Arial;"> </span></o:p></span><span style="font-family: Arial;"><span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">The first soft proof we are going to create is one for Premium
Luster Photo Paper.<span style="mso-spacerun: yes;"> </span>You can create
different actions for different types of paper. Different papers have different
print profiles which will require you to make adjustments for a specific paper
profile. </span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4YzIt2w8KwWRA-QMgtHxNY9RlVc1ld8dGLTg49bnsZ94UxC9hKfCI4YW5TSL4CCUSujnCAY-i3jashD-eGXBp42hE9VB2ac89VKHXusZhRMQ_RJx8rshgMWjFIQiLu5mrtYhUjxfDZ1U1/s1600/2014-10-03_12-42-32.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4YzIt2w8KwWRA-QMgtHxNY9RlVc1ld8dGLTg49bnsZ94UxC9hKfCI4YW5TSL4CCUSujnCAY-i3jashD-eGXBp42hE9VB2ac89VKHXusZhRMQ_RJx8rshgMWjFIQiLu5mrtYhUjxfDZ1U1/s1600/2014-10-03_12-42-32.jpg" height="135" width="320" /></a></div>
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<span style="font-family: Arial;"><span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"></span></span> </div>
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<span style="font-family: Arial;"><span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">We are just about ready to start the action.<span style="mso-spacerun: yes;"> </span>Once we click on the action button a red circle
will light up at the bottom of the Action Panel to indicate that we are
recording.<span style="mso-spacerun: yes;"> </span>Everything we do from this
point on will be recorded. <span style="mso-spacerun: yes;"> </span>Ready? Click the
action button.<span style="mso-spacerun: yes;"> </span></span><span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">T<span style="color: black;">he first step is to
record a duplicate of our image.<span style="mso-spacerun: yes;"> </span>Go to
the Image Menu and select Duplicate. <span style="mso-spacerun: yes;"> </span>In
the Duplicate Image Window, <u>check the merge layer box</u> and click on “OK”.<span style="mso-spacerun: yes;"> </span>You should now have the original photo opened
in Photoshop with all its layers and a copy of that image with all the layers
merged into just a background layer. Toggle
between the two images to see the original with all its layers and the copy
image with only a background layer.<span style="mso-spacerun: yes;"> </span>At
this point let’s close the original image file.<span style="mso-spacerun: yes;">
</span>Remember when asked if you want to save the changes select <b style="mso-bidi-font-weight: normal;">“no”</b> because we don’t want to save it
with the lighten layer activated. <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></span></span></div>
<br />
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><o:p><span style="font-family: Arial;"> </span></o:p></span><span style="font-family: Arial;"><span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Next let’s duplicate the duplicated image.<span style="mso-spacerun: yes;"> </span>When the duplicate dialog box appears be sure
and tweak the name. It will probably automatically assign the second copy as
copy2 but if it doesn’t then add the number 2 next to the word copy so that
when we click on OK it does not ask me if I want to over-write the existing
file. </span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghr7j7xkgm-Uao-oVw16zAAiftyiY951phcKCnQ-halsOjQR-L_2YPLSgkCwRtFo7rwSleXhzYFR6vjVtrXO9F2yCwl0ZJSY5-D7C_50-IdFsmRS3jnYAoFaeeaGHJ1Wkbm1YDpvDt-s5T/s1600/2014-08-16_8-03-19.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghr7j7xkgm-Uao-oVw16zAAiftyiY951phcKCnQ-halsOjQR-L_2YPLSgkCwRtFo7rwSleXhzYFR6vjVtrXO9F2yCwl0ZJSY5-D7C_50-IdFsmRS3jnYAoFaeeaGHJ1Wkbm1YDpvDt-s5T/s1600/2014-08-16_8-03-19.jpg" height="145" width="400" /></a></span></div>
<br />
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-family: Arial;"><span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"></span></span> </div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-family: Arial;"><span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">At this point we have two duplicate files open in Photoshop, copy2 and copy.<span style="mso-spacerun: yes;"> </span>I want to be able to see both copies at the
same time in my window. Go to the drop down Window’s menu, select arrange, and
then 2 up vertical.<span style="mso-spacerun: yes;"> </span>(Windows>Arrange>2Up
Vertical) .Right now you should be able to see two images side by side.<span style="mso-spacerun: yes;"> </span></span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjajCl4Kl9U-XUNyKtZuhiUzXPD64nhc8sJ7vqUDo_k5_8gOb_3E8r-hQxMFg1URLR1gFwqww0S0rbu6tslWG5gU8PJlG5MtiSfs0xgrRDkzEfxSo_eeVfnbgXM-pKVYJCzlmDyyhArIABt/s1600/2014-09-05_15-15-46.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjajCl4Kl9U-XUNyKtZuhiUzXPD64nhc8sJ7vqUDo_k5_8gOb_3E8r-hQxMFg1URLR1gFwqww0S0rbu6tslWG5gU8PJlG5MtiSfs0xgrRDkzEfxSo_eeVfnbgXM-pKVYJCzlmDyyhArIABt/s1600/2014-09-05_15-15-46.jpg" height="163" width="400" /></a></span></div>
<br />
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-family: Arial;"><span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="mso-spacerun: yes;"></span></span></span> <span style="font-family: Arial;"><span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">Remember we are still recording but you can
close the actions panel to give you more viewing capabilities. Next we want to apply
the premium </span><span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">luster <span style="color: black;">photo
paper profile to one of the images, let’s apply it to our first copy. <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></span></span></div>
<br />
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;">From the View, drop down menu, select Proof Setup, then
Custom. (View>Proof Setup>Custom). A “Custom Proof Condition” window will
open. <span style="mso-spacerun: yes;"> </span>In the “Device to Simulate
dropdown menu select the paper type you want to simulate, in this example we
are going to select the Epson Styles Pro 4900 Premium Luster Paper.<span style="mso-spacerun: yes;"> </span></span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglf3yIwbyPHLaH6121Q97TkxSlT0nlX8MQBCPbLqjZqVYNiJsfVj4czwuCN-igUNUJt64JGcCjt8Wr7BQzDUdNJZDTPGUsEvDxmAjwHXCccaRn5zLdPluT8Tok1NcKQOaa_cMNU3EN_pZG/s1600/2014-09-05_12-47-11.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglf3yIwbyPHLaH6121Q97TkxSlT0nlX8MQBCPbLqjZqVYNiJsfVj4czwuCN-igUNUJt64JGcCjt8Wr7BQzDUdNJZDTPGUsEvDxmAjwHXCccaRn5zLdPluT8Tok1NcKQOaa_cMNU3EN_pZG/s1600/2014-09-05_12-47-11.jpg" height="210" width="400" /></a></span></div>
<br />
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;">I use an Epson 4900 printer and I print on
luster paper so that is why I selected this option.<span style="mso-spacerun: yes;"> </span>You will need to select the paper type that
matches with your printer brand so you get the correct paper profile. Also
select Relative Chromatic rendering from the rendering intent box.<span style="mso-spacerun: yes;"> </span>This seems to give the closest look at what
we want to see. Put a check mark in the Black Point Compensation Box, and
finally check the Simulate Paper Color under the display options section of
this custom proof condition window.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></span></div>
<br />
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-family: Arial;"><span style="color: black; font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";">It has been my experience as well as others that Photoshop
tends to be a little heavy-handed when it's simulating the paper color so keep
that in mind. <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Warning your simulated proof may
look worse on the screen than it will when you print it.</i></b></span><span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"> <span style="mso-spacerun: yes;"> </span><span style="color: black;">Click okay. <span style="mso-spacerun: yes;"> </span>Immediately
you can see the simulated print version (copy) and the monitor version (copy2).
The simulated copy is much duller, flatter, lower contrast, and a little bit
cooler (bluer) then the screen image.<span style="mso-spacerun: yes;"> </span>If
we printed this out at this point it is going to look a little worse than it
actually would.<span style="mso-spacerun: yes;"> </span>Remember sometimes Photoshop
can overdo it a bit and the results would not match the monitor version. <span style="mso-spacerun: yes;"> </span></span></span></span></div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-family: Arial;"><span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="color: black;"><span style="mso-spacerun: yes;"></span></span></span></span> </div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-family: Arial;"><span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="color: black;"><span style="mso-spacerun: yes;"></span>Our goal is to get the simulated copy to look
as much as possible like our screen copy2.<span style="mso-spacerun: yes;">
</span></span>We<span style="color: black;"> need to increase contrast, increase </span>saturation,
<span style="color: black;">and </span>add a<span style="color: red;"> </span><span style="color: black;">little bit </span>of<span style="color: red;"> </span><span style="color: black;">luminosity brightness.<span style="mso-spacerun: yes;">
</span>We may also need to warm the simulated copy image a little. <span style="mso-spacerun: yes;"> </span>These additional adjustments will help get it
ready to print. Remember we will apply adjustments until we get the print
version (copy) to match the monitor version (copy2). </span></span></span></div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-family: Arial;"><span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="color: black;"></span></span></span> </div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-family: Arial;"><span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="color: black;">First let’s create a
curves adjustment layer. (Layer Menu>New Adjustment Layer> Curves). We
will use this to brighten our print image (copy) Now add a marker to the curves
line in the shadow area to anchor the darks and mid-tones, then pull the top
part of the curve line up to add some highlight luminosity to our print image.
</span></span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-gO_A6_FbdDQVapsBmOAi8reO8XNg_qHLof_IUabUlwv-pASqiOnrq9CCU6m94vKurIgWTPiwlLBeFfJeArjY6k8DGkndnrSo4hUSWJzR2WoIGEIu_mzFg_rWJkhHuwwpD_iYZ6FPuk8q/s1600/2014-10-03_13-07-59.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-gO_A6_FbdDQVapsBmOAi8reO8XNg_qHLof_IUabUlwv-pASqiOnrq9CCU6m94vKurIgWTPiwlLBeFfJeArjY6k8DGkndnrSo4hUSWJzR2WoIGEIu_mzFg_rWJkhHuwwpD_iYZ6FPuk8q/s1600/2014-10-03_13-07-59.jpg" height="320" width="258" /></a></span></div>
<br />
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-family: Arial;"><span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="color: black;">We can see that </span>brightening <span style="color: black;">up the highlights also
</span>increases the <span style="color: black;">contrast a little bit too much.<span style="mso-spacerun: yes;"> </span></span>So we are now going to bring up the <span style="color: black;">shadows by pulling up on my dark and mid-tone anchor point just
a little bit to maintain the contrast but also bring up the overall </span>luminosity
<span style="color: black;">of the image. <span style="mso-spacerun: yes;"> </span></span>It
<span style="color: black;">can be slightly different for every image </span>so
you may have to make adjustments accordingly. By clicking the layer on and off
you can <span style="color: black;">see the before and the after what effect your
adjustment is having. <span style="mso-spacerun: yes;"> </span></span></span></span></div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-family: Arial;"><span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="color: black;"><span style="mso-spacerun: yes;"></span></span></span></span> </div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-family: Arial;"><span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="color: black;"><span style="mso-spacerun: yes;"></span></span>The next
thing we<span style="color: black;"> need to do is bring back some lost saturation</span>
<span style="color: black;">so let’s add </span>a hue <span style="color: black;">saturation
adjustment layer to bring up the saturation. (Layer Menu>New Adjustment
Layer> Hue Saturation) Don’t overdo it, increase the saturation slider to
about nine or ten. <span style="mso-spacerun: yes;"> </span></span></span></span><br />
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Arial;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjRNR7_hChGMhhaYHvUvqN8Xp4Y2X-yIKLN2tBmO6io3YhlRC6JyAxKPuUrYfXDhJ6EKDmWYl8k3yCLNtzVCCKoyyl2sVHz5sEZauMMrbURU35OiNjqI_SEeRM54eftLbXyyBvCUbWHscK/s1600/2014-10-03_13-04-52.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjRNR7_hChGMhhaYHvUvqN8Xp4Y2X-yIKLN2tBmO6io3YhlRC6JyAxKPuUrYfXDhJ6EKDmWYl8k3yCLNtzVCCKoyyl2sVHz5sEZauMMrbURU35OiNjqI_SEeRM54eftLbXyyBvCUbWHscK/s1600/2014-10-03_13-04-52.jpg" height="320" width="250" /></a></span></div>
<br />
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-family: Arial;"><span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="color: black;"><span style="mso-spacerun: yes;"></span></span></span></span> </div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-family: Arial;"><span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="color: black;"><span style="mso-spacerun: yes;"></span>We can't bring back
all the </span>lost <span style="color: black;">color because there are some
colors in the screen image that are just out </span>of gamut<span style="color: red;"> </span><span style="color: black;">for printing based on our
paper selection. <span style="mso-spacerun: yes;"> </span></span>Bottom line there
are some colors that we will not be able to reach but we can get closer<span style="color: black;">. <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></span></span></div>
<br />
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="font-size: small;">T</span>he <span style="color: black;">final thing is to combat the cooling or
bluing </span>of some of <span style="color: black;">the colors in here that </span>premium
<span style="color: black;">luster photo paper has. <span style="mso-spacerun: yes;"> </span></span>T<span style="color: black;">o do that we
are going to use Photoshop’s photo filter and add a warming filter #85
layer.<span style="mso-spacerun: yes;"> </span>(Layer Menu>New Adjustment
Layer> Photo Filter) </span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ9jwslde2Pq0Qe0Dwpu3VtL3503I0B21u9dfDXdTVbxAADZSHtBii3vQ9ZEm0KygLYW9d8bJeuGk8fZNl1AxEFIgO8H-K5PbpqRKMTfLB3M4ROgSU-UbIkfDJvhn3BPj2N2-WrVWH6uon/s1600/2014-10-03_13-06-02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ9jwslde2Pq0Qe0Dwpu3VtL3503I0B21u9dfDXdTVbxAADZSHtBii3vQ9ZEm0KygLYW9d8bJeuGk8fZNl1AxEFIgO8H-K5PbpqRKMTfLB3M4ROgSU-UbIkfDJvhn3BPj2N2-WrVWH6uon/s1600/2014-10-03_13-06-02.jpg" height="320" width="254" /></a></div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;"></span></span></span> </div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;">You may need to turn down the opacity on this layer a
bit. <span style="mso-spacerun: yes;"> </span></span>You should be able to<span style="color: black;"> see that the two images still don't match perfectly but if
we look </span>at<span style="color: red;"> </span><span style="color: black;">where
we began, </span>by <span style="color: black;">hold</span>ing<span style="color: black;"> down the Alt key </span>and<span style="color: black;">
clicking on the eyeball </span>layer icon next to <span style="color: black;">the
background </span>layer <span style="color: black;">image, </span>we <span style="color: black;">can turn off all </span>the<span style="color: black;"> other
adjustment layers </span>to see <span style="color: black;">where we started.<span style="mso-spacerun: yes;"> </span>Repeat this step by hold</span>ing<span style="color: black;"> down the Alt key </span>and<span style="color: black;">
click on the eyeball </span>layer icon next to <span style="color: black;">the
background </span>layer <span style="color: black;">image again to turn all the
layers back on.</span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx11meNcbJbAUXt67gba4AyV1Op9kmok6nQ-CpBPjNEs7Hnb6yIukFGDPftFzNgoHQHp4u0oAaVBsq0dXksZeetZqXfQWs_ZmXov9fLMjKsVzBEevHxk9leOJr5ecGx2p8UFNrHtZfZj00/s1600/2014-10-03_13-22-15.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx11meNcbJbAUXt67gba4AyV1Op9kmok6nQ-CpBPjNEs7Hnb6yIukFGDPftFzNgoHQHp4u0oAaVBsq0dXksZeetZqXfQWs_ZmXov9fLMjKsVzBEevHxk9leOJr5ecGx2p8UFNrHtZfZj00/s1600/2014-10-03_13-22-15.jpg" height="320" width="251" /></a></div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;"></span></span></span> </div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;"> You can toggle back and forth to see the before and after
adjustments you’ve made.<span style="mso-spacerun: yes;"> </span></span>We <span style="color: black;">can see that we're now getting our image much closer to what
we wanted and so it should now print closer. </span>In fact now we can go <span style="color: black;">back up to the View Menu and toggle the “Proof Colors” on
and off to see the before and after. You could also click CTRL-Y to toggle the
Proof Simulation on an off. <span style="mso-spacerun: yes;"> </span>So without the
print simulation turned on our adjustments really pump the image up, probably
more than our intent but it should print looking closer to what we see on the
monitor. We can’t get the print version to be identical to the monitor version
because of the range of gamut’s of the monitor verses our paper selection.</span></span></span></div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;"></span></span></span> </div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;">We can
now stop recording our action. <span style="mso-spacerun: yes;"> </span>Open up
the action pallet and hit the stop button and stop recording because
essentially we are done.<span style="mso-spacerun: yes;"> </span>(Windows
Menu> Actions or Alt + F9) </span></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjydMOdA9yk3QnF5kSVNu-DqlJeoWgwchhl1HC3QzOAtLZvV-at-UYLDeIzRvEzYNdU8EGP2W_vAU8LrFJtCn54as64ciMkOKCvCq4Zfy1Pm8rvzECo-MQBck0ECx8ITj0v78E12z3v-OX/s1600/2014-10-03_13-31-15.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjydMOdA9yk3QnF5kSVNu-DqlJeoWgwchhl1HC3QzOAtLZvV-at-UYLDeIzRvEzYNdU8EGP2W_vAU8LrFJtCn54as64ciMkOKCvCq4Zfy1Pm8rvzECo-MQBck0ECx8ITj0v78E12z3v-OX/s1600/2014-10-03_13-31-15.jpg" height="316" width="320" /></a></div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;"></span></span></span> </div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;">We now have an action that will create a soft
proofing anytime we want to soft proof a print using Premium Luster Paper.<span style="mso-spacerun: yes;"> </span>All we need to do is run the action to get to
a point where we are close to printing. </span></span></span></div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;"></span></span></span> </div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;">To test our action close the two views
and then go open our original or a new image, then add a “Levels Adjustment
Layer” set to “Screen Blending Mode”, with a 50% opacity, because as I stated
above my Epson Printer has a tendency to print darker than what I see on my
monitor.<span style="mso-spacerun: yes;"> </span>Once I hit play, the action will
go through all the steps, it'll flatten the image, close the original master, create
the duplicates, and now all I need to do is go to window, (Windows>Arrange>2Up
Vertical) arrange the two copies vertically so that they are side by side, then
close the action panel and here is my image with the profile simulation applied
and here's my comparison image. <span style="mso-spacerun: yes;"> </span></span></span></span></div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;"><span style="mso-spacerun: yes;"></span></span></span></span> </div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;"><span style="mso-spacerun: yes;"></span>We can
see that all those adjustments have been applied and we can go in and fine tune
them if we need to. <span style="mso-spacerun: yes;"> </span>Once we have the image
looking as close to the monitor version as possible, close copy2 but don’t save
it. <u>Click CTRL-Y</u> to turn off the simulation. <span style="mso-spacerun: yes;"> </span>Next size the simulated copy for print and do
any print sharpening that is necessary before sending it off to be printed. This
is how you create an action that will make your soft proofing go much faster
and you can actually produce a whole series of actions for different paper
types so that whatever paper you're going to print on you can just do a single
click on the action for that paper type and automatically get set up with a
proof for printing.</span></span></span></div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;"></span></span></span> </div>
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman";"><span style="font-family: Arial;"><span style="color: black;">I hope you find this
helpful and it saves you some time.<span style="mso-spacerun: yes;"> </span>I
use to print and adjust, then print again and adjust again until I got it the
way I wanted.<span style="mso-spacerun: yes;"> </span>If you don’t own your own
printer, test this by having a smaller print printed by an online printing
service or by a local printer or even a friend.<span style="mso-spacerun: yes;">
</span><o:p></o:p></span></span></span></div>
<br />
<div class="MsoNormal" style="line-height: 200%; margin: 0in 0in 0pt;">
<span style="font-size: 14pt; line-height: 200%; mso-bidi-font-family: Arial;"><o:p><span style="font-family: Arial;"> </span></o:p></span><span style="font-family: Arial;"><span style="font-size: x-small;"><i style="mso-bidi-font-style: normal;"><span style="line-height: 200%; mso-bidi-font-family: Arial;">“I have
spent hours watching Sean’s video and converting it into a printed version for
my personal use as a follow along guide.<span style="mso-spacerun: yes;">
</span>Sean has a whole series of video tutorials for processing images using
Luminosity Masks. </span></i><span style="mso-bidi-font-family: Arial;"><a href="http://www.outdoorexposurephoto.com/" target="_blank"><i style="mso-bidi-font-style: normal;"><span style="line-height: 200%;"><span style="color: blue;">(Click here to be taken to his web site.)</span></span></i></a></span><i style="mso-bidi-font-style: normal;"><span style="line-height: 200%; mso-bidi-font-family: Arial;"> <span style="mso-spacerun: yes;"> </span>I
highly recommend them.<span style="mso-spacerun: yes;"> </span>Sean’s videos
along with Tony Kuyper’s TKActions Panel for Luminosity Masks </span></i><span style="mso-bidi-font-family: Arial;"><a href="http://www.goodlight.us/" target="_blank"><i style="mso-bidi-font-style: normal;"><span style="line-height: 200%;"><span style="color: blue;">(Click here to be takento Tony’s web site.)</span></span></i></a></span><i style="mso-bidi-font-style: normal;"><span style="line-height: 200%; mso-bidi-font-family: Arial;"> will be
the best investment you make and will improve your post processing by 100%
Plus.<span style="mso-spacerun: yes;"> </span>John Gilbert”<o:p></o:p></span></i></span></span></div>
<span style="font-size: x-small;">
</span><br />
<div style="mso-element: footnote-list;">
<!--[if !supportFootnotes]--><br />
<hr align="left" size="1" width="33%" />
<!--[endif]-->
<br />
<div id="ftn1" style="mso-element: footnote;">
<div class="MsoFootnoteText" style="margin: 0in 0in 0pt;">
<a href="file:///K:/MY%20PHOTOS/BLOG/Soft%20Proof%20Action/CREATE%20A%20ACTION%20FOR%20SOFT%20PROFFING.docx" name="_ftn1" style="mso-footnote-id: ftn1;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "Arial","sans-serif"; font-size: 10pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"><span style="color: blue;">[1]</span></span></span><!--[endif]--></span></span></a><span style="font-family: Arial; font-size: x-small;">
Sean Bagshaw You Tube Tutorial </span><span style="color: blue; font-family: Arial; font-size: x-small;"><a href="https://www.youtube.com/watch?v=43_v6olWyQc&index=28&list=PLfAhBeqaWAz3ZofLqmguwQDbEFRyPtLCi" target="_blank">Click to view</a></span><span style="font-size: x-small;"><span style="font-family: Arial;"> (Ctrl+Clcik)<o:p></o:p></span></span></div>
</div>
<div id="ftn2" style="mso-element: footnote;">
<div class="MsoFootnoteText" style="margin: 0in 0in 0pt;">
<a href="file:///K:/MY%20PHOTOS/BLOG/Soft%20Proof%20Action/CREATE%20A%20ACTION%20FOR%20SOFT%20PROFFING.docx" name="_ftn2" style="mso-footnote-id: ftn2;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span style="font-family: "Arial","sans-serif"; font-size: 10pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"><span style="color: blue;">[2]</span></span></span><!--[endif]--></span></span></a><span style="font-size: x-small;"><span style="font-family: Arial;">
John Gilbert: Translated into a pdf document but using his pictures and printer
profiles after creating this action based on Sean Bagshaw’s tutorial.<o:p></o:p></span></span></div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com1tag:blogger.com,1999:blog-2442848430539673379.post-88762537533162914072014-07-20T14:24:00.005-05:002014-08-11T09:48:51.015-05:00YELLOWSTONE 2014<br />
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Figure <![if supportFields]><span style='mso-element:
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ARABIC <span style='mso-element:field-separator'></span><![endif]><span
style='mso-no-proof:yes'>1</span><![if supportFields]><span
style='mso-no-proof:yes'><span style='mso-element:field-end'></span></span><![endif]>
Bourghing Owl<b style='mso-bidi-font-weight:normal'><span style='font-size:
12.0pt;font-family:"Times New Roman","serif";color:red;mso-no-proof:yes'><o:p></o:p></span></b></p>
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<br />
<div align="center" class="MsoNormal" style="text-align: center;">
<span style="font-family: "Times New Roman","serif"; font-size: 14.0pt; line-height: 107%;">YELLOWSTONE
2014<o:p></o:p></span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 14.0pt; line-height: 107%;"><i>"Capture The Moment-Relive The Experience"</i></span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 14.0pt; line-height: 107%;"><i>With John Gilbert</i></span></div>
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<span style="font-family: inherit; font-size: 12.0pt; line-height: 107%;">On June 6, 2014 my friend Niala and I set out for
another trip to Yellowstone. This marks
our fifth trip to Yellowstone to date.
Each time we go we try to stay in a different area of the Park. This year we opted to stay just outside the northeast gate in a little town called Cooke City.
This would afford us the opportunity to concentrate our efforts in the
Lamar Valley as well as Mammoth Spring which is just south of the north gate
located at Gardiner Montana.<o:p></o:p></span></div>
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<span style="font-family: inherit; font-size: 12.0pt; line-height: 107%;">The first day we drove, 810.52 miles and over twelve
hours starting out at Jefferson City, Mo with our first overnight stop at Wall,
South Dakota, also home to the Badlands. Our route was west on I-70, took the
I-435 by-pass to avoid Kansas City traffic, then north on I-29 and finally west
on I-90 to Wall. Once you get to I-90
the speed is 80, four lanes all the way, and limited access and traffic. I should mention that while traveling I-90 we
did go through Iowa and it was here that we pulled off the road to capture a
picture of an Eagle nest with juveniles in it. <o:p></o:p></span></div>
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<span style="font-family: inherit; font-size: 12.0pt; line-height: 107%;">We made good time and arrived in Wall around 5:00pm
Mountain Time. We stopped at the
Badlands to stretch our legs and snap a picture or two. Behind us were two friends Sharon and Eddy
Tuschoff who were also headed out west to Yellowstone. We all gathered that evening for dinner in
Wall and to plan out our tour of the Badlands the next day. <o:p></o:p></span></div>
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</v:shape><![endif]--><!--[if !vml]--><span style="font-family: inherit; font-size: 12.0pt; line-height: 107%;">At
this time of year the Badlands were plush with green grass and the colors
amazing. We have been here before when
it reminded us of a desert. This was a
great day for wildlife photographing, Big Horn Sheep, Prairie Dogs, Bison,
Meadowlarks, and the coveted Burrowing Owl.<i>
<span style="color: #9cc2e5; mso-themecolor: accent1; mso-themetint: 153;">(Figure 1).
</span></i> </span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEFMa-emc0FdSsPabyZ_EbIPLDxuIxXsif3RbuIJ3uks-azHaBBMJ-XfSQ8NoVXZNO6DlhSazVQIq-0f8zrhSkOuXgjMVKrLh-PdcU19Ukxj1YBzreu5Gd9cW7kS3NLhqdacLp_pciUvsM/s1600/JMG2272_P_Web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEFMa-emc0FdSsPabyZ_EbIPLDxuIxXsif3RbuIJ3uks-azHaBBMJ-XfSQ8NoVXZNO6DlhSazVQIq-0f8zrhSkOuXgjMVKrLh-PdcU19Ukxj1YBzreu5Gd9cW7kS3NLhqdacLp_pciUvsM/s1600/JMG2272_P_Web.jpg" height="247" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Figure 1 Burrowing Owl</td></tr>
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<span style="font-family: inherit;"><span style="font-size: 12pt; line-height: 107%;">Sharon has been here before
and capture the Owls so she knew just where to look for them. In years past we have searched for Big Horn
Sheep will absolutely no luck but this year was to be an exception. We came across a herd of them lounging along
the peaks of the Badlands. </span><i style="font-size: 12pt; line-height: 107%;"><span style="color: #9cc2e5; mso-themecolor: accent1; mso-themetint: 153;">(Figure 2)</span></i></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKLow4g_rQ1HfD7s87wPoow7_r8WpOz5FJ7APxe8kjpC7bVDB5Z-rbQl2wpYrJ6hHpwt7SmkgqwscZ_LKfmI8068AaGnyI5nEcQy3f0y2UjFYiUDm5IbuGpjJ1aERX1MSKNors-CmlE6LB/s1600/_JMG2428_P_Web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKLow4g_rQ1HfD7s87wPoow7_r8WpOz5FJ7APxe8kjpC7bVDB5Z-rbQl2wpYrJ6hHpwt7SmkgqwscZ_LKfmI8068AaGnyI5nEcQy3f0y2UjFYiUDm5IbuGpjJ1aERX1MSKNors-CmlE6LB/s1600/_JMG2428_P_Web.jpg" height="247" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Figure 2 Ewe with lamb </td></tr>
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<span style="font-family: inherit;"><span style="font-size: 12pt; line-height: 107%;">By
noon we were ready to continue to our next leg of this trip, Sheridan,
Wyoming. This is the entrance to the Big
Horn Mountains which we crossed on our first trip back in 2006 and again in
2010. We wanted to drive this scenic
route once again heading towards Cody, Wyoming.
This second leg of our trip was only 313.16 miles/5 hours 18
minutes. We had time for a stop along
the way and Sharon suggested we visit Big Bear County USA. </span><span style="color: #554633; font-size: 12pt; line-height: 107%;">Bear Country USA, is located 8 miles
from Rapid City, features the world's largest collection of privately owned
black bears. It is a 3 mile drive through this spectacular wildlife park
nestled on 200 acres of Black Hills beauty where you'll see black bears,
grizzly bears and over 20 other species of North American animals </span><span style="color: #554633; font-size: 12pt; line-height: 107%;">like buffalo, reindeer, wolves and Big Horn Sheep. This is not your typical driving tour because
dozens of adult beer are roaming freely.
No you can’t get out of your car and windows are to be rolled up. Well we lowered them just enough and long
enough to click off a few pictures. After
the driving tour, we walked around Babyland where lots of baby bears frolic in open
compounds in the </span><span style="color: #554633; font-size: 12pt; line-height: 107%;">outdoors. </span><i><span style="color: #9cc2e5; font-size: 12.0pt; line-height: 107%; mso-themecolor: accent1; mso-themetint: 153;">(Figure 3)</span></i></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7YXMEwPFi1uEBB4mi22K5qMAPB0saiqzUyL96_l_BjMLCKnxYCGNGG-FhHtoFZN4UGaQlwOCsLgAiUWViX00qkskQQXRROjXq28J5FlQi-YEUhf_J-3ffQ9CKmC91O-PCBqrFrZcqDkOI/s1600/_DSC4728_P_Web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7YXMEwPFi1uEBB4mi22K5qMAPB0saiqzUyL96_l_BjMLCKnxYCGNGG-FhHtoFZN4UGaQlwOCsLgAiUWViX00qkskQQXRROjXq28J5FlQi-YEUhf_J-3ffQ9CKmC91O-PCBqrFrZcqDkOI/s1600/_DSC4728_P_Web.jpg" height="247" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Figure 3 Black Bear Cubs</td></tr>
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<span style="font-family: inherit;"><span style="color: #554633; font-size: 12pt; line-height: 107%;">We made it to Sheridan, WY with time to spare so we visited the
city and made our way to another dining experience. The next morning we began our trip across the
Big Horn Mountains. This drive consists
of 58 miles and the altitude ranges from 4000 ft. to 13,165ft above sea
level. The temperature was dropping with
snow/freezing rain in the forecast and I was anxious to make it across this
climbing, winding road with numerous switch backs before we ran into bad
weather. Well by the time we got to the
highest peak it was spitting snow and the temperature dropped down to 32
degrees. </span><i><span style="color: #9cc2e5; font-size: 12.0pt; line-height: 107%; mso-themecolor: accent1; mso-themetint: 153;">(Figure 4)</span></i></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ5dRLypw6iENCnSN0QbenTq6Y17z9CENjDHbyqMpqZSg4gro003VU0gTSMNhz3Y0miTwgd2NAYsovvipxVqOrMQHAJFi1pVPXyPAToZPNkiH0YppLZUhA6-JFpWr_aIum5MRG0WaVV1-3/s1600/_DSC4889_P_Web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJ5dRLypw6iENCnSN0QbenTq6Y17z9CENjDHbyqMpqZSg4gro003VU0gTSMNhz3Y0miTwgd2NAYsovvipxVqOrMQHAJFi1pVPXyPAToZPNkiH0YppLZUhA6-JFpWr_aIum5MRG0WaVV1-3/s1600/_DSC4889_P_Web.jpg" height="162" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Figure 4 Big Horn Mountains</td></tr>
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<span style="font-family: inherit;"><span style="font-size: 12pt; line-height: 107%;">It
was on this drive that I spotted a couple of Moose grazing on the side of the
road. Naturally we had to stop for a
photo-shoot. We were unable to contact
Sharon and Eddie who were behind us to tell them of our find because in this
part of the world there is no phone reception.
We continued on not wanting to linger too long in the mountains because
like I said it was cold, the temperature dropping, and lightly snowing. We hadn’t driven very far before we spotted a
small gathering of Moose in a patch of willows eating to their hearts
delight. Yep time for another stop and
another photo opt but by this time we had driven far enough down the mountain
to escape the freezing temperatures.
There were at least eight of them and they were not the least concerned
about our presence. Add to this little
or no traffic so we had this group of wildlife to ourselves. </span><i style="font-size: 12pt; line-height: 107%;"><span style="color: #9cc2e5; mso-themecolor: accent1; mso-themetint: 153;">(Figure 5)</span></i></span><span style="font-size: 12pt; line-height: 107%;"><span style="font-family: inherit;"> </span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-family: 'Times New Roman', serif; margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ63LWLzVuLvwvwxw_0bxPGroJ6CmOa4jqpbMHlcIYdsNsQ_TT9HRrbq6f1GEmMgLoyiwgoeqnCuu3I6p-UI1M4gdl18uHW9uXemvfGyuxlYhWTkBYd5WjyuBFIqOSm3M-cNvyPCtU0YWQ/s1600/_JMG2790_P_Web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJ63LWLzVuLvwvwxw_0bxPGroJ6CmOa4jqpbMHlcIYdsNsQ_TT9HRrbq6f1GEmMgLoyiwgoeqnCuu3I6p-UI1M4gdl18uHW9uXemvfGyuxlYhWTkBYd5WjyuBFIqOSm3M-cNvyPCtU0YWQ/s1600/_JMG2790_P_Web.jpg" height="235" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Figure 5 Bull Moose</td></tr>
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<span style="font-family: inherit; font-size: 12pt; line-height: 107%;">We continued our drive and continued our descent
down out of the mountains stopping along the way to let the brakes cool
off. We had a 10% downward grade and all
though our brakes did not smoke we sure could smell them. It was low gear and pumping the brakes all
the way down. </span></div>
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<span style="font-family: inherit; font-size: 12.0pt; line-height: 107%;">Coming out of the Big Horn Mountains we stopped at
the Big Horn Canyon Visitor Center and decided to take a detour and see the
Canyon. The area is noted for its
Canyon, Big Horn Sheep, and Wild Horses.
It also has a long and large desert type Dirt bike area. Rather large
mountains with a lot of young people putting their bikes through some paces. The Canyon was awesome with rich earth tone
colors. It was a beautiful day with
large Cumulous Clouds draped with a blue background.<o:p></o:p></span></div>
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Figure 6 Chief Joseph Scenic By-Way<span
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</v:shape><![endif]--><!--[if !vml]--><!--[endif]--><span style="font-size: 12.0pt; line-height: 107%;"><span style="font-family: inherit;">We
arrived at Cody, WY around 4:15 pm and took a break before driving our final
leg to Cooke City along the beautiful Chief Joseph Scenic By-Way. This is another one of those winding,
climbing, switchback roads but not as steep as the Big Horn Mountain Road. Again due to the time of year the grasses
were a plush green inviting us for a stop or two along the way to get some
great landscape shots. The earth in this
area is a rich red and surrounded by all the green grass made for a dynamite
picture. <i><span style="color: #9cc2e5; mso-themecolor: accent1; mso-themetint: 153;"> (Figure 6)</span></i> </span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-family: 'Times New Roman', serif; margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4Q7NUcHbDVdOvwoObFdq9ArdBRVX-OLiWPcINjD8xtsVNctVEojyAxSl8HL8uh1q42tnXyrIhjjYGmjh5H9vTVYAHFk3nwUgkWBAh4gUCuY63BY_2gQtV1q_okQ2x2WBjnL6M8S8J_c5N/s1600/_DSC5006_P_Web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4Q7NUcHbDVdOvwoObFdq9ArdBRVX-OLiWPcINjD8xtsVNctVEojyAxSl8HL8uh1q42tnXyrIhjjYGmjh5H9vTVYAHFk3nwUgkWBAh4gUCuY63BY_2gQtV1q_okQ2x2WBjnL6M8S8J_c5N/s1600/_DSC5006_P_Web.jpg" height="213" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Figure 6 Chief Joseph Scenic By-Way</td></tr>
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<span style="font-family: inherit; font-size: 12pt; line-height: 107%;">On June 9, 2014 we made it to Cooke City right on
schedule and checked into our motel.
Cooke City is noted for its winter sport of snowmobiling. The roads out along the Beartooth Highway are
closed during the winter. Snowmobiles
are brought in by the hundreds for rent as tourist climb into the snow packed
mountains. There were still some for
rent and we were told they would be there for a couple more weeks as the
mountains had plenty of snow left. I
considered it but opted for the park instead.
Final leg of our trip was 223.48 miles and 4 hours, 17 minutes from Sheridan,
WY to Cooke City, MT. I am not taking
into account the time we lost while stopping to photograph along the way.</span></div>
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</v:shape><![endif]--><!--[if !vml]--><!--[endif]--><span style="font-family: inherit; font-size: 12.0pt; line-height: 107%;">Monday
June 9, 2014 we headed out into the park, destination, Hayden Valley, LeHardy
Rapids, Tower Junction and Breakfast at Roosevelt Lodge. In the mornings you will see the herds of
Bison everywhere and on both sides of the road and even on the road. They are conditioned to vehicles and
photographers but make no mistake these are wild animals and as a visitor to
Yellowstone and their home, it is imperative that we give all wildlife
space. Obey the rules and keep your
distance. If you want close up shots of
these American Treasures, than buy a telephoto lens. Remember if you cross their space and they
react to protect themselves and or their young, you may be putting them in
danger of being euthanized. We have a
responsibility to protect these animals for future generations so remember
tomorrows KYDs and <b>K</b>eep-<b>Y</b>our-<b>D</b>istance. </span></div>
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<span style="font-size: 12.0pt; line-height: 107%;"><span style="font-family: inherit;">We arrived at
Hayden Valley and parked next to a couple who had a spotting scope. They were excited and shared their scopes
with us so we could see a black wolf among some Bison on the side of a
mountain. It was too far away for a
photograph but I enjoyed seeing my first wolf of Yellowstone. Several places rent these scopes so the next
time I will either rent one or buy one. Hayden
Valley is a good place to see predators in action but it may have been too late
in the morning for us, at any rate it wasn’t happening on this particular day. After several hours we headed to LeHardy
Rapids. We have been to this location
several times in years past. This is a
good place to see Pelicans riding the rapids. <i><span style="color: #9cc2e5; mso-themecolor: accent1; mso-themetint: 153;">(Figure
7)</span></i> </span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-family: 'Times New Roman', serif; margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUu4YPo0dsnYLMrQUZvU67aL2-4wI7ycjt_EEffn7v85KmvjoLts0pAjUzEa4bmr_J0eSbYfb25RoWGHZO0zRQ8IPKFlmBXtXc-feSDrKOM6tewV6N9stEWq_oGkRrZFsRv5eNeq5Zf7-Z/s1600/_JMG1558.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUu4YPo0dsnYLMrQUZvU67aL2-4wI7ycjt_EEffn7v85KmvjoLts0pAjUzEa4bmr_J0eSbYfb25RoWGHZO0zRQ8IPKFlmBXtXc-feSDrKOM6tewV6N9stEWq_oGkRrZFsRv5eNeq5Zf7-Z/s1600/_JMG1558.jpg" height="246" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Figure 7 Pelican Landing</td></tr>
</tbody></table>
</span></div>
<div class="MsoNormal">
<span style="font-family: inherit; font-size: 12pt; line-height: 107%;">The park has built a very
nice walkway with several lookouts along the shore of the river/rapids. Next it was on to Tower Junction and a short
walk to Tower Falls. This is also a good
place for a restroom break and a visit to its General Store for a cool drink
and snack. We headed back to Cooke City
and yet another trip across Dunraven’s Pass and its snow covered peaks. You climb across the mountains here on
numerous switchbacks. There is an area
near its peak where the trees are black and bare from a previous fire. With snowcapped mountains as a backdrop and
snow covered grounds beneath their towering height it makes for a beautiful
photograph. Be there when the sun is on
its rise and the snow has a crystal effect and the trees look like pillars of
silver.</span></div>
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<p class=MsoCaption>
Figure 8 Mineral Terrace<span style='font-size:12.0pt;
font-family:"Times New Roman","serif";mso-no-proof:yes'><o:p></o:p></span></p>
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</v:shape><![endif]--><!--[if !vml]--><!--[endif]--><span style="font-size: 12.0pt; line-height: 107%;"><span style="font-family: inherit;">On
Tuesday, the 10<sup>th</sup>, we headed back into the park. Today the Bison herds of Lamar Valley had
moved to lower ground so they were close to the road, on both sides of the road
and even sparing with one another on the road.
It was a good year for calving. Grazing
among the Bison you will also see Pronghorn.
One stretch of the road was restricted from cars pulling over, parking,
or from exiting your vehicle or even hiking due to a she-wolf and cubs being
in this area and crossing the road on a regular basis. We were told this was done so as not to
stress out the mother. Needless to say
we looked but never saw her. Our
destination was Mammoth Springs to photograph the Mineral Terraces <i><span style="color: #9cc2e5; mso-themecolor: accent1; mso-themetint: 153;">(Figure 8) </span></i>as well as visit Sheep Eaters
Cliff in search of Marmot. </span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-vqVtUZWv8vaJxuc-uRrZFffDd1zri147f-Rf2cZYj0DH6TXf_5fyYd3fOgx69MvtgtEU3pya_Mu_sM4tYFLP2LEl7dy7uhOOquXW9T6w3T26tJih_PwtnPL_wYbHd9nwjtgzAT1S8yO7/s1600/_DSC5143_P2_Web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-vqVtUZWv8vaJxuc-uRrZFffDd1zri147f-Rf2cZYj0DH6TXf_5fyYd3fOgx69MvtgtEU3pya_Mu_sM4tYFLP2LEl7dy7uhOOquXW9T6w3T26tJih_PwtnPL_wYbHd9nwjtgzAT1S8yO7/s1600/_DSC5143_P2_Web.jpg" height="182" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Figure 8 Mineral Terraces</td></tr>
</tbody></table>
</span></div>
<div class="MsoNormal" style="margin-top: 12.0pt;">
<span style="font-family: inherit;"><span style="font-size: 12pt; line-height: 107%;">We made it to
the terraces by 10:00am so we still had good light since it was really only
9:00am by the sun. Got to love Day-Light
Savings time if you are in to early morning photography. We stopped at a ranger station and learned
that there was a Great Horn Owl nest just across the street from them in a
cluster of trees. The ranger further
stated that the parents were probably in trees near by watching over their
young which had just left the nest. With
camera in hand I began walking the area looking up into the trees. The trees were in full foliage but luck was
with me because I spotted an adult right over head on a somewhat low branch
with no obstructions. Naturally I
focused took a test shot and then began clicking away, while standing in the
middle of the street. Cars be damned I
was not moving until I had my shot. <i>(Pictures
of this Great Horn Owl can be seen at </i></span><a href="http://www.jmgilbertphoto.com/"><i><span style="font-size: 12.0pt; line-height: 107%;">www.jmgilbertphoto.com</span></i></a><i><span style="font-size: 12.0pt; line-height: 107%;">
Go to the “New Photo” tab click on it and then select 2014 Yellowstone.)</span></i><span style="font-size: 12pt; line-height: 107%;">
Next we visited Gardiner, MT corporate office, to the Yellowstone
Association: Met with the employee
manger to learn more about living and working in the park. Next year I hope to be doing just that. In
this area is just one of the many water falls that grace Yellowstone. We visited Undine Falls once again for a
photo shot. It’s great to visit this
park at different times of the year to see the many changes it goes through
during the seasons.</span></span></div>
<div class="MsoNormal">
<span style="font-family: inherit;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 107%;">I want to start this paragraph off by telling you
that we stayed at the Super 8 in Cooke City,
Clean and comfortable but not outstanding. However, just next door to us and right below
our window was the “Bear Claw”, a bakery that made from scratch, every day,
fresh pastry’s, breads, and even breakfast.
Just one visit and we started out each morning with breakfast and a few
cookies and bear claws to take into the park with us. This place introduced me to Eggs-</span></span><span style="line-height: 17.1200008392334px;">Benedict</span><span style="font-size: small;"><span style="line-height: 107%;"> over fresh salmon. It is Wednesday and
we planned to meet up with Sharon and Eddy to visit the Upper Falls of the
Yellowstone Canyon. If you get there at
the right time and on a sunny day, usually between 9am to 11am, you can capture
a rainbow at the base of the falls in your picture. It was a short hike to the south rim trail
and a view of the falls from along the canyon ridge. Along the way we met a Marmot on the
trail. <o:p></o:p></span></span></span></div>
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<div>
<p class=MsoCaption>
Figure 9 Lower Falls-Artist Point<span
style='font-size:12.0pt;font-family:"Times New Roman","serif"'><o:p></o:p></span></p>
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</v:shape><![endif]--><!--[if !vml]--><!--[endif]--><span style="font-family: inherit;"><span style="font-size: small;"><span style="line-height: 107%;">Always
hike with a camera at ready. Yep I got a
shot of the Marmot. It was a beautiful
day with nice clouds for the backdrop.
Sharon and I decided to continue our hike to Artist Point to photograph
the Lower Falls. Eddy and Niala drove
the cars and met up with us at the end of the trail. This is a fantastic hike. Good, clean, cleared path. Trail rating would be moderate, although
there are some switchbacks that are quite strenuous in their climb. The trail travels along the Canyon on top of
its bluff. The colors are amazing with
the rich sandstone and red rock </span></span><span style="line-height: 17.1200008392334px;">coloration</span><span style="font-size: small;"><span style="line-height: 107%;">.
Along the way we saw an Osprey nest on the north side of the Canyon
Bluff, lots of birds, and thank GOD we
did not meet any Grizzly along the way even though there was a sign warning
hikers of their presence in the area.
The lower falls is probably one of the most photographed sites in the
park. </span></span><i style="font-size: 12pt; line-height: 107%;"><span style="color: #9cc2e5; mso-themecolor: accent1; mso-themetint: 153;">(Figure
9)</span></i></span><span style="font-size: small;"><span style="line-height: 107%;"><span style="font-family: inherit;"> No matter how many times I visit this location and photograph it,
I can always take another picture of this photogenic view.</span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-family: 'Times New Roman', serif; margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWgNECMdieJukrMGgfmGAiSro-H6oA-FuzQ8KA_Ae_03ccuHaTdn4g6YBX8Sd0cZ76ZO0Gi_x9BoW3eHZSwN4YMBdnzoEJAfIgP2h_X4VP7J8323iLzDjLrH8VpxBVoJyaN6r0ql7Zlre6/s1600/_JMG3150_P_Web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWgNECMdieJukrMGgfmGAiSro-H6oA-FuzQ8KA_Ae_03ccuHaTdn4g6YBX8Sd0cZ76ZO0Gi_x9BoW3eHZSwN4YMBdnzoEJAfIgP2h_X4VP7J8323iLzDjLrH8VpxBVoJyaN6r0ql7Zlre6/s1600/_JMG3150_P_Web.jpg" height="320" width="213" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Figure 9 Lower Falls-Artist Point</td></tr>
</tbody></table>
<span style="font-family: Times New Roman, serif;"><o:p></o:p></span></span></span></div>
<div class="MsoNormal">
<span style="font-size: 12pt; line-height: 107%;"><span style="font-family: inherit;">Between
the four of us we had met a lot of photographers who were gracious enough to
share wildlife sightings they had seen or heard about. We were told of black bear and her cubs prior
to Tower Falls and a Badger den at Slough Creek in the Lamar Valley. Sure enough we got some great shots of a
Cimarron Bear and some opportunities of the Black Bear and Cubs. Traffic was backed up along the road and the
ranger was nice enough to allow us to photograph the bear and cubs but they
were adamant that we all kept our distance.
The bears had been in this area for several days going from one side of
the road to the other to feed. The
mother, nor her cubs, were intimidated by all the people are their clicking
cameras. We made it to the Badger den which was not hard to find just look for all the photographers with their big
white lenses. We too joined the group,
setting up our tripods, and spraying ourselves with some repellent, the
mosquitoes were bad since we were close to a series of ponds. Like everyone in the group we settle back for
the wait. Those who had been there all day
informed us the mother was out hunting for her young. Sure enough a couple of hours later she emerged
over the hill carrying a ground squirrel in her mouth. We were all located across the gravel road
but still she hesitated upon seeing us but quickly made her way to her den and
the family awaiting her. </span><i><span style="color: #6fa8dc;"><span style="font-family: inherit;">(Figure 10)</span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-family: 'Times New Roman', serif; margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn1HdJYRAofymuofVgCTxO9nM2TzCJFe1gPl2TqPXxMKOWN3fp0cQ7VG6KbTrn6DAG2vrSGHfgJwERv2i5nyvEzFKKEQMS1C_SDVEf5aaDdboykCEHYvf2hCU09_zm2YXA-7W6E7IgER3V/s1600/_JMG3234_P_Web2.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgn1HdJYRAofymuofVgCTxO9nM2TzCJFe1gPl2TqPXxMKOWN3fp0cQ7VG6KbTrn6DAG2vrSGHfgJwERv2i5nyvEzFKKEQMS1C_SDVEf5aaDdboykCEHYvf2hCU09_zm2YXA-7W6E7IgER3V/s1600/_JMG3234_P_Web2.jpg" height="247" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Figure 10 Badger with kill</td></tr>
</tbody></table>
</span></i></span></div>
<div class="MsoNormal">
<span style="font-family: inherit; font-size: 12pt; line-height: 107%;">Thursday June 12th was another beautiful day day in the park. We worked our way back into the park and
stopped off at Slough Creek where the Badger was because Sharon had told us
that further on down the gravel road were several ponds with Yellow-Headed
Black Birds. Sure enough they were there
along with the pesky mosquitoes but we were not to be detoured from capturing
these beautiful birds on film or in our case on a digital sensor. Definitely worth the visit. As we continue
into the park Niala reminded me of an Osprey nest that Sharon had seen a couple
days earlier so that was our next stop.
I spotted an adult flying through the canyon so we set up our tripods,
got out our longest lenses and snapped on a teleconverter. While we were there shooting a family arrived
with two children one of which was a young man around 14/15 years of age. He approached me with his Nikon camera and
kit lens of 18-200mm in hand and wanted to know what we were looking out. I told him and pointed out the nest but he
was having trouble locating it. They
blend into their surroundings amazingly well.
I let the young man look through my camera to give him a point of reference. We stood here with all this big equipment yet
this young man was thrilled to be in the park with his rig. While I continue to work with this kid, Niala
struck up a conversation with his dad and learned that his dad used to be a
photographer in the military and his mom was into wildlife photography as well
shooting with a Canon and 300mm lens.
The dad was getting back into the sport and this was becoming an annual
event for the family. OK well I wanted
to make this kid’s day and since he was shooting with a Nikon interchangeable
lens camera I let him attach his camera to my tripod mounted lens. I was shooting with a 300mm with 1.4
teleconverter on it. That would give him
a reach of 420mm. Add to that his
cropped sensor of 1.5 for a maximum of 630mm.
The first words out of his mouth were WOW. After taking several pictures he thanked me
several times as did his dad. One of the
great things about photography is being able to help others, Niala and I never pass up an opportunity to
offer to take a couple or family photograph, using their cameras, if we are
near and they are taking a portrait to capture their visit or the moment. This trip was no different and we offered our
services several times, always with a grateful thanks from the subjects. </span></div>
<div class="MsoNormal">
<span style="font-family: inherit;"><br /></span></div>
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<p class=MsoCaption>
Figure 11 Grizzlyat Elk Kill<span style='font-size:
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</v:shape><![endif]--><!--[if !vml]--><!--[endif]--><span style="font-size: 12.0pt; line-height: 107%;"><span style="font-family: inherit;">Continuing
on we stopped to photograph black bear on the road to Mammoth but the highlight
of this day was a Grizzly Bear feeding on an Elk carcass some 300 to 400 yards
from the road. When we arrived and
finally found a place to park, we began shooting a pair of Sand Hill Cranes
close by the kill. This is one of
Niala’s favorites and my first opportunity to photograph these birds. Sharon and Eddy were there and we all settled
in on a hill just off the road to wait for the Grizzly to come out of the woods
to feed. Other photographers told us he was
feeding about every two hours and it was time for him to come out. Visualize if you will about 50 people with
long lens and tripods setting on the side of the road and you can imaging the
pandemonium we were creating with traffic.
Add to this that about two miles down the road a construction crew was
doing road repairs. Well the bear came
out as did a Park Ranger who informed us that we had 15 minutes and then we
would have to leave. In that fifteen
minutes I probably shot about 400 pictures of the Bear as he came out of the
woods and made his way to the Elk carcass which was lying in a creek. <i><span style="color: #9cc2e5; mso-themecolor: accent1; mso-themetint: 153;">(Figure 11)</span></i> We concluded the day by coming upon a Coyote
feeding on his kill.</span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-family: 'Times New Roman', serif; margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmo8Bo51Pkhr_fVIctfwjkz82NHQoKd7fStS_leNKQg_zMYcU5A0VxVkj1NCaaeMmHL4afvZY3FSVb3LXwMsV_T7BeVBC0jFFwlIHLfEfTnIAeqk7fB14c5P5aEiOwUfIEFgtEEr29cBRr/s1600/_JMG3861_P_Web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmo8Bo51Pkhr_fVIctfwjkz82NHQoKd7fStS_leNKQg_zMYcU5A0VxVkj1NCaaeMmHL4afvZY3FSVb3LXwMsV_T7BeVBC0jFFwlIHLfEfTnIAeqk7fB14c5P5aEiOwUfIEFgtEEr29cBRr/s1600/_JMG3861_P_Web.jpg" height="247" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Figure 11 Grizzly at Elk Kill</td></tr>
</tbody></table>
<span style="font-family: Times New Roman, serif;"><o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: inherit;"><span style="line-height: 107%;">Friday morning Niala and I headed east on the Bear Tooth highway to photograph some very large cascades and water fall. Later that day we all got </span><span style="line-height: 17.1200008392334px;">together</span><span style="line-height: 107%;"> again to hike to Trout Lake. It was an uphill hike with steep grades in sections of it. I was able to photograph some trout swimming up stream from the lake. This area is frequented by Grizzly Bears. On our way back to Cooke City we came across the Black Bear and her three cubs. The cubs were in a tree and the mother was sleeping </span><span style="line-height: 17.1200008392334px;">beneath</span><span style="line-height: 107%;"> it. No good opportunities this time.</span></span><br />
<span style="font-family: inherit;"><span style="line-height: 107%;"><br /></span>
<span style="line-height: 107%;">Saturday we
got up early around 5am to allow us time to have breakfast at the Bear Claw
Café prior to heading home. It was a
beautiful morning with some cloud cover and a full moon. </span><i style="line-height: 107%;"><span style="color: #9cc2e5; mso-themecolor: accent1; mso-themetint: 153;">(Figure
12)</span></i></span><span style="line-height: 107%;"><span style="font-family: inherit;"> I set up to attempt to
capture the shot. During breakfast the owner’s
husband called from Mammoth and told his wife a major snow storm was headed our
way. </span><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="font-family: 'Times New Roman', serif; font-size: 12pt; margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxykdGp29sW6PCDooTK6DtlgCDrzTROZnyplnoxzMy1t-QVKeUAQsGjAXBs6OKRJ2Jvn-j8P_X2rShS2Dq75LsqUiRgrR63ZUWqPv8em104uJw5qsz6PkUD40ZywaxShz9cEpbDq-EUfdc/s1600/_DSC5415_P_Web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxykdGp29sW6PCDooTK6DtlgCDrzTROZnyplnoxzMy1t-QVKeUAQsGjAXBs6OKRJ2Jvn-j8P_X2rShS2Dq75LsqUiRgrR63ZUWqPv8em104uJw5qsz6PkUD40ZywaxShz9cEpbDq-EUfdc/s1600/_DSC5415_P_Web.jpg" height="247" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Figure 12 Moon Over Montana</td></tr>
</tbody></table>
</span></div>
<div class="MsoNormal">
<span style="font-family: inherit; font-size: 12pt; line-height: 107%;">We finished breakfast and hit the
road. I wanted to get over the Chief
Joseph Scenic By-Way before the storm hit.
Half way into the mountains we saw the storm moving in. The clouds were grey and dense in their
cover. We learned from Sharon that it
was a heavy storm. </span></div>
<div class="MsoNormal">
<span style="font-family: inherit; font-size: 12pt; line-height: 107%;"><br /></span></div>
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Figure 12 Moon over Montana<span style='font-size:12.0pt;
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</v:shape><![endif]--><!--[if !vml]--><!--[endif]--><span style="font-family: inherit; font-size: 12.0pt; line-height: 107%;">We
made it to the eastern part of Nebraska where we ran into two major storm
fronts one to our south and one to our north and both moving in the same
easterly direction as us. At one point
we pulled into a gas station just in time to avoid a hail storm. We decided to go ahead and get something to
eat when we heard on the local news that severe tornado warnings were in the
area. It got really dark but Niala
thought we could get ahead of the storm so resumed our travel. All I can say is I have a new respect for
nature. The heavens were full of energy
lighting up the skies with a vengeance.
It was another 10 miles down the road before we gave up and pull off and
got a motel for the night. We later
learned of numerous tornados which touched down in the area where we had been. The rest of our drive was uneventful and we
made it back to Jefferson City ahead of schedule. The final tally, I took 2,611 pictures and I have processed 65 of them. We drove 2,694.32 miles to and from Yellowstone and another 500 miles in the park. It took us 21.5 hours to drive from Jefferson City, MO to Yellowstone National Park. </span></div>
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<span style="font-family: inherit;"><span style="font-size: 12.0pt; line-height: 107%;">If you would like to see more pictures of our
trip please visit </span><a href="http://www.jmgilbertphoto.com/"><span style="font-size: 12.0pt; line-height: 107%;">www.jmgilbertphoto.com</span></a><span style="font-size: 12.0pt; line-height: 107%;"> Go to the “New Photo” tab click on it and
then select 2014 Yellowstone. Thanks for stopping by and please, become a follower to this Blog.</span></span></div>
John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com0tag:blogger.com,1999:blog-2442848430539673379.post-21673909385140141432014-07-08T18:46:00.000-05:002014-08-11T09:41:23.529-05:00OXBOW BEND-GRAND TETON NATIONAL PARK<div align="center" class="MsoNormal" style="border: currentColor; margin: 0in 0in 0pt; text-align: center;">
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<span style="font-family: "Arial", "sans-serif";">GRAND TETON NATIONAL PARK</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRU-MWfB6JLwOGYWfu9JgnXSVlv7NxOTBwQofQekiJkcRkZ04p0BCCVnB7FBhLjoU85pSSwO6oxXk5QB7b9dQd9kQXx3_9_WB__XvwXj8V7vjertmRlfliye7ysYaWUMceUbNSNLcgHIV3/s1600/_DSC5869_pp.jpg" imageanchor="1" style="clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRU-MWfB6JLwOGYWfu9JgnXSVlv7NxOTBwQofQekiJkcRkZ04p0BCCVnB7FBhLjoU85pSSwO6oxXk5QB7b9dQd9kQXx3_9_WB__XvwXj8V7vjertmRlfliye7ysYaWUMceUbNSNLcgHIV3/s320/_DSC5869_pp.jpg" height="213" oda="true" width="320" /></a><span style="font-family: "Arial", "sans-serif";">This is probably the most photographed<span style="mso-spacerun: yes;"> </span>place in the Grand Tetons National Park and rightfully so.<span style="mso-spacerun: yes;"> </span>But you must be there at the right time day and that is very early in the morning.<span style="mso-spacerun: yes;"> </span>This picture, which by the way is a RAW file, was taken in the wee hours of the morning.<span style="mso-spacerun: yes;"> </span>I arrived at 5:30AM in order to get a good spot.<span style="mso-spacerun: yes;"> </span>Since this view is right on the main drag it is always crowed with lots of photographers with the same idea as mine.<span style="mso-spacerun: yes;"> </span>A series of storms had just passed through leaving the air clean and clear and with beautiful clouds.<span style="mso-spacerun: yes;"> </span>Let me set this shot up for you.<span style="mso-spacerun: yes;"> </span>I used a Nikon D700 full-frame, love this camera.<span style="mso-spacerun: yes;"> </span>Full frame cameras have a larger sensor whose pixels are also larger than those of a cropped camera.<span style="mso-spacerun: yes;"> </span>Larger pixels absorb more light and produce less noise.<span style="mso-spacerun: yes;"> </span>I prefer to shoot in RAW format because it captures more data.<span style="mso-spacerun: yes;"> The downside is it also produces much larger files. </span><span style="color: #3c3c3c;">It has been my experience that RAW file right out of the camera appear to be flat or somewhat muted.<span style="mso-spacerun: yes;"> </span>But the data is there you just need to take it into your electronic dark room and develop it or post process it.<span style="mso-spacerun: yes;"> </span>One more thing when you view a picture shot in RAW on your LCD monitor it will look much better than when you down load it.<span style="mso-spacerun: yes;"> </span>Why? Because your camera's LCD shows the RAW picture in a JPEG format.<span style="mso-spacerun: yes;"> </span>OK back to set up.<span style="mso-spacerun: yes;"> </span>With light this low this shot will require a tripod.<span style="mso-spacerun: yes;"> </span>This is definitely not a hand held exposure.<span style="mso-spacerun: yes;"> </span>In addition I was going to use a polarizer to pick up the reflections of the mountains and the clouds in the water.<span style="mso-spacerun: yes;"> </span>What a gorgeous morning it was.<span style="mso-spacerun: yes;"> </span>It was cold enough for a jacket, hat, and gloves.<span style="mso-spacerun: yes;"> </span>Between the morning chill and the warm water a nice fog appeared on the surface of the mirrored river.<span style="mso-spacerun: yes;"> </span>I took lots of shots that day because that's what photographers do, right?<span style="mso-spacerun: yes;"> </span>Truthfully you want to take lots of exposures because the light changes by the seconds and each shot can be different.<span style="mso-spacerun: yes;"> </span>This also affords you the opportunity to try out different settings.<span style="mso-spacerun: yes;"> </span>For this shot I opted to set my camera on f/16 to get a lot of depth-of-field (DOF).<span style="mso-spacerun: yes;"> Using this DOF I was able to get a portion of the foreground in focus and a lot of the background as well.</span><span style="mso-spacerun: yes;"> </span>I shoot in manual mode. In order to get the right exposure I had to set my shutter speed to 2.5 seconds.<span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>If you used this setting in broad daylight your picture would be a total white screen like a sheet of paper.<span style="mso-spacerun: yes;"> </span>But remember this is very early in the morning and there is very little light.<span style="mso-spacerun: yes;"> </span>This picture looks like there is a lot of daylight but believe me it was so dark that I could not see my setting without a flash light.<span style="mso-spacerun: yes;"> </span>My ISO was set at 200.<span style="mso-spacerun: yes;"> </span>I used my best lens, the Nikon 24-70mm f/2.8 with the focal length set at 66mm.<span style="mso-spacerun: yes;"> </span>I also set my camera to a 10 second delay to minimize any camera shake on my part.<span style="mso-spacerun: yes;"> </span>The best advice I can give you is to get your hands off the camera to help ensure sharpness.<span style="mso-spacerun: yes;"> </span>Well that is the set up so let's go into the digital darkroom.<span style="mso-spacerun: yes;"> </span>I use CS5 and Bridge as my RAW converter.<span style="mso-spacerun: yes;"> </span>I opened the file in Bridge and then took it into HDR Efex PRO and processed it using the tone map application.<span style="mso-spacerun: yes;"> </span>I selected the 02 Realistic Balanced Pre-set and then reduced the strength of the settings and clicked OK.<span style="mso-spacerun: yes;"> </span>This immediately takes the picture into Photoshop, where the first thing I do is save it as a tiff file.<span style="mso-spacerun: yes;"> </span>This will allow me to open it back up in Bridge which I did </span></span><shape id="Picture_x0020_2" o:spid="_x0000_s1026" style="height: 196.5pt; margin-left: 189pt; margin-top: 155.25pt; mso-position-horizontal-relative: text; mso-position-horizontal: absolute; mso-position-vertical-relative: text; mso-position-vertical: absolute; mso-wrap-distance-bottom: 0; mso-wrap-distance-left: 9pt; mso-wrap-distance-right: 9pt; mso-wrap-distance-top: 0; mso-wrap-style: square; position: absolute; visibility: visible; width: 295.5pt; z-index: 1;" type="#_x0000_t75"><imagedata o:title="_DSC5869_HDR" src="file:///C:\Users\John\AppData\Local\Temp\msohtmlclip1\01\clip_image003.jpg"></imagedata><wrap type="square"></wrap></shape><span style="color: #3c3c3c; font-family: "Arial", "sans-serif";">only to spike up the black slider, thereby enhancing the colors. However, this was the only additional global processing I did.<span style="mso-spacerun: yes;"> </span>What I did next was to do some selective processing using the dodge tool to add some light to the trees.<span style="mso-spacerun: yes;"> </span>I did this on a layer.<span style="mso-spacerun: yes;"> </span>Then I created a Hue/Saturation Layer and selected the Red Channel in order to pump up the reds and oranges.<span style="mso-spacerun: yes;"> </span>This also brought out the purples in the clouds and reflections in the water.<span style="mso-spacerun: yes;"> </span>Next I flattened all the layers, added another adjustment layer and sharpened the picture and then flattened in again and saved it as a PSD.<span style="mso-spacerun: yes;"> </span>This allows me to go in and resize it for print.<span style="mso-spacerun: yes;"> </span>I save each re-size with a different file name usually by adding an underscore and another number.<span style="mso-spacerun: yes;"> </span>Well that's it and here is the final product.</span></div>
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John Gilbert Photographyhttp://www.blogger.com/profile/14173751519395635680noreply@blogger.com0